Making the grade for ‘Our NHS: A hidden history’
Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
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Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Gilbert will be tasked with overseeing the company's technical operations across both its sites in London and Bristol
Molinare Production Services to be led by new head creative Darren Rae, whose appointment reunites him with some familiar faces
Boutique post production house has also upgraded its Baselight capabilities to 4K
He has been tasked with developing Molinare's production services division to focus on new areas of business that feed into the company's already existing...
Deal, worth €30 million, was first announced in January
Everyone knows that the TV and film industry has gone through fundamental changes over the past 12 months. From pre-production to post, new technology...
New product is compatible with Blackmagic Resolve, FilmLight Baselight, Adobe Premiere, Avid Media Composer, Apple Final Cut and Autodesk Flame
A mockumentary shooting style and an encouragement to ad-lib has tickled the nation's funny bone enough to launch Meet the Richardsons into a second...
Company makes significant kit and infrastructure investment to support remote and hybrid post production in post-Covid era
New remote editing solution can facilitate multiple edits remotely or in the facility and enables editors to securely share their screen, live, with other...
Timeline North provided both on-location edit facilities and remote post production
The ML toolset's applications include upres, removing motion blur, tracker marker removal, beauty work, and garbage matting
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Company said there will be no interruption of services to Technicolor Post' clients during the integration, and all employees dedicated to Technicolor Post will...
The first section, released today, focuses on the challenges, opportunities and drivers of change in the world of production and post
Company provided a secure dailies delivery service as well as remote access to edit facilities.
pixitmedia MD Paul Cameron considers which new solutions put in place in 2020 could evolve and disrupt the media and entertainment industry in 2021.
Avid said the terms of the new credit facility will provide it with significantly incremental flexibility to support its strategy and growth plans.
Jon Morgan, CEO of Object Matrix, takes a look at what 2021 will have in store for the media tech industry.
School intends to use EditShare's EFS and FLOW to support a range of connected solutions for editing, grading, animation and more.
Release also introduces a new fully REST-compliant Remote Control API that enables users to collect and organise any parameters or function libraries from the...
How post production facility Sim automates its production workflow with Signiant Jet.
Company will move its archive from the public Cloud.
With its plot centering around a deadly virus hitting a small island community, ZDF’s latest drama series, ‘Sløborn’, could not have been more timely....
His Dark Materials has picked up four nominations, followed by I May Destroy You with three
How the VFX studio employed pixitmedia's on-demand data management solution for its work on Apple TV's For All Mankind
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
Parham Azimi, CEO of iconik, explains how broadcasters and media organisations can use AI to give them a head-start on any upcoming industry changes.
Rick Clarson, chief strategy officer at Signiant, explains why moving highly sensitive, large, complex data sets between companies requires a new approach.
tms aims to allow anyone involved in content creation to take advantage of the Cloud
New facility will look at high-end and affordable mo-cap, content generation for TV, film, VR and AR and development of intelligent tools for post...
Telestream's new white paper breaks down the challenges posed by 4K, HDR, WCG and UHD in colouration, luminance and pixel density
Philip Stevens investigates the production processes put in place to bring EastEnders back to BBC One
Carnival's team is using PFT's Cloud software to access, edit, review and approve videos from each day of the Carnival
The UK Screen Alliance has updated its Guidance for Covid-Safe Working in Post-Production and VFX, which is produced in consultation with UK Screen Alliance...
Aims to offer insight and training into the practical elements for those seeking a career as a post production co-ordinator
Cloud-based platform which aims to make it easier for vendors, artists and creators to connect and collaborate
Studioworks is providing a range of technical crews and services, including scenic, electrical and engineering staff and post production staff
Rapid Pictures and Radiant Post keep calm and carry on with remote business as usual supported by ERA
Includes a redesigned customisable user interface, a new Universal Media Engine, finishing and delivery tools, and support for Apple ProRes for Windows and Catalina