Audio
Digigram expands sound card range
The latest additions to the ALP-X family feature an FGPA-based zero latency mixer providing flexible routing and mixing of 16 channel inputs
Audio
Audio
Shure and Haivision integration delivers broadcast quality audio for mobile journalists
The integration enables two channels for live broadcasts and video recording within Haivison's MoJoPro app
Audio
First dedicated NDI audio connection solution for Vizrt
The solution aims to provide users with connectivity and visibility, enabling full control of audio sources on an NDI network
Audio
Wheatstream Duo opens audio streaming for all
Scaled for affordability, the solution features the same metadata and processing capabilities as the high-capacity Wheatstream appliance for one or two channels
Audio
Lawo powers Ü2 OB truck AoIP upgrade for Studio Berlin
The transition to IP-based infrastructure was completed in time for the 75th Berlinale Film Festival
Audio
Shure debuts latest addition to MoveMic family
MoveMic 88+ provides four selectable polar patterns, aiming to ensure versatility in challenging environments
Artificial Intelligence
Deepdub to offer AWS customers AI-based voice solutions for localisation
The deal will see Deepdub's solutions, including its new AI Audio API, available in AWS Marketplace
Audio
Mixing the sound of Hollywood’s biggest night
97th Academy Awards audio director Paul Sandweiss discusses the behind-the-scenes work that goes into Hollywood's biggest award show, and why Calrec's Apollo is his...
Audio
BBright partners with Jünger Audio on S-ADM transmission over IP
The development means broadcasters will be able to deliver immersive and object-based audio experiences in both live and recorded productions
Live Production
Riedel enables broad reach for Americas Cup communications
Riedel's solutions enabled chase boats to monitor communications throughout the race, connecting with the main operations control to provide enhanced viewing experiences
Audio
BBC Radiophonic Workshop regenerates
The BBC department "for making bonkers noises" is available in Spitfire Audio's Solar engine
Audio
Riedel debuts new StageLink family
Designed for broadcast, live production and studio environments, the new networked I/O boxes are set to redefine IP-based audio and intercom workflows, said the...
Audio
Tascam adds SMPTE ST 2110 support to Sonicview consoles
Added functionality includes a new gain-sharing Auto Mixer function, designed to optimise real-time gain control scenarios with multiple speakers
Audio
Genelec powers Germany’s first Dolby Atmos OB truck
The KeuleSound truck aims to fill a gap in the German market for an Atmos-powered outside production units
Audio
The Listeners: creating the soundworld of the groundbreaking drama
Sound designer Steve Fanagan tells David Davies how the soundscape behind the recent BBC One series, The Listeners, was created
Audio
TVU Networks facilitates first multi-channel Dolby Atmos remote production over public internet
The rap battle production employed TVU RPS One units from TVU Networks, each equipped with four SDI connections capable of transmitting up to 16...
Media Consumption
Samsung, Google partner on 3D audio technology for TVs
Content creators will be able to upload videos with Eclipsa Audio tracks to YouTube for viewing on Samsung's 2025 range of TVs
Audio
Krotos debuts AI image-to-ambience feature
Users can upload a picture into Krotos Studio and the solution's AI generates a custom text prompt based on the image
Audio
Opinion: FAST needs better audio quality
Costa Nikols, strategy advisor, M&E at Telos Alliance explains why FAST platforms must no longer accept "good enough" for audio
Audio
The power of connection: TVBEurope meets Dr Andreas Sennheiser
With the launch of its latest audio solution Spectera, Sennheiser aims to start a revolution in audio production
Audio
Sennheiser collaborates with broadcast industry on Spectera Pioneer Programme
The programme aims to provide Sennheiser with insights and use cases to further evolve its bi-directional wideband digital wireless ecosystem, Spectera
Audio
Dancing through life: capturing the on-set sound of Wicked
Wicked's sound team detail the technology they used on set to capture the transitions between dialogue and song
Audio
If you’re IP and you know it, clap your hands
To mark World Television Day, Calrec's general manager Sid Stanley takes a look at how TV sound has developed over the last two decades
Audio
Studio Berlin opens permanent Hamburg facility with AoIP solutions
Based around Lawo's AoIP technology, the new control room enables streamlined workflows and increased flexibility for current and future productions
Audio
Sony extends range with new digital wireless mic
Two models will be available in Europe providing bandwidth coverage of up to 148MHz in the TV white space band / 375kHz channel plan
Audio
Clair Global Group acquires Plus 4 Audio
The collaboration aims to strengthen Clair Global's provision of broadcast and audio solutions, said the company
Audio
Sennheiser debuts ‘multitool’ wireless microphone system
Profile Wireless connects to mobile phones, cameras or computers, and can be used as a clip-on, handheld or table-top microphone
Live Production
swXtch.io and Telos Alliance partner on low-latency cloud-based intercom
The collaboration enabled virtual, scalable, broadcast-quality intercom for a major sporting event earlier this year
Audio
How Wounded Buffalo creates natural history soundscapes that are ‘believable yet captivating’
Avid's solutions enable the Wounded Buffalo team to create immersive natural world soundscapes
Live Production
The Lawo AoIP technology driving TVN’s new OB truck
Lawo's VSM (Virtual Studio Manager) broadcast control system enables control and orchestration over the entire production network, aiming to minimise setup time and simplify...
Audio
Genelec monitoring ‘brand of choice’ for new Dolby Nuremberg facility
The new Dolby Nuremberg facility opens up the company's technical capabilities for a wide range of new use cases
Audio
Shure debuts digital wireless in ear monitoring solution
Axient Digital PSM is Shure's first WMAS-powered innovation and can be used in a stadium, broadcast studios and indoor venues
Audio
How Light Year Studios found the audio sweet spot on Winnie the Pooh: Blood and Honey
The UK-based creative audio recording and post production house relied on NUGEN Audio's suite of plug-ins to increase production workflow efficiency
Audio
Flawless, Deluxe and Pixelogic partner on localisation services
Flawless' AI-enabled visual dubbing technology TrueSync matches actors' lip movements with localised voice tracks, without altering the original shot or storyline
Audio
Krotos releases text-prompt driven AI Ambience Generator
Users can export soundscapes directly into any DAW or NLE, said the company, including Adobe Premiere and DaVinci Resolve
Audio
AntennaWare and Raycom partner on bodyworn wireless antenna
The form factor works alongside current UHF transmitter packs for film and TV production
Live Production
Germany’s WDR relies on Riedel backbone during Euro 2024
Signals from up to six unilateral cameras with embedded audio were transmitted from each stadium to Cologne
Audio
Calrec, Lawo, Telos Alliance and more add support for Dante in the cloud
Audinate's recently released SDK for Dante Connect enables software developers to build Dante audio transmission and reception natively into their cloud-based applications
Audio
Calrec introduces compact broadcast audio console
The plug-and-play SMPTE 2110 native console supports 5.1.2, 5.1.4, 7.1.2 and 7.1.4. immersive paths for input channels, busses, metering and monitoring as standard
Audio
Lawo and Audinate partner on Dante for HOME Apps
The collaboration intends to integrate Dante APIs and SDKs for access to control, management and media signals for Dante networks directly into HOME Apps
Audio
MainConcept releases Dolby certified plugins for FFmpeg
The encoder and decoder plugins are the company's first to be certified by Dolby
Audio
Opinion: the changing audio landscape in live production
Lawo’s Christian Scheck remembers the days when only the most expensive microphones, preamps, speakers, etc., were deemed adequate for broadcast