Lowering the cost of virtual production
BBC Research & Development’s Osmia VP project is reimagining virtual production to make it cheaper and greener. Jenny Priestley speaks to Hell Raymond-Hayling to...
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BBC Research & Development’s Osmia VP project is reimagining virtual production to make it cheaper and greener. Jenny Priestley speaks to Hell Raymond-Hayling to...
The new facility near Stuttgart features Brompton Technology LED processing to support a broad range of productions
The company said the move enables to work alongside the facility's stage and virtual production clients, as well as its growing hub for AI-driven...
Building on the 2021 installation of the first virtual production wall in the UK, Garden Studios has added a larger stage purpose-built for driving...
Initially developed for the broadcaster's coverage of the FIFA World Cup 2026, the technology is now being used on BBC One's flagship football show
Featuring talks from talks from producers, directors and more, the event will explore the impacts of AI on virtual production's pipeline, productivity, and creativity
The multi-purpose Canada Water venue features Mo-Sys technology including robotics and virtual production technology
Bringing its technology stack together in a single platform, Pixotope aims to provide a reliable, consolidated solution for virtual production teams
Ivan Reel, director of business development at StradaXR, explores how virtual production is widening access to cinematic storytelling for independent producers and broadcasters
Ihor Chupryna, stage director and stage designer at WePlay Studios explains why the virtual stage should be treated as central to production
The NFTS and Lucasfilm have joined forces on a new programme covering virtual production and visual effects
The 2x8 metre curved LED wall was broadcast-ready in just two days
Artificial intelligence is quietly evolving virtual production workflows. But, asks Robert Szczepankiewicz, is this simply an upgrade of existing tools, or the start of...
The virtual environments precisely aligned with the physical studio space using LiDAR scanning and camera calibration
Developed by fivefold studios, the virtual production elements used a 30m-wide by 4m-high ROE Visual BP2V2 LED wall driven by four Brompton 4K Tessera...
The first tranche of 16 mid-to-senior level crew and emerging talent across film, HETV, broadcast and more in Wales received hands‑on training in real‑time...
Multiple projects are supporting broadcasters at different stages of the World Cup production chain, from live programme production to AR graphics, signal management, channel...
ITV Sport's New York studio has been a big hit with viewers. TVBEurope talks to Jim Mann, creative director at Lightwell, about how it...
Hell Raymond-Hayling, production and AI researcher at BBC R&D, previews some of the talking points from next week's AV and Broadcast Summit, including their...
Rob Chandler, founder of global virtual production network Starting Pixel, discusses where virtual production is delivering real value today. He will be among the...
Customisable 3D graphics enable branding or objects to be placed, changed or removed in real-time during visual podcasts
According to reports, the company is "waiting for the right moment" to make a bid for Epic Games
The stage layout reduces vehicle repositioning, with approximately 90 per cent of camera angles achievable using a single 180-degree rotation
Bolting onto almost any car, the solution generates repeatable steering and rumbling motion synced to video plates or LED backgrounds
In the last of our series looking at media tech in the coming year, industry leaders give TVBEurope their predictions as to how content...
The West London facility served as the film's main production hub as well as providing virtual production for its driving scenes
The deployment combines floor, ceiling and backdrop panels to create a five metre high floor-to-ceiling LED volume
The studio is the first educational and commercial facility of its kind in the UK to feature both Sony Verona panels for virtual production...
Production company EMAV worked with system integrator VANTeC, which designed, integrated and commissioned the facility's entire system
Blending traditional techniques with digital environments, The Great Ice Cream Hunt marks the first time the channel has used the technology
The initiative marks the first time a multi-camera production with three tracked cameras is being implemented live in virtual production
The studio will be powered by 400 Ruby 2.6 LED panels from Roe Visual and the Megapixel Helios LED processing platform
Bringing the CUBE StudioX solution to The Studio Barn allows users to combine virtual production capabilities with the Bristol studio's facilities and expertise
The integration enables creatives to concentrate on shot tracking, camera blocking and other adjustments without worrying about lens and camera positioning when planning the...
Fadi Radi, chief creative officer and revenue and business development executive at Blinx, tells TVBEurope how XR turned fiction into reality for a Squid...
Adrian Jeakins, director of engineering at Brompton Technology, discusses how the company is addressing the wide industry interest in AVoIP and the challenges it...
The integration allows creators to choose between traditional mesh-and-texture workflows or Gaussian Splatting, depending on their production needs.
Disguise X1 aims to allow production teams to scale their visual workflows with on-the-go access to its Designer solution
At 12 metres high and with a 50 metre diameter, the 270-degree LED screen covers approximately 1,700 square metres
TVBEurope talks to Jim Mann, creative director at Lightwell, and BBC Sport's design director John Murphy, about the technology powering the broadcaster's virtual studio
The initiative aims to broaden the skillsets of women working in the creative industries across Europe
Key to the transformation is the integration of four Absen LED walls, driven by three Brompton 4K Tessera SX40 LED processors