Features
How tech is solving the problem of ‘nothing to watch’
Even the most niche audiences are catered for by technology, writes Dan Goman, founder and CEO, OWNZONES Entertainment Technologies
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How can AI simplify broadcast production?
Simon Forrest, principal technology analyst at Futuresource Consulting, discusses the impact of machine learning
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There’s a new IP standard in town
JT-NM TR-1001-1 gives broadcasters an owner’s manual for SMPTE ST 2110-based installations, writes Mike Cronk, AIMS board chairman and core technology VP for Grass...
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Fusion Studio delivers high-end VFX for Sky One’s Brassic
A look at the VFX work employed on Sky One's latest comedy
Features
Candid photography
Dan Meier asks restoration colourist Jonathan Wood (knowingly) about his work on Monty Python’s 50th anniversary releases
Features
Could sports OTT be a new pay-TV opportunity?
Simon Trudelle, senior director, product marketing, NAGRA, discusses the implications of the rise in sports OTT for traditional pay-TV providers
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How 2019 became a surprising year for sport
Chris Alner, commercial director for media and satellite, Arqiva, examines the year's key trends in sports broadcasting
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Five reasons why interactive video is about to explode
Monterosa CEO Tom McDonnell discusses the new generation of interactivity on OTT and TV apps
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Recreating TV once thought doomed
Dan Meier gets permission to speak to Dad’s Army: The Lost Episodes director and executive producer Ben Kellett
Features
What is holding back IP adoption?
By Kieran Kunhya, managing director, Open Broadcast Systems
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Lynx Technik’s greenMachine powers HDR to SDR conversion
HDR Evie is powered by the award-winning greenMachine titan platform
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Crossing over with The Finish Line
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
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Going green screenless
Dan Meier visits visualisation specialist disguise to see extended reality in action
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A crowded OTT market means opportunity ahead for telcos
Kamal Bhadada, president, CMI, Tata Consultancy Services, explores potential value for telco businesses
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Colour my world
How are Youngster's colourists and creative artists using FilmLight’s Baselight to colour grade content?
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Will increased competition drive technological innovation in the OTT market?
Remi Beaudouin, chief strategy officer at ATEME looks at the new services that could disrupt the OTT market
Features
Measuring the race for viewers
Chief executive of BARB Justin Sampson explains how the company continues to futureproof in the face of a fragmenting TV industry
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The key (or quay) to dock10’s achievements
Philip Stevens travels to Salford to hear about a decade of successful production
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Making a killing
Daniel Gumble delves into Killing Eve’s technical challenges with its award-winning sound crew
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Selling rights: No pain, more gain
By François Xavier Schlesser, business development manager, MEDIAGENIX
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How extreme weather could affect disaster recovery
Juliet Walker, CMO, Globecast, on how extreme weather could cause major problems for broadcasters
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How artificial intelligence gave new life to old Apollo footage
Apollo’s New Moon executive producer Thomas Lucas discusses the process of upscaling NASA images to 4K
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How can SAT>IP make 4K real for consumers?
Jorge Rodriguez López, SAT>IP Alliance VP and head of marketing at HISPASAT, discusses satellite delivering 4K premium content
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How IP-based video transport empowers content providers
Malik Khan, LTN executive chairman and co-founder, discusses the benefits of IP-based networks
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The three landscapes of digitalisation pay-TV operators must navigate
By Ivan Verbesselt, senior VP marketing, NAGRA
Features
This month in sport broadcasting…
Featuring news from UEFA, Wimbledon and the Women's World Cup
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How international co-production advances the TV industry
George Jarrett speaks to NATPE president and CEO JP Bommel about the association's upcoming Budapest summit
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How can specialisation serve the SVoD industry?
TVBEurope asks Crunchyroll's Brady McCollum how a niche anime brand succeeds in the crowded SVoD marketplace
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How to meet increasingly high audience demands without breaking the bank
Ooyala's director of global product marketing, Bea Alonso, on optimising the content supply chain
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Champions League: why HDR is the next step in sport broadcasting
BT Sport COO Jamie Hindhaugh discusses the introduction of HDR in Saturday's final
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Why AI can be too much of a good thing for media organisations
Stuart Almond, head of Intelligent Media Services at Sony Professional Solutions Europe, considers the responsible deployment of AI in the M&E sector
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How Game of Thrones conquered the world of broadcast
After eight years in the Seven Kingdoms, we say farewell to TV's biggest show
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Revolutionising high-resolution streaming at scale
Dan Germain, AWS senior product manager, compression and VoD, discusses the benefits of accelerated transcoding
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It was one small step
Jenny Priestley talks to broadcaster James Burke about the 50th anniversary of the Moon landing
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Get ready for 5G
Yvonne Monterroso, director product management, Dejero, reveals how 5G helped the company transmit a life-sized 3D hologram
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Poles apart: how polarisation is changing the face of global news
OC&C partner Toby Chapman assesses the political climate's impact on news organisations
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Online video delivery at the dawn of the 5G era
Igor Oreper, vice president solutions, Bitmovin, looks at the 5G chicken and the data egg
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The future is bright for 5G and mobile video
By Thierry Fautier, VP of Video Strategy, Harmonic
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Is consumer demand driving change in the video landscape?
By Chris Bennett, managing director, EMEA, Pixability
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NAB 2019: Broadcasters look to solve multi-channel challenges
Arqiva's head of media technology Greg Burns predicts the key topics at NAB 2019
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Is esports part of the broadcasting mainstream?
Jenny Priestley isn't quite sure of the answer
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The intersection of AI/ML with ratings, engagement and advertising
By Logan Ketchum, director of North American sales, Veritone, Inc.