How colour helped tell the story of the Peaky Blinders
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
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Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
The June edition of TVBEurope is now available to read online and download
The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
"We have to be able to share media and collaborate and cross boundaries that are far beyond expensive tin in a facility," LWKS CEO...
The scheme includes both practical and theoretical elements and is designed to give junior operators a comprehensive understanding of the technologies typically used in collaborative...
The Finish Line's Zeb Chadfield talks about learning to edit by cutting tape to tape on video, and why he tries to approach every...
Company has also restructured its audio department, promoting Jon Gray to head of audio and hiring Andrew Wilson as senior re-recording engineer
SMPTE ST 2117-1 (VC-6), is a multi-layer coding standard that utilises in-loop AI techniques
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
New contract will see a technology refresh, including a change to Adobe Premiere editing platforms and the implementation of a new asset management system
How Madrid-based post production house Twin Pines worked on 1,000 digitally retouched shots for new drama, La Fortuna
Company is also welcoming a number of new editors as it looks to expand its premium services in the high-end documentary space
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Broadcaster has implemented 31 Fairlight Advanced Consoles in two bay systems, across 24 regional newsroom hubs throughout France
TVBEurope talks to Take 1 CEO Louise Tapia about the company's work providing subtitle and localisation services to broadcasters and streaming services, as well...
Company says the expansion is driven by the "massive production boom" in the UK
New premises includes four finishing and audio suites, as well as 25 remote offline and four online finishing suites
Channel 4 comedy We Are Lady Parts in the most nominated show, receiving five nods
According to the DPP's The Cloud for Media series of reports, which are based on input from over 60 companies, an entirely new breed...
Outsourcing services in colocation data centres will open up an array of new opportunities to establish crucial interconnections and ensure scalability, flexibility, and security...
Paul Clennell, chief technology officer at dock10, gives TVBEurope an insight into the facility's ten years in operation, and the technological innovation that has...
John Cochrane has been promoted to senior manager of finishing, while Mick Logue takes moves up to senior manager of sports delivery within post...
In this issue, we focus on augmented reality, virtual reality and post production
Facility is linked to X2X Creative's other location across the road via dark fibre optical connectivity
Monitor's features include 4K/UHD operation, 10G IP input and 12G-SDI interfaces
The libraries can store VFX practical elements as well as textures, reference images, clips from the internet or the matte painting library
Viktor Underwood, CEO at Quickchannel, warns deepfakes have the power to disrupt and damage trust in broadcasting
Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Gilbert will be tasked with overseeing the company's technical operations across both its sites in London and Bristol
Molinare Production Services to be led by new head creative Darren Rae, whose appointment reunites him with some familiar faces
Boutique post production house has also upgraded its Baselight capabilities to 4K
He has been tasked with developing Molinare's production services division to focus on new areas of business that feed into the company's already existing...
Deal, worth €30 million, was first announced in January
Everyone knows that the TV and film industry has gone through fundamental changes over the past 12 months. From pre-production to post, new technology...
New product is compatible with Blackmagic Resolve, FilmLight Baselight, Adobe Premiere, Avid Media Composer, Apple Final Cut and Autodesk Flame
A mockumentary shooting style and an encouragement to ad-lib has tickled the nation's funny bone enough to launch Meet the Richardsons into a second...
Company makes significant kit and infrastructure investment to support remote and hybrid post production in post-Covid era
New remote editing solution can facilitate multiple edits remotely or in the facility and enables editors to securely share their screen, live, with other...
Timeline North provided both on-location edit facilities and remote post production