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The Voiceover Gallery opens London studio

Includes a new new in-house subtitling division as well as three high-spec sound booths

Italy’s Mediaset updates OB and studios with new production platforms

Installed systems can access the cameras, recorders, intercoms and telephone system that are on broadcaster's studio IP network

Audio

Netflix rolls out spatial audio support

Rollout began on Wednesday, with more users expected to see it in the coming days

Audio

The next generation role for broadcast audio

Experts from BBC R&D, Calrec and Audinate discuss everything from audio-over-IP to immersive audio in a special TVBEurope roundtable

Audio

dock10 installs Calrec Artemis in £1 million remote gallery

Dedicated multipurpose remote gallery works with outside broadcasts and connects to the dock10 network

Audio

NHK announces ‘world’s first’ live mixing console for object-based audio

New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...

Audio

Glensound’s AoIP technology keeps Wimbledon commentary on point

Single-commentator AoIP Inferno units were employed to maintain social distancing between the commentators and summarisers

Media Management

ATEME natively supports Dolby Atmos and Vision

Titan Live now supports both Dolby AC-4 and Dolby Audio delivery formats, such as Dolby Digital Plus

Audio

STV upgrades sound control rooms for AoIP

STV is the first UK broadcaster to employ Lawo's A_UHD Core (Phase 2) and 48-fader mc²56 MKIII console,

Audio

Cleanfeed introduces Aux Outputs for TV and film industry

Feature can be used for sound design, Foley and ADR

Audio

Shure adds portable receiver to its digital wireless system

Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)

Audio

Stephen Brownsill joins Ross Video

Brownsill has previously worked for both TSL Products and Grass Valley

Audio

St Petersburg’s first UHD OB van opts for Calrec

Van uses Calrec’s Hydra2 network for connectivity, consisting of multiple I/O boxes, including a stage box, four MADI interfaces and one Dante connection

Live Production

Lawo helps Eurovision sound as good as ever

Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...

Audio

Dolby Audio purrs in new Lucky Cat audio suite

Boutique post production house has also upgraded its Baselight capabilities to 4K

Audio

Avid, Dolby partner on Pro Tools Dolby Atmos production training

Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...

Audio

R&S Clipster extends support for Dolby Atmos, Polsat selects Sony for new OB van, and more

TVBEurope rounds up products and solutions news from Rohde & Schwarz, Sony, and Vizrt

Live Production

TVU Networks debuts cloud-based remote commentary solution

Browser-based interface provides a low-latency, high-quality preview of the event, which allows the talent to add commentary that is in sync with the programme

Audio

Ziggo Sport trials AR commentary on El Clasico

Commentator Sierd de Vos will provide additional content for viewers who access the AR content via their smartphones

Audio

Grabyo takes audio mixing to the cloud, Pebble accelerates IP network provision, and more

TVBEurope rounds-up products and solutions news from Grabyo, Pebble, Evertz and Zixi

Audio

France’s TDF tests Dolby’s AC-4 audio standard

The integration of the Dolby AC-4 audio format enables TDF to transport different audio configurations in the same stream

Audio

BAFTA-winning mixer launches audio post company

George Foulgham credits include Man on Wire, The White Helmets, and The Life and Trials of Oscar Pistorius

Audio

Cinevideo makes Waves with Calrec, Dejero expands European partners, and more

TVBEurope rounds-up the latest products and services news from Calrec, Dejero and Globecast

Audio

ZOO Digital makes ADR remote, Red Bee supports SALTO, and more

TVBEurope rounds up the latest solutions and products news from ZOO Digital, Red Bee and Avid

Audio

BBC R&D trials immersive Six Nations audio

Trial enables viewers to turn phones, tablets and laptops into extra speakers in order to surround themselves in the sounds of the game

Audio

Bringing the sights and sounds of Mars back to Earth

More than 23,000 images, amounting to 30 gigabytes of data, were gathered during the final minutes of Perseverance’s journey to Jezero Crater on Mars

Audio

TVBEurope 2021 MediaTech Outlook: Broadcast Audio released

Includes analysis of the broadcast audio market through the pandemic and beyond, as well as a look at the development of a production tool...

Audio

DPA, EIZO, Intel among Sci-Tech Oscar winners

Winners and their developments will be honoured during a virtual ceremony on Saturday 13th February

Audio

Audio desk designer Glenn Haddock launches Soundz Fishy

Company aims to provide integrated console systems, studio technical furniture and accessories to the audio post production business

Audio

Netflix begins using xHE-AAC audio codec on Android

xHE-AAC also offers Netflix improved coding efficiency at low bit rates, an ability to scale up to perceptually-lossless quality at high bit rates, and...

Audio

Evertz acquires Studer brand, technology and related assets

Studer is an audio brand that has been in operation for more than 70 years

Audio

TAG adds Dolby Atmos support to monitoring and multiviewer solution

Enables broadcasters to verify, validate and ensure error-free video and audio content delivery for MPEG-TS and OTT sources

Audio

Netflix tests audio-only option on Android app

Test lets users disable video and listen to the audio of a TV show or film in the background.

Audio

Lawo takes A_UHD Core audio engine to the next generation

It includes 1,024 channels of mc2-grade processing algorithms, multiple sets of monitoring matrices, downmixing and upmixing, and is Dolby Atmos and MPEG-H compatible.