Audio
NHK announces ‘world’s first’ live mixing console for object-based audio
New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...
Audio
Audio
Glensound’s AoIP technology keeps Wimbledon commentary on point
Single-commentator AoIP Inferno units were employed to maintain social distancing between the commentators and summarisers
Media Management
ATEME natively supports Dolby Atmos and Vision
Titan Live now supports both Dolby AC-4 and Dolby Audio delivery formats, such as Dolby Digital Plus
Audio
STV upgrades sound control rooms for AoIP
STV is the first UK broadcaster to employ Lawo's A_UHD Core (Phase 2) and 48-fader mc²56 MKIII console,
Audio
Cleanfeed introduces Aux Outputs for TV and film industry
Feature can be used for sound design, Foley and ADR
Audio
Shure adds portable receiver to its digital wireless system
Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)
Audio
Stephen Brownsill joins Ross Video
Brownsill has previously worked for both TSL Products and Grass Valley
Audio
St Petersburg’s first UHD OB van opts for Calrec
Van uses Calrec’s Hydra2 network for connectivity, consisting of multiple I/O boxes, including a stage box, four MADI interfaces and one Dante connection
Live Production
Lawo helps Eurovision sound as good as ever
Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...
Audio
Dolby Audio purrs in new Lucky Cat audio suite
Boutique post production house has also upgraded its Baselight capabilities to 4K
Audio
Avid, Dolby partner on Pro Tools Dolby Atmos production training
Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...
Audio
Dolby puts automated audio enhancements in the Box
Integration enables users to make changes to audio quality without needing to leave Box's cloud
Audio
R&S Clipster extends support for Dolby Atmos, Polsat selects Sony for new OB van, and more
TVBEurope rounds up products and solutions news from Rohde & Schwarz, Sony, and Vizrt
Live Production
TVU Networks debuts cloud-based remote commentary solution
Browser-based interface provides a low-latency, high-quality preview of the event, which allows the talent to add commentary that is in sync with the programme
Audio
Ziggo Sport trials AR commentary on El Clasico
Commentator Sierd de Vos will provide additional content for viewers who access the AR content via their smartphones
Audio
Grabyo takes audio mixing to the cloud, Pebble accelerates IP network provision, and more
TVBEurope rounds-up products and solutions news from Grabyo, Pebble, Evertz and Zixi
Audio
France’s TDF tests Dolby’s AC-4 audio standard
The integration of the Dolby AC-4 audio format enables TDF to transport different audio configurations in the same stream
Audio
BAFTA-winning mixer launches audio post company
George Foulgham credits include Man on Wire, The White Helmets, and The Life and Trials of Oscar Pistorius
Audio
Cinevideo makes Waves with Calrec, Dejero expands European partners, and more
TVBEurope rounds-up the latest products and services news from Calrec, Dejero and Globecast
Audio
ZOO Digital makes ADR remote, Red Bee supports SALTO, and more
TVBEurope rounds up the latest solutions and products news from ZOO Digital, Red Bee and Avid
Audio
BBC R&D trials immersive Six Nations audio
Trial enables viewers to turn phones, tablets and laptops into extra speakers in order to surround themselves in the sounds of the game
Audio
Bringing the sights and sounds of Mars back to Earth
More than 23,000 images, amounting to 30 gigabytes of data, were gathered during the final minutes of Perseverance’s journey to Jezero Crater on Mars
Audio
TVBEurope 2021 MediaTech Outlook: Broadcast Audio released
Includes analysis of the broadcast audio market through the pandemic and beyond, as well as a look at the development of a production tool...
Audio
DPA, EIZO, Intel among Sci-Tech Oscar winners
Winners and their developments will be honoured during a virtual ceremony on Saturday 13th February
Audio
Audio desk designer Glenn Haddock launches Soundz Fishy
Company aims to provide integrated console systems, studio technical furniture and accessories to the audio post production business
Audio
Netflix begins using xHE-AAC audio codec on Android
xHE-AAC also offers Netflix improved coding efficiency at low bit rates, an ability to scale up to perceptually-lossless quality at high bit rates, and...
Audio
Evertz acquires Studer brand, technology and related assets
Studer is an audio brand that has been in operation for more than 70 years
Audio
TAG adds Dolby Atmos support to monitoring and multiviewer solution
Enables broadcasters to verify, validate and ensure error-free video and audio content delivery for MPEG-TS and OTT sources
Audio
Netflix tests audio-only option on Android app
Test lets users disable video and listen to the audio of a TV show or film in the background.
Audio
Lawo takes A_UHD Core audio engine to the next generation
It includes 1,024 channels of mc2-grade processing algorithms, multiple sets of monitoring matrices, downmixing and upmixing, and is Dolby Atmos and MPEG-H compatible.
Audio
Case study: The Choir, lockdown, and audio challenges
Alex Wrigglesworth talks about the "bonkers" remote audio production involved in the BBC’s The Choir.
Audio
Amazon Prime adds Dolby Atmos, expands stats technology for Premier League matches
Selected matches will be available in Ultra HD with Dolby Atmos audio, kicking off with this weekend's match between Liverpool and Wolves.
Audio
BT Sport kicks off Dolby Atmos audio
New audio stream is available to BT Sport Ultimate customers from this weekend.
Audio
An inside look at immersive audio
Immersive audio pioneer Felix Krückels talks to TVBEurope about next generation audio, how to prepare, and how to mix the audio for live broadcasts.
Audio
Len Davis, Glensound founder, passes away
Davis designed hundreds of products for the BBC as well as many world-firsts.
Media Management
Bitmovin debuts first Cloud-based encoder to include Dolby Atmos and Dolby Vision
Development teams can feed object-based Atmos files to the encoder with no additional setup or integration required.
Audio
Wohler adds Dolby Atmos to flagship audio-video monitor
Users will be able to monitor Dolby Atmos alongside other traditional Dolby Audio technologies.
Audio
BBC scares up immersive audio Hallowe’en drama
Monster uses the listener’s connected devices to create the experience, rather than the listener being plugged in via headphones.
Audio
Jigsaw24 delivers Greece’s first Dolby Atmos-approved audio studio
Purpose-built facility will be used by dubbing, subtitling and post production agency Authorwave.
Audio
European broadcaster employs innovative AutoMix solution at Roland Garros
Enables broadcasters to combine multiple audio signals and automatically create a single output.
Audio
Audio Collaborative 2020 unveils agenda
Futuresource has released session and speakers details ahead of the Audio Collaborative 2020 event next month
Audio
EBU, IRT, BBC R&D release open-source, next-gen audio tools
Enables sound engineers to produce immersive and personalisable content using the Audio Definition Model (ADM) format.