How Nat Geo captured Artemis II’s launch in slow motion
The broadcaster employed the s2.5k by Freefly Systems, a high-resolution, slow-motion camera, to record the blast-off at 2,000 frames per second
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The broadcaster employed the s2.5k by Freefly Systems, a high-resolution, slow-motion camera, to record the blast-off at 2,000 frames per second
Video Object and Interaction Deletion (VOID) can delete an object from a scene and rebuild it as if the object never existed in the...
The facility is equipped with three Sony FR7 robotic cameras and Nanlite professional lighting, as well as Shure SM7B broadcast microphones and Genelec speakers
Visitors will also be able to see the Museum's 1968 vintage Southern OB truck, which will be shown working with its cameras in Studio...
The partnership gives the Lab access to Magnopus' spatial intelligence platform, which enables the creation of cross-reality environments for VR headsets, AR apps, and...
ImSoPROD has updated its camera fleet, deploying 14 Grass Valley LDX C98 compact cameras across its production facilities
The five programmes with the most nominations across both the Craft and TV Awards are Adolescence (11), A Thousand Blows (7), Andor and Trespasses...
When complete, the Marlow Film Studios project will include 18 sound stages and could create over 4,000 jobs across the film and TV sector
Digital imaging technician and image workflow specialist Matt Conrad acquired DSC Labs last summer and has been appointed CEO
A recent RTS Technology Centre event brought together production innovators and industry specialists to examine how accessible design and inclusive production practices are reshaping...
For Norwegian sci-fi thriller Kraken, senior colourist Dylan Hopkin (Shortcut Oslo) developed a DI workflow in DaVinci Resolve Studio, balancing creative intent, complex VFX...
Ahead of Hollywood's biggest night, TVBEurope looks back at our coverage of some of this year's Academy Award nominees
As the UK’s first off-grid production company, Factual Fiction is determined to minimise its environmental impact. Matthew Corrigan meets directors Emily and Tom Dalton...
Work on the first phase of the transformative 1.5 million sq ft TV and film production facility is expected to get underway in summer
Colourist Tashi Trieu employed DaVince Resolve to work on 16 discrete master of the film, which were divided into 15 reels
New sound stages and ancillary workshops will modernise the 64 acre site which has been owned by Netflix since 2021
The move aims to strengthen factual, unscripted, and entertainment capabilities for Home
HONOR's forthcoming ROBOT Phone will integrate core cinematic imaging principles drawn from ARRI's Image Science Foundation
Created by AI-first production studio Particle6, Tilly Norwood garnered attention around the world when she debuted last autumn. Jenny Priestley talks to CEO Eline...
Cinematographer William Rexer discusses the film's visual inspirations drawn from Baroque masters like Caravaggio, and the challenges of lighting the film using candlelight, the...
Quick Cut enables Firefly users to upload their own B-roll or generate new footage and instantly turn it into a structured first cut, said...
The investment is one of BCU's biggest in its film, photography and media programmes since the Parkside building opened in 2014
The new space, named The Netflix Lounge at NFTS, will serve as a hub for collaboration, creativity and exchange between students, alumni and visiting...
The plans, which include two new studios, will increase the West Yorkshire production facility to more than 30 acres
The studio’s camera lineup includes the FX2, FX3 and FX30, which are being employed on TV productions, podcasts, unboxings, interviews, explainer videos and fashion...
The move follows the Clear Angle Studios' acquisition of the IP and technology of facial capture company DI4D
The company said it intends to continue developing Griptape’s offering to meet the demands of VFX and animation pipelines and will integrate it with...
Since 2019, the region has welcomed more than 1,600 productions adding £150 million to the local economy and creating more than 5,000 jobs
Cinematographer Dale Campbell explains how Blackmagic's PYXIS 12K camera helped create a sharp and cinematic finish for TWG Tea's advertising campaign
According to the partners, unifying assets, standards, and governance into a single foundation will allow productions in all media formats to work in tandem,...
According to Futuresource Consulting, the home studio market captured 55.3 per cent of total studio and broadcast revenues in 2025
The figure rose by 17 per cent compared to the previous year, and was the third highest annual spend since tax relief was introduced...
The ambitious project used 700 3D-printed miniature figures for the opening credits of the BBC's Winter Olympic coverage
Vertical format microdramas have become a worldwide sensation over the last five years. Monica Heck explores the technology behind the phenomenon
Paul Thomas Anderson's One Battle After Another leads the full list of nominations with 14, just two less than the record set by Gandhi
As AI adoption continues apace, the latest report from McKinsey and Company explores potential outcomes across production workflows
The company has also included a new Frame.io V4 panel that keeps users in the edit while bringing in comments, media, and versioning
Replacing dedicated hardware with software, Pulsar allows up to four live video feeds to be streamed from a single machine with no additional encoding...
The new features aim to extend the creative and operational flexibility of the Proton camera range
Continuing our series of articles on the year ahead, leading figures from across the media and entertainment world give TVBEurope their thoughts on the...
Hitomi Hamaba, product manager, Sony Europe, explains the growing importance of building systems that make truth verifiable
Having produced a festive smash for Channel 4 in 2024, Salford’s King of Sunshine Productions set out to do it again with Nordic Train...