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On Air creator/producer Carrie Wootten and University of Westminster's Doug Specht discuss scaling this year's event, overcoming technical workflow challenges, and building crucial industry...
TAG’s multiviewing, monitoring and QC capabilities join NEP Platform’s open software ecosystem, aiming to provide teams with a single application for monitoring, analysis and...
The pay-as-you-go cloud production and master control environment aims to enable teams to build a production template once for relaunch when needed
The integration enables the Zixi Platform to use TAG's Content Matching solution and fingerprints, allowing teams to restore lost SCTE markers and verify redundant...
The multi-output production supports localised feeds of the racing for broadcasters across Europe and beyond
During a first-round match of Germany's DFB Cup, 5G was used to demonstrate how a 'Quality on Demand' interface (API) and network slicing can...
The LU900Q covered 99.9 per cent of connectivity needs across the men's and women's races using only public 4G/5G networks with no private/priority 5G...
The global 24 hour student-led broadcast will feature five channels across news, sport, film, children's and culture
The production will be supported by Gravity Media's full-service OB fleet and 6,000 sqm Production Centre in Cologno Monzese, Italy
Ronald den Hollander has been with the company for over 20 years, working on areas such as broadcaster infrastucture and the design, delivery and...
The multi-year project aims to upgrade RAI's camera fleet as it extends its transition to IP-based workflows
Dual SIMs and active Wi-Fi bands carry the stream in parallel over four live data paths
The system can simultaneously transport two uncompressed UHD camera feeds alongside multiple HD or UHD return-video and return-AUX channels
The solution combines routing, processing, production switchers and infrastructure, aiming to simplify workflows and maximise space
Unveiled at IBC, AVORA aims to give production teams everything they need to create, produce and deliver live content from a single flexible system
According to EVS, XT-S takes a different approach to live production infrastructure by providing a common platform that runs multiple applications
The update enables the creation of immersive graphics and environments, elevates replay and slow-motion capture, and modernises the full control of live productions, said...
The platform supports SDI, SMPTE ST 2110, NDI, Dante, SRT, JPEG XS, and other industry-standard media formats
Voice Controller allows presenters to control script movement by speech, without the need for manual operation
The processing platform will be used by Cingularity, IMG's broadcast fibre service provider, to contribute HEVC video from DP World Tour tournaments to its...
The deployment aims to enhance connectivity for AP's operators in the field, streamlining content distribution
According to the two partners, the workflow establishes a trusted chain of authenticity across editing, packaging and distribution
Designed to meet the needs of broadcast, sports and entertainment, the headsets focus on speech intelligibility, integration, ergonomics and serviceability
The latest phase in the collaboration enables infrastructure to adapt dynamically to meet the needs of a story, rather than the other way around
Improved colour matching functionality and new KAIROS control options aim to streamline broadcast workflows from camera to control room, said the company
The Magellan PanelFlex real-time engine drives canvases to operators through HTML5 web panels, dynamic integration onto multiviewer surfaces, and familiar physical panels
Blending elevation capability with mobility, the E2 is designed to focus exclusively on broadcast-quality PTZ operations
Designed for challenging outdoor productions in alpine environments, Euro-TV’s MPU-3 has been upgraded with Sony’s MLS-X1 switcher as part of a fleet modernisation programme
TAG will show sub-2-frame latency and 800 Gbps of aggregate scale for uncompressed ST 2110 monitoring in software and live MXL interoperability at IBC2026
The results demonstrated the potential of cellular intercom to give broadcast teams greater freedom to move while maintaining reliable communications workflows
The collaboration aims to streamline the delivery of content for clipping, editing and distribution across a range of channels
With newsrooms under increasing pressure, CGI is introducing OpenMedia Evolve to help teams do more with less through shared planning, collaborative content creation, and...
Capturing 4K Ultra HD video at up to 60 fps and featuring 20x optical zoom with approximately 71-degree horizontal field of view, the camera...
Featuring Lawo HOME, Manifold and Bridge Technologies’ VB440 through the unified NEP Platform, EU-01 aims to enable users to flexibly deploy standardised hybrid live...
Appear X5 simultaneously transported four live camera feeds and two return feeds within a single compact platform, combining with SRT technology to deliver robust,...
The PROTON IS delivers 1080p60 footage in 10-bit quality and is aimed at sports broadcasters
More than 150 cameras, including ARRI cinematic cameras, have been deployed to support the tournament, which is currently taking place in Paris
Shotoku's James Eddershaw explains why the most effective studios today are choosing to complement, rather than replace, their existing camera infrastructure
Four cameras aboard an Airbus aircraft will capture the solar eclipse from an altitude of 10,000 metres over the Iberian Peninsula
The host broadcaster deployed a total of 14 LiveU units across multiple venues covering 10 sports and six para sports
All content will be clearly labelled as AI-generated, ensuring viewers have full transparency about how the commentary has been produced, said the organisation
IMG will provide host broadcast production, world feed production, venue connectivity, global distribution, technical operations, and short-form content production