Film and TV Charity launches initiative to celebrate the #HiddenHero
Charity is launching an inaugural week-long celebration of everyone who works in TV and film
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Charity is launching an inaugural week-long celebration of everyone who works in TV and film
The BBC leads with 35 nominations followed by Sky with 13 and ITV with 11
Bleat is home to two Dolby Atmos theatres as well as four multi-functional, hybrid suites, which all include 4K HDR Projection
TVBEurope talks to Zinc Media Group CTO Olly Strous about the company's new solution, and why it wants to work with a supply chain...
New facility will provide post production services, including onsite and remote offline, online and grading, and Atmos dubbing
Lola's credits in 2022 include Dangerous Liaisons (Starz/Lionsgate) and Dinosaurs: The Final Day with David Attenborough (BBC)
Karl So, vice president, product management at Caton Technology, writes that while NDI is not the solution to every requirement of production and delivery...
Digital Nirvana's Suresh Babu allows us inside his daily routine and why he thinks marketing in the media and entertainment industry is a different...
New facility will act as a hub for the company's hybrid working set-up, and has capacity for 200 artist seats
Other winners and nominees who relied on Avid's Media Composer editing software included Barry, Stranger Things, Better Call Saul, Euphoria, Squid Game, Only Murders...
TVBEurope talks to Gravity Media's managing director Ed Tischler about the company's plans for its latest Production Centre
She will lead a worldwide team on delivering colour, editorial, dailies, and mastering and restoration services
Bumblebee is described as a climate-conscious, work-anywhere post solution, that will offer dedicated upload hubs at Zinc's nationwide facilities, flexible remote and physical edits...
Dr Jonathan Wardle, director, National Film & Television School, explains how the organisation is using cloud-based tools to show the next-generation of media talent...
The documentary was shot during Covid restrictions, which meant only the creative director was able to be in the room with the band during...
How visual effects house Atlanta VFX employed Blackmagic Design's Fusion Studio CFX and motion graphics software for its work on the Emmy-nominated series
The minute-long advert mentions numerous roles within the industry, including coders, boom operators, creative artists, rig makers, and all the people in the credits...
Nearly two thirds (63 per cent) of those questioned said that they have already started applying cloud to post-production/file-based production
The company, which works across CGI, video production, 2D and 3D scanning, and photogrammetry, is enabling clients to opt into its sustainability scheme
This issue looks at the plans for broadcast coverage of the Commonwealth Games, investigates the two codecs vying for adoption by the media industry,...
TVBEurope hears from some of the judges at this year's FilmLight Colour Awards, which celebrate the work of colourists on TV and film productions
Kaplan has previously worked at Technicolor and Company 3
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
The June edition of TVBEurope is now available to read online and download
The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
"We have to be able to share media and collaborate and cross boundaries that are far beyond expensive tin in a facility," LWKS CEO...
The scheme includes both practical and theoretical elements and is designed to give junior operators a comprehensive understanding of the technologies typically used in collaborative...
The Finish Line's Zeb Chadfield talks about learning to edit by cutting tape to tape on video, and why he tries to approach every...
Company has also restructured its audio department, promoting Jon Gray to head of audio and hiring Andrew Wilson as senior re-recording engineer
SMPTE ST 2117-1 (VC-6), is a multi-layer coding standard that utilises in-loop AI techniques
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
New contract will see a technology refresh, including a change to Adobe Premiere editing platforms and the implementation of a new asset management system
How Madrid-based post production house Twin Pines worked on 1,000 digitally retouched shots for new drama, La Fortuna
Company is also welcoming a number of new editors as it looks to expand its premium services in the high-end documentary space
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Broadcaster has implemented 31 Fairlight Advanced Consoles in two bay systems, across 24 regional newsroom hubs throughout France
TVBEurope talks to Take 1 CEO Louise Tapia about the company's work providing subtitle and localisation services to broadcasters and streaming services, as well...
Company says the expansion is driven by the "massive production boom" in the UK
New premises includes four finishing and audio suites, as well as 25 remote offline and four online finishing suites
Channel 4 comedy We Are Lady Parts in the most nominated show, receiving five nods