How sustainable is the future of video entertainment?
InterDigital publishes white paper on the importance of sustainability as the energy footprint of the video entertainment industry grows
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InterDigital publishes white paper on the importance of sustainability as the energy footprint of the video entertainment industry grows
White PaperRobin Boldon, director product management for anti-piracy at OpSec Security explains why direct-to-consumer platforms at must begin to work with experts and implement...
Haivision's new whitepaper offers advice on enabling flexible and decentralised remote production.
Philip Stevens talks to directors Paul McNamara and Tim Goodden about how they've been directing ITV Sport's horse racing coverage from home.
Thierry Fautier, vice president of Video Strategy at Harmonic takes a look at how the high-speed network capability of 5G will enable UHD experiences,...
Blockchain remains a relatively unfamiliar concept to most people in the broadcast and media industries, writes Steven Bilow, SMPTE Member, volunteer, and contributor. But...
FeaturesTVBEurope takes a look back at some of the highs and lows experienced by the media technology industry in 2020.
Jo Auston, production executive at Multistory Media explains how technology kept ITV's The Martin Lewis Money Show on air during the UK's first lockdown.
TVBEurope gets an exclusive insight into how the Strictly Come Dancing graphics, lighting and audio teams have introduced augmented reality in this year's series.
Alex Wrigglesworth talks about the "bonkers" remote audio production involved in the BBC’s The Choir.
As 2020 comes to an end, Philip Stevens talks to ITV Sport's Roger Pearce about a year of fewer events – and the hopes...
How ABS Broadcast moved to a software-based playout system with help from Cinegy.
Immersive audio pioneer Felix Krückels talks to TVBEurope about next generation audio, how to prepare, and how to mix the audio for live broadcasts.
Johan Bolin, chief product and technology officer, Edgeware looks at how broadcasters can reach out to a lost generation of viewers.
With its plot centering around a deadly virus hitting a small island community, ZDF’s latest drama series, ‘Sløborn’, could not have been more timely....
TVBEurope is given an exclusive insight into the virtual production of the recent MTV Video Music Awards and how disguise's xR workflow was used...
Martin Coles, vice president of marketing at IPV, gives TVBEurope an exclusive insight into the media and entertainment findings from the company's report into...
TVBEurope talks to Dalet's Bea Alonso about the company's 30th anniversary and the current challenges facing the media tech industry.
As the tennis season approaches its conclusion with the ATP Tour Final, sports broadcast event producer and EVS editor Bren Hester offers TVBEurope some...
Olivier Bovis, head of sales for Media Solutions, Sony PSE, explores the rise of SVoD, the challenges of evolving broadcast schedules, digital business models...
NAGRA's Jacques-Edouard Guillemot explains how real-time access to and analysis of data can help pay-TV operators be more resilient and able to adapt quickly...
By Tobias Pyndt Steinmann, chief technology officer, ioGates ApS
Philip Stevens looks at how European broadcasters have elected to cover Biden vs Trump.
Jonathan Morgan, CEO, Object Matrix, and Michael Nixon, marketing and engagement manager, Fortium, discuss how Covid-19 has stripped companies of the luxury of taking...
How the BBC's R&D team developed open source machine-learning framework network YOLO (You Only Look Once) for Autumnwatch.
Parham Azimi, CEO of iconik, explains how broadcasters and media organisations can use AI to give them a head-start on any upcoming industry changes.
TVBEurope rounds-up the runners and riders to succeed David Clementi
Take part in our survey about resource management, and you could win one of three $100 Amazon gift cards
Rick Clarson, chief strategy officer at Signiant, explains why moving highly sensitive, large, complex data sets between companies requires a new approach.
How broadcaster TF1 employed Pixotope for coverage of this year's municipal elections.
InterDigital’s new white paper, Cloud gaming: Enabling a next generation gaming and streaming paradigm, explains how to reap the bonuses and avoid the pitfalls...
White PaperTVBEurope talks to Nevion's Andy Rayner about the possibilities 5G technology offers all areas of the media industry
Shane McCarthy, chief operating officer at Irdeto, explains why content security is even more important than ever during the pandemic.
Erik Otto, CTO, Mediaproxy argues why compliance should be at the forefront of any broadcast business decision, whether production, post production or distribution
Harry Harcus, managing director, UK, Finecast argues the death of the TV has been greatly exaggerated
Accedo's Mrugesh Desai discusses how services designed to rationalise the way audiences consume media, are now making it more complicated.
Vuulr CEO Ian McKee on why this is a watershed moment for the way the content industry operates.
Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula E's sound team make sure everything was crystal clear
Mark Davies, director of products and technology at TSL Products, explains how advanced control surfaces can ensure creative production freedom and the highest technical...
Media Asset Capital's Jeremy Bancroft explains why the current model of measuring TV audiences is all wrong
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
NAGRA's Tim Pearson argues that the content industry needs to collaborate in order to defeat piracy – that includes content owners, operators and even...