Perfecting the look of 28 Years Later
Company 3's Jean-Clément Soret talks about his creative freedom on Danny Boyle's zombie sequel and why shooting on iPhones is all the rage
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Company 3's Jean-Clément Soret talks about his creative freedom on Danny Boyle's zombie sequel and why shooting on iPhones is all the rage
Nara gives any member of the Molinare team permission to view any media file, wherever it is located and in any format
Editor Michelle Tesoro talks TVBEurope through the process of cutting Netflix drama Dept Q, including the technology that enabled the editing team to work...
Colourist Tom Cairns explains why he wanted to create Scotland's only grading theatre, the technology he uses to create the look of TV series...
Around 200 members of staff at IMG have been working on a project that came together in a “matter of weeks, not months". TVBEurope...
The research, conducted in partnership with The Centre for Loneliness Studies at Sheffield Hallam University, finds 20 per cent of those working in post...
dock10's Andy Waters explains how the facility was able to host both a live esports tournament and the BBC's Match of the Day over...
Orfeas Boteas, CEO of Krotos, explains why the transparent use of AI in sound can be a powerful support system to set creativity free
The pilot study aims to help ScreenSkills develop an inclusive and adaptable screen sector workforce for now and the future, said the organisation
TVBEurope meets Tim Claman, chief product officer at Avid, to discuss the company's plans for 2025, the integration of recent acquisition Wolftech, challenges facing...
The new process has significantly enhanced operational efficiencies, with automation freeing up creators to concentrate on higher value tasks
Technicolor Creative Studios UK Limited is expected to file for administration today
Metaphysic's AI neural performance toolset, which was used on the Tom Hanks and Robin Wright film Here, was recently honoured at the Visual Effects...
The free directory features suppliers who have been independently vetted against industry sustainability-backed criteria
Colourist Deidre (Dee) McClelland details how she helped shape the distinct look and feel of whimsical Oscar-nominated stop-motion film, Memoir of a Snail
Adam Downey, director of post production at Sky, tells TVBEurope how seeing a harmonious team working to deliver a project is like watching a...
The solution provides users with remote low latency colour grading as part of Baselight 6.0
Using media intelligence (currently in beta), editors can search for the type of clip needed, and it will automatically recognise objects, locations, camera angles...
TVBEurope investigates the work of colourist Dan Coles on the latest season of the BBC's crime series
Official television and film archives exist to preserve the history and creativity of media. But even these formal institutions do not contain everything that...
VFX house Lux Aeterna used wave height data from the National Oceanic & Atmospheric Administration for National Geographic's documentary about the 2004 tsunami
Compatible with the latest Nvidia RTX GPU, Photon delivers HEPC performance in a transportable chassis
For German broadcaster RTL2’s new streaming series La Familia - House of Reality, Munich-based production company SUPERAMA took on all aspects of post production
Reflecting the three stars on screen, Only Murders in the Building relies on a trio of editors to help bring the comedy and intrigue...
Peter Oppersdorff, creative director of colour at Absolute, tells TVBEurope how a keen interest in all visual media gives him a wealth of influences...
EditShare solutions enable secure, streamlined workflows between the Swedish post production house's sites
The new site expands Harbor's dailies capability and includes an HDR grading and screening room
Focusing on post production and VFX, the move is expected to mark a 'sea change' in the industry
According to a report, following a move towards growth, Technicolor has opened talks with potential buyers as shareholders are "assessing its long-term future"
The company has also unveiled updates to Frame.io and plans to help 30 million people develop AI literacy and content creation skills by 2030
TVBEurope talks to the team at BBC Studioworks about the technology included in a new flyaway kit for BBC Two's Strictly Come Dancing spin-off,...
The hub will provide filmmakers with access to the Pinewood Studios ecosystem from camera hire to drone photography and post production
As Deadpool & Wolverine debuts on digital streaming, TVBEurope revisits our conversation with the film’s editor Shane Reid, to hear how he combined the...
Trusted Partner Network president Terri Davies talks to TVBEurope about the importance of collaboration and certification in ensuring security in the media industry
The partnership aims to address the evolving needs of the media industry around QC and media analysis, said the two companies
Edit 123, Studio Something and Cinedeck joined forces on a post production workflow for BBC Scotland's show celebrating this summer's Euro 2024, delivering a...
Blackmagic-based workflows aim to enable The Look to provide colour, conform and finishing services for clients such as Netflix and Sky
The site also includes workshops, offices and a post production/screening facility
Colourist Eric Whipp discusses the challenges of creating the look for George Miller's epic blockbuster
According to Camera and Lens Metadata committee, modern digital cinema cameras are not accurately representing the usable depth of field achieved with various lenses
The programme aims to provide those working in post with a comprehensive understanding of their role within the broader post production ecosystem
Hotspring said the breakthrough had been achieved through the acceleration of machine learning technology