BBC R&D trials immersive Six Nations audio
Trial enables viewers to turn phones, tablets and laptops into extra speakers in order to surround themselves in the sounds of the game
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Trial enables viewers to turn phones, tablets and laptops into extra speakers in order to surround themselves in the sounds of the game
More than 23,000 images, amounting to 30 gigabytes of data, were gathered during the final minutes of Perseverance’s journey to Jezero Crater on Mars
Includes analysis of the broadcast audio market through the pandemic and beyond, as well as a look at the development of a production tool...
Winners and their developments will be honoured during a virtual ceremony on Saturday 13th February
Company aims to provide integrated console systems, studio technical furniture and accessories to the audio post production business
xHE-AAC also offers Netflix improved coding efficiency at low bit rates, an ability to scale up to perceptually-lossless quality at high bit rates, and...
Studer is an audio brand that has been in operation for more than 70 years
Enables broadcasters to verify, validate and ensure error-free video and audio content delivery for MPEG-TS and OTT sources
Test lets users disable video and listen to the audio of a TV show or film in the background.
It includes 1,024 channels of mc2-grade processing algorithms, multiple sets of monitoring matrices, downmixing and upmixing, and is Dolby Atmos and MPEG-H compatible.
Alex Wrigglesworth talks about the "bonkers" remote audio production involved in the BBC’s The Choir.
Selected matches will be available in Ultra HD with Dolby Atmos audio, kicking off with this weekend's match between Liverpool and Wolves.
New audio stream is available to BT Sport Ultimate customers from this weekend.
Immersive audio pioneer Felix Krückels talks to TVBEurope about next generation audio, how to prepare, and how to mix the audio for live broadcasts.
Davis designed hundreds of products for the BBC as well as many world-firsts.
Development teams can feed object-based Atmos files to the encoder with no additional setup or integration required.
Users will be able to monitor Dolby Atmos alongside other traditional Dolby Audio technologies.
Monster uses the listener’s connected devices to create the experience, rather than the listener being plugged in via headphones.
Purpose-built facility will be used by dubbing, subtitling and post production agency Authorwave.
Enables broadcasters to combine multiple audio signals and automatically create a single output.
Futuresource has released session and speakers details ahead of the Audio Collaborative 2020 event next month
Enables sound engineers to produce immersive and personalisable content using the Audio Definition Model (ADM) format.
Three-month trial is part of the Poland’s move to the DVB-T2 standard, giving TVP (Teleizja Polska) the opportunity to operate the next-generation Dolby AC-4...
The fully virtual Audio Collaborative event takes place over 4th and 5th November and features speakers from the BBC, Google, Harman Professional, and more...
Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula E's sound team make sure everything was crystal clear
TVBEurope rounds up the latest product and solutions news from TVU Networks, TAG Video Systems and Starfish Technologies
TVBEurope rounds up the latest tech and product news from StreamAMG, Calrec and Clipsource
Microphone can be put in inconspicuous places to capture sound from anywhere on a set
According to the company, the AD3 makes it possible for high-tier broadcast, film and TV to employ a flexible connection to a wired microphone
MPEG-H Audio system is specified in TV broadcast standards such as ATSC 3.0 and DVB as well as in the mobile broadband standard 3GPP
Offers audio localisation services for feature films, television, gaming, and streaming industries, as well as ADR recording
Trade group AudioUK has released a 15-page document with COVID-19 guidelines for safe audio production during the pandemic
Filmmaker Vivek Vadoliya talks to TVBEurope about being part of Adobe Stock Film Fest
Philip Stevens explores object-based media and how the BBC is using it to enhance the experience for viewers with hearing difficulties
Bob Knauf, senior product marketing manager at Poly offers some tips on broadcasting from home
Mix Kitchen is a long-term solution for when audio engineers can't be on site
Audio from EA Sports FIFA is being used to help create an atmosphere for fans watching at home
Philip Stevens investigates distance working on French daily show, Clique
Philip Stevens finds out how the BBC's Lockdown Orchestra is helping viewers and listeners feel the love
Calrec's Kevin Emmott explains how the company helped with the live broadcast of Captain Tom’s 100th birthday celebrations
Six Dolby Atmos stages have been built on the Berkshire site
Focuses on audio analytics, anomaly detection, predictive maintenance and environmental sound monitoring