Sky Deutschland to broadcast Bundesliga in Dolby Atmos
The top match every Saturday will be available with enhanced audio
Calrec aims to give multi-console operations momentum with ImPulse
ImPulse is "probably the most powerful DSP you can buy," Calrec's Henry Goodman tells TVBEurope
Glensound develops unique interface for esports audio
"Our focus is really on the producers and integrators of the tournaments," Glensound's managing director Marc Wilson tells TVBEurope
PHABRIX updates Qx and QxL rasterisers with Dolby decoding
The new Dolby E decoder and metadata analyser allows users to check the correct timing of Dolby E packets in the audio signal of...
TSL introduces IP-functionality to SAM-Q audio monitoring platform
New products support ST 2110-30, ST 2022-7 and offer multiple control options including NMOS
How Pinewood Studios moved ‘in the box’ with its post production sound
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
Nugen introduces “tweak-ability” to Paragon Convolution Reverb
Nugen has added new presets and an improved browser to the solution, with search, tagging and favourite functions, which is says are especially important...
Canford Audio founder and CEO Iain Elliott passes away
Elliott was described as Canford's "guiding force" for almost 45 years
BBC launches immersive spatial audio soundscapes explorer
The Soundscape Explorer tool decodes a shared link to grab the sounds from the sound effects library and then positions them (randomly) in 3D...
MotoGP puts Audio-Technica at heart of audio remote production plans
Remote production suite will be located at Dorna Sports' facility in Barcelona, Spain and will include a custom-built 7.1.4 / 5.1.4 dedicated audio control room
DPA Microphones adds remote audio recording to product suite
The 4097 CORE Micro Shotgun Microphone features a lightweight telescopic boom pole, and a Rycote windjammer, for use in outdoor productions
Salsa Sound updates AI-based audio mixing platform aimed at sports broadcasting
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
Sony licenses MPEG-H 3D audio decoder software for DVB and ATSC 3.0 broadcasts
MPEG-H 3D audio is specified in TV broadcast standards such as Digital Video Broadcasting (DVB) and ATSC 3.0
Italy’s Mediaset updates OB and studios with new production platforms
Installed systems can access the cameras, recorders, intercoms and telephone system that are on broadcaster's studio IP network
dock10 installs Calrec Artemis in £1 million remote gallery
Dedicated multipurpose remote gallery works with outside broadcasts and connects to the dock10 network
NHK announces ‘world’s first’ live mixing console for object-based audio
New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...
Glensound’s AoIP technology keeps Wimbledon commentary on point
Single-commentator AoIP Inferno units were employed to maintain social distancing between the commentators and summarisers
Cleanfeed introduces Aux Outputs for TV and film industry
Feature can be used for sound design, Foley and ADR
Shure adds portable receiver to its digital wireless system
Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)
Avid, Dolby partner on Pro Tools Dolby Atmos production training
Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...
Dolby puts automated audio enhancements in the Box
Integration enables users to make changes to audio quality without needing to leave Box's cloud