Calrec keeps Cloudbass onside with OB fleet audio upgrade
The hybrid OB20 unit includes a 48-fader Argo M with dual Calrec ImPulse1 cores and an RP1 remote production audio processing engine
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The hybrid OB20 unit includes a 48-fader Argo M with dual Calrec ImPulse1 cores and an RP1 remote production audio processing engine
The integration aims to bring scalable, operator-friendly audio processing to hybrid broadcast workflows
All content will be clearly labelled as AI-generated, ensuring viewers have full transparency about how the commentary has been produced, said the organisation
According to the company, the app is able to support multicast without the need for codec hardware or reconfiguring switches or routers
Open Audio Renderer (OAR) v1 converts IAMF content into audio signals optimised for the listener's playback environment
The film, Star Wars: Gobaith Newydd, will broadcast on S4C and across its platforms from 25th December
The broadcast audio team used the Shure DCA901 Broadcast Microphone Array to capture immersive stadium audio for the live telecast
At IBC Show, the company is previewing enhancements to its Virtual Tempest Engine as part of its commitment to the EBU's Dynamic Media Facility...
The broadcaster talks to TVBEurope about how he's teamed up with ITV Studios and Abadi Films to give new life to his famous wind-up...
Attendees will be able to explore new equipment, discuss emerging technology and production challenges, and connect with colleagues from across the sector
Jenny Priestley visits The Dean Street Podcast Studio to meet founder Rob Chandler and hear about the studio’s three tenets: audio first, focus on...
DMC Production's two new remote production units retain all production-critical processing at the venue with operators working remotely
The deployment highlighted the advantages of utilising cellular networks for highly mobile production teams and distributed workflows in complex live event environments, said Clear-Com
The collaboration aims to enable emotionally authentic AI-driven dubbing at scale, meeting the growth in demand for mobile-first microdrama content
Building on the success of previous Kickstarter campaigns, the PD500W incorporates features shaped by community feedback
The solution captures nuance and expression and automatically generates natural-sounding dubbing in more than 90 languages
The new options aim to provide broadcasters with greater flexibility in virtualised workflows
The 2026 Eurovision Song Contest marked both the Eurovision debut and largest deployment to date of Sennheiser's Spectera WMAS solution
The MPEG-H Renderer plugin, developed by Fraunhofer IIS, enables users to define a wide range of interactive and personalised audio options during production
Antennaware is supplying the Bodywave antenna to Raycom, which will incorporate the part into its Pebble accessory
The solution streamlines Spectera workflows by combining planning, editing and migration in a single tool, aiming to improve efficiency in setup, reconfiguration and scaling...
Building on an established collaboration, the investment aims to redefine audio experiences for global sports fans and more
Featuring mid side (MS) capsule configuration, both mics enable a wide range of stereo image options for professional broadcast applications and more
ADM-IG will focus on real-world integration, from production through to playout and distribution, with the aim of accelerating the adoption of Next Generation Audio...
The device includes JPEG XS en-/decoding, audio MADI I/O with built-in SRC, and the mc²-grade audio DSP for low-latency local mixing
The mixing board features 8 motorised faders with an optional 8-channel expansion unit that enables it to be expanded up to 16 faders
Genelec monitoring underpinned the extension of Titrafilm's post production facilities across two sites in the French capital
The AVT-SG1 and AVT-SG1LE have been designed for professional videographers and content creators
As spectrum congestion intensifies, WMSA Europe aims to ensure access is maintained and provide a unified voice for professionals in the audio wireless arena
The 78th Academy Awards was one of the worst-sounding live broadcasts Jenny Priestley has ever watched
The Gen 2 model adds more advanced, onboard digital audio processing, controllable through the MOTIV desktop and mobile apps across iOS, Android, and desktop devices,...
Audio-Technica Middle East aims to strengthen the company's commitment across increasingly important markets
All three brands join the growing Audiotonix portfolio, which includes Allen & Heath, Calrec, DiGiCo, and Solid State Logic
The Shure DCA901 makes software-defined functionality a reality in audio production
The live debut of the S12 OB truck demonstrated scalable IP capabilities for mobile broadcast operations
SLX-D+ features wide tuning across all components up to 138 MHz, operating across multiple frequency bands, and enabling country-wide deployment
The interface can deliver 192 channels at both 96 and 48 kHz, or 128 channels at 192 kHz
In the last of our series looking at media tech in the coming year, industry leaders give TVBEurope their predictions as to how content...
The mic can now be plugged directly into Android and iOS mobile devices, simplifying operations for content creation on the go
Sound supervisor Andy Tapley details the ambitious overhaul of the sound control room at Elstree Studios, delivering a state-of-the-art, integrated audio and vision system...
Tuomo Tolonen, senior director, strategic market development at Shure looks at how 2025 marked a turning point for audio innovation, from REMI workflows to...
The company's first hybrid, double-decker truck features a 32-fader S400