Qvest upgrades audio production for Rotor Film
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
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Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Broadcaster has implemented 31 Fairlight Advanced Consoles in two bay systems, across 24 regional newsroom hubs throughout France
TVBEurope talks to Take 1 CEO Louise Tapia about the company's work providing subtitle and localisation services to broadcasters and streaming services, as well...
Company says the expansion is driven by the "massive production boom" in the UK
New premises includes four finishing and audio suites, as well as 25 remote offline and four online finishing suites
Channel 4 comedy We Are Lady Parts in the most nominated show, receiving five nods
According to the DPP's The Cloud for Media series of reports, which are based on input from over 60 companies, an entirely new breed...
Outsourcing services in colocation data centres will open up an array of new opportunities to establish crucial interconnections and ensure scalability, flexibility, and security...
Paul Clennell, chief technology officer at dock10, gives TVBEurope an insight into the facility's ten years in operation, and the technological innovation that has...
John Cochrane has been promoted to senior manager of finishing, while Mick Logue takes moves up to senior manager of sports delivery within post...
In this issue, we focus on augmented reality, virtual reality and post production
Facility is linked to X2X Creative's other location across the road via dark fibre optical connectivity
Monitor's features include 4K/UHD operation, 10G IP input and 12G-SDI interfaces
The libraries can store VFX practical elements as well as textures, reference images, clips from the internet or the matte painting library
Viktor Underwood, CEO at Quickchannel, warns deepfakes have the power to disrupt and damage trust in broadcasting
Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Gilbert will be tasked with overseeing the company's technical operations across both its sites in London and Bristol
Molinare Production Services to be led by new head creative Darren Rae, whose appointment reunites him with some familiar faces
Boutique post production house has also upgraded its Baselight capabilities to 4K
He has been tasked with developing Molinare's production services division to focus on new areas of business that feed into the company's already existing...
Deal, worth €30 million, was first announced in January
Everyone knows that the TV and film industry has gone through fundamental changes over the past 12 months. From pre-production to post, new technology...
New product is compatible with Blackmagic Resolve, FilmLight Baselight, Adobe Premiere, Avid Media Composer, Apple Final Cut and Autodesk Flame
A mockumentary shooting style and an encouragement to ad-lib has tickled the nation's funny bone enough to launch Meet the Richardsons into a second...
Company makes significant kit and infrastructure investment to support remote and hybrid post production in post-Covid era
New remote editing solution can facilitate multiple edits remotely or in the facility and enables editors to securely share their screen, live, with other...
Timeline North provided both on-location edit facilities and remote post production
The ML toolset's applications include upres, removing motion blur, tracker marker removal, beauty work, and garbage matting
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Company said there will be no interruption of services to Technicolor Post' clients during the integration, and all employees dedicated to Technicolor Post will...
The first section, released today, focuses on the challenges, opportunities and drivers of change in the world of production and post
Company provided a secure dailies delivery service as well as remote access to edit facilities.
pixitmedia MD Paul Cameron considers which new solutions put in place in 2020 could evolve and disrupt the media and entertainment industry in 2021.
Avid said the terms of the new credit facility will provide it with significantly incremental flexibility to support its strategy and growth plans.
Jon Morgan, CEO of Object Matrix, takes a look at what 2021 will have in store for the media tech industry.
School intends to use EditShare's EFS and FLOW to support a range of connected solutions for editing, grading, animation and more.
Release also introduces a new fully REST-compliant Remote Control API that enables users to collect and organise any parameters or function libraries from the...
How post production facility Sim automates its production workflow with Signiant Jet.
Company will move its archive from the public Cloud.
With its plot centering around a deadly virus hitting a small island community, ZDF’s latest drama series, ‘Sløborn’, could not have been more timely....
His Dark Materials has picked up four nominations, followed by I May Destroy You with three