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Features
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Taking control of your OTT content delivery
By Kalle Henriksson, research and innovation, founder, Edgeware
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A Norwegian twist
Colourist Dylan R Hopkin describes creating a palette for BBC Four crime drama, Wisting
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Helping make broadcasters more competitive
Anna Lockwood, head of global sales, Telstra Broadcast Services, discusses the rise of IP, the Cloud and remote production
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Who renders The Witcher?
Framestore discusses world-building, Netflix and the magic of Houdini
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Which flavour of Android is right for your pay-TV business?
Tim Pearson, senior director, product marketing, NAGRA, explains the pros and cons of different Android TV distributions
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2020: The year sports will go direct-to-consumer?
Imagen CEO Charlie Horrell outlines his predictions for 2020
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De-ageing The Irishman
Visual effects supervisor Pablo Helman tells TVBEurope how Martin Scorsese's epic took its actors back in time
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Uncanny tabby
TVBEurope asks VFX experts why the Cats visual effects left some viewers feline uncomfurtable
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Game on: Emerging trends in digital content storage and delivery
Ryan Nicometo, SVP product and marketing at Vecima Networks, breaks down the challenges ahead for broadcasters delivering a summer of sport
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Bingeing all the way
TVBEurope asks Ampere Analysis' Toby Holleran why streaming services are changing up their release models
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“A fear of technology stopped me from directing”
Director Alexandra Boyd discusses the challenges of her debut feature film, Widow's Walk
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The sound of Strictly
Daniel Gumble visits BBC Studioworks’ facilities at Elstree Studios for a look behind the scenes at a TV phenomenon
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Capturing the counts
Philip Stevens talks to several broadcasters about their plans for election night coverage
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Pushing back the frontiers of virtualised multiviewers
How tpc Switzerland and Rohde & Schwarz created a revolutionary news and sports production centre
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How to unlock the potential of your media archives
Neil Stobart, vice president, Global System Engineering at Cloudian, on choosing the right storage foundation
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Software-Defined Visual Storytelling
By Andrew Cross, president of global research and development at Vizrt
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Taking Streaming Tech TV+ to the right audience
How using Red Bee Media’s White-Label Proposition has enabled a Swedish tech conference to establish global thought leadership with a dedicated video site
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Can Apple TV+ take a bite out of the streaming market?
TVBEurope breaks down the prospects for Apple's new streaming service
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How radio frequency technology smashes tennis coverage
Jonathan Endley, head of sales development, Gearhouse Broadcast, discusses delivering faultless RF at major tennis events
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How tech is solving the problem of ‘nothing to watch’
Even the most niche audiences are catered for by technology, writes Dan Goman, founder and CEO, OWNZONES Entertainment Technologies
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How can AI simplify broadcast production?
Simon Forrest, principal technology analyst at Futuresource Consulting, discusses the impact of machine learning
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There’s a new IP standard in town
JT-NM TR-1001-1 gives broadcasters an owner’s manual for SMPTE ST 2110-based installations, writes Mike Cronk, AIMS board chairman and core technology VP for Grass...
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Fusion Studio delivers high-end VFX for Sky One’s Brassic
A look at the VFX work employed on Sky One's latest comedy
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Candid photography
Dan Meier asks restoration colourist Jonathan Wood (knowingly) about his work on Monty Python’s 50th anniversary releases
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Could sports OTT be a new pay-TV opportunity?
Simon Trudelle, senior director, product marketing, NAGRA, discusses the implications of the rise in sports OTT for traditional pay-TV providers
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How 2019 became a surprising year for sport
Chris Alner, commercial director for media and satellite, Arqiva, examines the year's key trends in sports broadcasting
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Five reasons why interactive video is about to explode
Monterosa CEO Tom McDonnell discusses the new generation of interactivity on OTT and TV apps
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Recreating TV once thought doomed
Dan Meier gets permission to speak to Dad’s Army: The Lost Episodes director and executive producer Ben Kellett
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What is holding back IP adoption?
By Kieran Kunhya, managing director, Open Broadcast Systems
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Crossing over with The Finish Line
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
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Going green screenless
Dan Meier visits visualisation specialist disguise to see extended reality in action
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A crowded OTT market means opportunity ahead for telcos
Kamal Bhadada, president, CMI, Tata Consultancy Services, explores potential value for telco businesses
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Colour my world
How are Youngster's colourists and creative artists using FilmLight’s Baselight to colour grade content?
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Will increased competition drive technological innovation in the OTT market?
Remi Beaudouin, chief strategy officer at ATEME looks at the new services that could disrupt the OTT market
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Measuring the race for viewers
Chief executive of BARB Justin Sampson explains how the company continues to futureproof in the face of a fragmenting TV industry
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The key (or quay) to dock10’s achievements
Philip Stevens travels to Salford to hear about a decade of successful production
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Making a killing
Daniel Gumble delves into Killing Eve’s technical challenges with its award-winning sound crew
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Selling rights: No pain, more gain
By François Xavier Schlesser, business development manager, MEDIAGENIX
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How extreme weather could affect disaster recovery
Juliet Walker, CMO, Globecast, on how extreme weather could cause major problems for broadcasters
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How artificial intelligence gave new life to old Apollo footage
Apollo’s New Moon executive producer Thomas Lucas discusses the process of upscaling NASA images to 4K