The Story Collective opens “largest film and TV studio in the heart of London”
The Story Collective has gradually repurposed the former Mortlake Brewery to include production offices, workshops and sound stages
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The Story Collective has gradually repurposed the former Mortlake Brewery to include production offices, workshops and sound stages
Notorious DIT will work with the Liverpool Film Office to increase opportunities for regional talent
The writer and director of a hit Czech series tell Robert Shepherd about their approach to portraying real-life Pakistani kidnappings on the small screen,...
Entitled Our Creative Future, the manifesto calls for ‘radical new action’ to respond to key issues facing the sector, such as removing barriers to access...
Cameron also said he recognised Marlow as a potential UK and European base for his new company, LIGHTSTORM 3D
Simon Wilkinson, head of VFX at 1185 films, talks about the technology behind the newly-released horror
Ann Keefe, Regional Director - UK and Ireland at Kingston Technology, explains how storage and memory decisions made now are underpinning creativity in the...
Colorfront has introduced AI vision-analysis tools to assist master QC operations with detecting framing anomalies, dead pixels, bright titles and sparkles
New generative AI tools will enable users of Adobe Premiere Pro to streamline editing all videos, including adding or removing objects in a scene...
Coles enhanced colour separation, adding shape and depth to the characters through the use of a soft highlight and shadow roll off, and embracing...
SiliconCore's patented Common Cathode driver chip delivers frame rates of 240 Hz and a refresh rate of 7680Hz, enabling slow motion, multi-camera view and...
The company has also unveiled DaVinci Resolve 19, which adds new AI tools, as well as over 100 feature upgrades
Cinedeck's new ConneX Hub master tool leverages Adobe Frame.io and the company's ConneX products
Producer/directors Stuart Armstrong and Will Lawson detail the specialist cameras used to capture the footage for the series' Dark and Cold episodes
Jenny Priestley meets a group of enthusiasts who are working to preserve TV technology from across the decades, including cameras, OB trucks and telecine...
The Committee has recommended the establishment of a cross-departmental Freelancers' Commissioner
Nara can natively decode and playback a wide selection of media without the need to transcode to proxy files
UNIT will now have numerous VFX suites housing Flame, Flame Assist, Nuke and Nuke Studio, while the lower ground floor will house MCR, QC...
The collaboration aims to provide content producers with streamlined subtitling processes through the use of AI and automation, enabling them to extend the reach...
The office is equipped to embrace a hybrid way of working so teams can collaborate no matter where they are based, added the company
The technology provider for the live media and entertainment industry is marking its 65th anniversary with a cluster of breakthrough camera and switcher enhancements
The Media Coding Industry Forum is exploring ways to develop end-to-end film-grain management for modern digital environments
Elsewhere, Adobe revealed a new feature in Adobe Firefly, which uses the company's generative AI to easily apply the structure of an existing image...
The studios are expected to be one of the largest in Europe, with 20 premium sound stages suitable for major feature film and high-end...
Twelve Labs' AI will enable editors to locate specific storytelling moments within their video content using natural language, said the companies
The Surrey facility adds a further 17 sound stages (taking its total to 31) as well as two new backlots
Other Craft Award nominees include The Crown, Silo, The Coronation Concert and Eurovision
Take Off is a game show where science and innovation meet competition. With 12 contestants pitted against one another in a series of challenges,...
Jane Sung, COO at Cinedeck, explains how broadcasters and content production companies can achieve the goal of moving towards creating a more sustainable, efficient...
Blazing Griffin's technical operations manager Paul Martin explains how the company keeps production workflows running smoothly with the help of Media Shuttle from Signiant
Vine FX blends practical and CGI elements for ITV's After the Flood, crafting immersive world-building crucial to the post-disaster thriller's authenticity, writes Robert Shepherd
The update enables users to repurpose existing video content by editing recordings into clips, highlight reels, or condensed versions for specific audiences
The speakers will discuss why there are so few women in senior roles, juggling parenthood with a career, LGBTQ+ representation and inclusion, financial literacy,...
According to UK Screen Alliance estimates, the tax relief changes are likely to stimulate an additional £175 million of VFX work to be performed...
Godzilla Minus One director Takashi Yamazaki explains how Maxon's ZBrush helped create the look of the iconic monster's latest big screen outing
The producers of thriller No Way Up tell Robert Shepherd how they created visually stunning scenes set in the Pacific Ocean, from Basildon and...
The strategy aims to increase the screen sector gross value added (GVA) impact to £1 billion within the Scottish economy by 2030/31
Cinematographer Greig Fraser discusses some of the innovative technology used on Dune 2
Hula Post's Joel Ouano talks to TVBEurope about how the post production house worked with editor Pam Martin to provide equipment for her work...
TVBEurope talks to the production team behind Channel 4's "social experiment" to find out how they enabled viewers to look over the shoulders of...
The initiative aims to help build a diverse, skilled workforce for departments including camera, sound and more
The film is from writer-director Mark Gill and was shot in Tokyo, Japan in October 2023. It chronicles the life of Japanese photographer Masahisa...