Sky Production Services reshuffles senior management teams
John Cochrane has been promoted to senior manager of finishing, while Mick Logue takes moves up to senior manager of sports delivery within post...
X2X Creative opens Soho-based post production and HDR suite facility
Facility is linked to X2X Creative's other location across the road via dark fibre optical connectivity
Stuart Gilbert appointed head of technical operations at Evolutions
Gilbert will be tasked with overseeing the company's technical operations across both its sites in London and Bristol
Molinare launches new production services department
Molinare Production Services to be led by new head creative Darren Rae, whose appointment reunites him with some familiar faces
Darren Rae joins Molinare to lead creative production services
He has been tasked with developing Molinare's production services division to focus on new areas of business that feed into the company's already existing...
Streamland Media finalises acquisition of Technicolor Post
Deal, worth €30 million, was first announced in January
Colorfront aims to deliver colour fidelity for remote post production
New product is compatible with Blackmagic Resolve, FilmLight Baselight, Adobe Premiere, Avid Media Composer, Apple Final Cut and Autodesk Flame
Post production house Evolutions develops home-based editing workflow
New remote editing solution can facilitate multiple edits remotely or in the facility and enables editors to securely share their screen, live, with other...
Timeline North creates remote post production workflow for The Amelia Gething Complex
Timeline North provided both on-location edit facilities and remote post production
Case study: Wash crosses The Bridge from SDR to HDR
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Timeline delivers offline post production facilities for The Serpent
Company provided a secure dailies delivery service as well as remote access to edit facilities.
Turning short and medium term plans into a sustainable infrastructure for studios to grow
pixitmedia MD Paul Cameron considers which new solutions put in place in 2020 could evolve and disrupt the media and entertainment industry in 2021.
Avid announces debt refinancing, expects to improve cash flow by $10 million
Avid said the terms of the new credit facility will provide it with significantly incremental flexibility to support its strategy and growth plans.
Post production house The Finish Line races to the Cloud with Object Matrix
Company will move its archive from the public Cloud.
How ZDF series ‘Sløborn’ was graded using black magic
With its plot centering around a deadly virus hitting a small island community, ZDF’s latest drama series, ‘Sløborn’, could not have been more timely....
Case study: Union VFX bursts into the Cloud with ngenea
How the VFX studio employed pixitmedia's on-demand data management solution for its work on Apple TV's For All Mankind
Nu Buyana Fim Studios opens London post production facility
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
Inter-company content exchange for the modern media supply chain: An explainer
Rick Clarson, chief strategy officer at Signiant, explains why moving highly sensitive, large, complex data sets between companies requires a new approach.
Tyrell launches set of bespoke Cloud services for media and entertainment industry
tms aims to allow anyone involved in content creation to take advantage of the Cloud
New Innovation Motion Capture Studio to be based in Bristol
New facility will look at high-end and affordable mo-cap, content generation for TV, film, VR and AR and development of intelligent tools for post...
Free white paper: post production tools equip workflows for 4K and HDR surge
Telestream's new white paper breaks down the challenges posed by 4K, HDR, WCG and UHD in colouration, luminance and pixel density
How the EastEnders production team returned to a Covid-safe Albert Square
Philip Stevens investigates the production processes put in place to bring EastEnders back to BBC One