Zixi, AWS test 4K and 8K broadcast workflows over 5G
Zixi's SDVP leverages ultra-low latency access to AWS compute and storage services enabled by AWS Wavelength at the Verizon 5G Edge to process UHD...
Industry companies unite to form globalisation association
Sixty companies from across the industry have combined to form the first Entertainment Globalization Association
Lost in translation: UK hits language barrier with international content
Consumers in UK and South Africa show limited enthusiasm for foreign language content, while streaming services adopt different approaches to content localisation
Disney Plus smashes expectations as subs hits 73.7 million
Platform reaches 2024 subscriber goal within 12 months of operation, but may need more baby Yodas and original content offerings to maintain (and retain)...
Why the paradox of choice will bring content together in virtual channels
Unified Streaming's Simon Westbroek explains why using playlist-based workflows offers content owners an opportunity to go a step further and curate channels from a...
Spin Digital releases HEVC encoder for 8K live video
Spin Enc Live can compress both 4K and 8K content in real-time at low bit rates, and includes modules for input capture and output...
How consumption habits are disrupting traditional broadcast models
Olivier Bovis, head of sales for Media Solutions, Sony PSE, explores the rise of SVoD, the challenges of evolving broadcast schedules, digital business models...
Sky Deutschland’s Das Boot sets sail in 8K and Dolby Atmos
Show will be the first international series available in 8K.
Norway’s TV2 to kick off EPL 4K broadcasts next month
First match will be Manchester United's game against Arsenal
Ultra HD Forum to release Watermarking API, updates guidelines
The generic C-language API enables the interfacing of a transcoder and a watermark pre-processor (WMP).
What impact will Apple’s iPhone 12 have on the media industry?
Production, editing, distribution and consumption are all likely to be impacted by Apple's latest phone
A journey inside BFI London Film Festival’s VR platform, The Expanse
TVBEurope takes trip under the Thames to visit the London Film Festival's new virtual reality platform, The Expanse
Trust and relevancy: Why there will always be a TV in the living room
Harry Harcus, managing director, UK, Finecast argues the death of the TV has been greatly exaggerated
Imagine takes Discovery Sweden, Finland ad-management to the Cloud
According to Imagine, the move will reduce infrastructure costs, increase performance and improve management of linear airtime sales across the advertising ecosystem.
Ampere: UK SVoD and BVoD users neck-and-neck in Q3
Analysts found SVoD viewing has remained high in the UK even after the lifting of lockdown
Eastern Europe predicted to add 16 million SVoD subs by 2025
Subscriptions predicted to more than double from the 10.26 million recorded by end-2019
BBC Three ‘lost up to 70 per cent of its audience’ with move to online
New report looks at the effect moving BBC Three away from linear TV has had on the channel
Subscriber ‘guilt’ set to test post-pandemic OTT growth
Streaming services set for post-pandemic battle for subscribers during global recession
How BBC One and iPlayer captured mood of nation during lockdown
Speaking at the 2020 Virtual Edinburgh Television Festival, director of BBC content Catherine Moore elaborated on BBC One's key role in uniting communities around...
Ofcom: PSB audiences hit highs and lows during lockdown
Ofcom has published its annual Media Nations report
Live TV, VoD, video streaming see drops following easing of lockdown
Latest iteration of Havas Media report shows TV consumption is dropping as more people head out after lockdown
French news channel launches ‘world’s first’ live vertical format for mobile
The technology has been developed by Altice France in collaboration with French start-up Wildmoka
YouTube not required to reveal private details of pirates rules ECJ
German court sought the ECJ's guidance on what video platforms must do to combat film piracy
Global online video use increases 4x compared to pre-pandemic
Current global average for online video viewing is four hours and 3 minutes per day