Audio
Portland Audio adds Dolby Atmos suite
The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
Audio
Audio
Sky Deutschland to broadcast Bundesliga in Dolby Atmos
The top match every Saturday will be available with enhanced audio
People
Meet the entry-level sound assistant
dock10's Madeleine Jones discusses how she got her start in the media industry, why no day is ever quite the same, and finding a...
People
Oscar-winning re-recording mixer joins Molinaire
During his career, Richard Pryke has also worked on a number of projects, including Bird Box, Die Another Day, V for Vendetta, and 127 Hours
Live Production
EBU launches expert group on PSME challenges
The new group will look at spectrum requirements for dedicated wireless production networks
Audio
Calrec aims to give multi-console operations momentum with ImPulse
ImPulse is "probably the most powerful DSP you can buy," Calrec's Henry Goodman tells TVBEurope
Audio
Glensound develops unique interface for esports audio
"Our focus is really on the producers and integrators of the tournaments," Glensound's managing director Marc Wilson tells TVBEurope
Audio
PHABRIX updates Qx and QxL rasterisers with Dolby decoding
The new Dolby E decoder and metadata analyser allows users to check the correct timing of Dolby E packets in the audio signal of...
Audio
Sony releases new dual-channel wireless receiver
The URX-P41D can be used on broadcast and news productions, run-and-gun style interviews, documentaries and series productions
Audio
Virtual Post upgrades audio facilities
Company has also restructured its audio department, promoting Jon Gray to head of audio and hiring Andrew Wilson as senior re-recording engineer
Audio
What’s the frequency?
Jenny Priestley finds out how some of the UK’s biggest live TV shows have embraced brand new technology following the 700MHz clearance, in conversation...
Audio
A new generation of audio delivery
BBC R&D's Jon Francombe takes a look at the latest trends in audio delivery
Audio
Making it personal for next-generation audio
MPEG-H Audio is the less well known of the two object-based audio systems in the DVB-T2 specification. But, as Kevin Hilton reports, its developer...
Audio
TSL introduces IP-functionality to SAM-Q audio monitoring platform
New products support ST 2110-30, ST 2022-7 and offer multiple control options including NMOS
Audio
How Pinewood Studios moved ‘in the box’ with its post production sound
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
Audio
Nugen introduces “tweak-ability” to Paragon Convolution Reverb
Nugen has added new presets and an improved browser to the solution, with search, tagging and favourite functions, which is says are especially important...
Audio
TVBEurope March 2022 issue now available
The latest issue includes a UK exclusive interview with West Side Story's production sound mixer
Audio
Canford Audio founder and CEO Iain Elliott passes away
Elliott was described as Canford's "guiding force" for almost 45 years
Audio
Qvest upgrades audio production for Rotor Film
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Audio
Bitmax adds Dolby Atmos suites to London facility
Company added the suites at the request of its clients in the film and music video industries
Audio
BBC launches immersive spatial audio soundscapes explorer
The Soundscape Explorer tool decodes a shared link to grab the sounds from the sound effects library and then positions them (randomly) in 3D...
Audio
MotoGP puts Audio-Technica at heart of audio remote production plans
Remote production suite will be located at Dorna Sports' facility in Barcelona, Spain and will include a custom-built 7.1.4 / 5.1.4 dedicated audio control room
Audio
DPA Microphones adds remote audio recording to product suite
The 4097 CORE Micro Shotgun Microphone features a lightweight telescopic boom pole, and a Rycote windjammer, for use in outdoor productions
Audio
Salsa Sound updates AI-based audio mixing platform aimed at sports broadcasting
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
Audio
Sony licenses MPEG-H 3D audio decoder software for DVB and ATSC 3.0 broadcasts
MPEG-H 3D audio is specified in TV broadcast standards such as Digital Video Broadcasting (DVB) and ATSC 3.0
Audio
The Voiceover Gallery opens London studio
Includes a new new in-house subtitling division as well as three high-spec sound booths
Audio
Italy’s Mediaset updates OB and studios with new production platforms
Installed systems can access the cameras, recorders, intercoms and telephone system that are on broadcaster's studio IP network
Audio
Netflix rolls out spatial audio support
Rollout began on Wednesday, with more users expected to see it in the coming days
Audio
The next generation role for broadcast audio
Experts from BBC R&D, Calrec and Audinate discuss everything from audio-over-IP to immersive audio in a special TVBEurope roundtable
Audio
dock10 installs Calrec Artemis in £1 million remote gallery
Dedicated multipurpose remote gallery works with outside broadcasts and connects to the dock10 network
Audio
NHK announces ‘world’s first’ live mixing console for object-based audio
New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...
Audio
Glensound’s AoIP technology keeps Wimbledon commentary on point
Single-commentator AoIP Inferno units were employed to maintain social distancing between the commentators and summarisers
Media Management
ATEME natively supports Dolby Atmos and Vision
Titan Live now supports both Dolby AC-4 and Dolby Audio delivery formats, such as Dolby Digital Plus
Audio
STV upgrades sound control rooms for AoIP
STV is the first UK broadcaster to employ Lawo's A_UHD Core (Phase 2) and 48-fader mc²56 MKIII console,
Audio
Cleanfeed introduces Aux Outputs for TV and film industry
Feature can be used for sound design, Foley and ADR
Audio
Shure adds portable receiver to its digital wireless system
Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)
Audio
Stephen Brownsill joins Ross Video
Brownsill has previously worked for both TSL Products and Grass Valley
Audio
St Petersburg’s first UHD OB van opts for Calrec
Van uses Calrec’s Hydra2 network for connectivity, consisting of multiple I/O boxes, including a stage box, four MADI interfaces and one Dante connection
Live Production
Lawo helps Eurovision sound as good as ever
Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...
Audio
Dolby Audio purrs in new Lucky Cat audio suite
Boutique post production house has also upgraded its Baselight capabilities to 4K
Audio
Avid, Dolby partner on Pro Tools Dolby Atmos production training
Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...
Audio
Dolby puts automated audio enhancements in the Box
Integration enables users to make changes to audio quality without needing to leave Box's cloud