Warner Bros Discovery to bring ‘raft of innovations’ to Tour de France coverage
In a sports broadcasting first, the Cube studio will use Unreal Engine 5 to showcase some of the finer, technical nuances of the sport
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In a sports broadcasting first, the Cube studio will use Unreal Engine 5 to showcase some of the finer, technical nuances of the sport
Canon will provide support across its products and solutions, including cameras, lenses, video camcorders, and network cameras
Broadcaster is using Dejero’s EnGo mobile transmitters, PathWay encoders and MultiPoint content distribution service for its live news and sports production
Viz Now has been trialled by production company Trippel-M Connected Venues for their work with the International Døds Federation
Chris Cook, BBC project and presentation director, talks to TVBEurope about the broadcaster's new look news studio
The small van provides a workspace for a crew of two - with everything else done remotely
The EBU said it made the decision given the current circumstances, and operational guarantees required for a broadcaster to host, organise and produce Eurovision
The system comprises up to two, dual channel fibre receive slot in modules, RF receiver and decoder options either HD – H264 or H265...
The Collectv specced and delivered a high bandwidth, flexible system comprising six dedicated edit suites alongside one audio suite/VO booth, as well as numerous...
NEP supplied outside broadcast trucks which delivered coverage of a number of events such as the BBC Platinum Jubilee Concert and Pageant
The installation will be deployed primarily for television coverage of sports events at locations around the globe
M2A Connect is being employed to manage the acquisition of streams from third party suppliers and their onward distribution
50 cameras will cover today's inaugural event, including pictures from 16 different towers, drones, and mobile steady cameras
Limitless Broadcast's Claire Wilkie tells TVBEurope about the company's work on the UK's longest drone show, watched by thousands of viewers
The front MCR desk commissioned by CS Media is a 4 metre wide eight-bay inline unit with a 4U high sloping-front equipment pod occupying...
Matchday cameras were connected to a 5G network with their output used as part of BT Sport's coverage of Gallagher Premiership rugby
The hub is connected by a diverse 10GBps fibre to Timeline’s new Ealing Broadcast Centre
Six outside broadcast vans and several SNG vans are being deployed for the mammoth task
Supershooter 6 is powered by NEP’s Broadcast Control (TFC), the company's proprietary software engine which powers its global production ecosystem
During voting and the performances the Italian police cybersecurity department said it blocked several cyber attacks on network infrastructure
Live coverage from the Réunion La 1ère production truck at the start line was sent straight to Paris
With the countdown on to Eurovision 2022, the team at dock10 tell TVBEurope about their role as the UK’s new permanent production base and...
Grass Valley's Neil Maycock takes a look at how live cloud-based production is helping to deliver more than just sport to captivate audiences
The package of nine races requires an average use of three OB trucks, 10 (audio and video) motorbikes, 10 cameras along the cycling track...
Tata Communications and Dorna are also working together to leverage Private LTE deployment at race tracks to manage wireless camera feeds in low latency
The new group will look at spectrum requirements for dedicated wireless production networks
However, 65 per cent of users said they are moving original high-res media files around the internet to support remote editing workflows
Company announced updates for Hawk-Eye, a number of its cameras, and virtual production technologies
Sony's HDC-F5500 camera will output UHD Slog3 live images into the rest of the production chain, which will then be transmitted to viewers at...
Lucy O'Brien discusses her move from the broadcast to supply side of the industry, why training and education is so important to her, and...
The company used Haivision Hub, Makito X and Makito X4 video encoders, as well as Haivision SRT Gateways to send live feeds from PTZ...
Matches from over 90 member associations across the men’s, women’s and youth game will be showcased on the platform
The unit, which weighs just over 2lb/900g, can be managed both remotely from the production control centre, and locally by OB crews
5G modems were attached to the encoders and delivered video with glass-to-glass latencies of 250ms over the eight-hour race
"Our industry is going to have some problems in the future unless we train up the new generation," said dock10 head of studios Andy...
Air Control aims to make it easier for broadcaster's to choreograph live production workflows
The VC-R30 features simultaneous 3G-SDI, HDMI, USB 3.0 and Ethernet video connector
Project has tested a trial live TV production, including signals from five different locations in Germany and Great Britain
The Premiership Rugby match between Saracens v Bristol Bears on 26th March was produced entirely remotely
The company has pledged to ensure its production team is at least 50 per cent female
New modular system has been redesigned to add enhancements to camera movement, connectivity, power management, user interface, balance options, and product longevity
Both companies are offering the use of 4K and HD truck-based facilities including Gravity Media’s six camera HD OB vehicle with DSNG capability