Live Production
All you need to know about MXL
Jenny Priestley talks to the BBC and CBC Canada about the Media eXchange Layer (MXL), which is set to change how content moves around...
Features
Media Delivery
The future of free TV: Freely’s innovative features and growth plans
TVBEurope talks to Sarah Milton, chief product officer at Everyone TV, about the success of Freely, the UK's free-to-air IPTV service, which is set...
Sponsored
On and off the pitch, Shure’s new Digital Broadcast Microphone Array is enhancing viewers’ audio experience
With 78 elements, 8 steerable lobes, and dual automixers, the Shure DCA901 Digital Broadcast Array delivers unprecedented audio coverage and control for live sports...
Artificial Intelligence
Analysing the hype cycle of AI technologies in broadcast
AI development is following a familiar path, says Tridib Chakravarty, CEO and president of StorageDNA, explaining the current state of play in media and...
Media Delivery
Opinion: Why European broadcasters need to gain control of the mobile device ecosystem
Mark A Aitken, president of ONE Media Technologies, explains why purusing 5G Broadcast without securing device autonomy risks leaving broadcasters subservient to Mobile Network...
Sponsored
Behind the scenes of micro-dramas: the technology driving a $7 billion industry
Fred Sun, general manager at Tencent Cloud Europe, explains how the micro-drama boom is signalling the future of streaming and shows how content, technology...
Business
Navigating the future of public service broadcasting
As the EBU marks its 75th year, Jenny Priestley sits down with director-general Noel Curran to discuss its enduring mission and the critical challenges...
Sponsored
How Bedrock delivers scale for broadcasters to compete with the global streamers
Learn how Bedrock is working with European broadcasters to help them reach scale in the fight for audiences
Live Production
Opinion: Is 5G ready for live production?
Samuel Yoffe, senior systems engineer at Neutral Wireless and research fellow at the University of Strathclyde, considers the need for greater confidence in adopting...
Sponsored
AI-Media’s LEXI Voice delivers accuracy and flexibility in AI-powered voice translation
AI-Media's Russ Newton discusses the importance of accuracy in the company's speech-to-text and audio feed workflows
Live Production
How Sky Sports created a football studio that doesn’t look like a football studio
TVBEurope goes behind-the-scenes of Sky Sports' Women's Super League coverage to learn more about the new state-of-the-art studio, and how it incorporates the social...
Business
Opinion: how security defined my IBC
TVBEurope's Matthew Corrigan found a growing realisation that strong defences are becoming mission critical for M&E
Live Production
Opinion: Why the Media eXchange Layer was my biggest talking point of IBC2025
TVBEurope's content director Jenny Priestley reflects on one of the unexpected topics of conversation at IBC2025
Media Consumption
Should broadcast be categorised as Critical National Infrastructure?
Following yesterday's test of the UK's disaster alert system, Matthew Corrigan wonders if it’s time for governments to recognise the importance of broadcast media
Production & Post
Driving trends: the convergence of pro AV and broadcast
As the lines between broadcast and pro AV continue to blur, a new landscape for content creation and distribution is emerging. We speak to...
Sponsored
How the Media eXchange Layer (MXL) could reshape software-based broadcast workflows
Paul Schiller, product marketing manager, TAG Video Systems, explains why broadcasters should care and act sooner rather than later in adopting the EBU's Media...
Audio
Creating the audible wow factor
Frank Foti, executive chairman at Telos Alliance, tells Jenny Priestley about his work to revolutionise audio with an upmixing technology that transforms stereo into...
Opinion
The more things change…
TVBEurope's Matthew Corrigan has some thoughts on the pace of change in the world of broadcast technology
Media Management
A dynamic vision of broadcast’s future
The Media eXchange Layer (MXL) standardises how media processing functions operating in containerised environments can share and exchange data with each other, writes David...
Production & Post
Creating an authentic connection between human and dragon
Production VFX supervisor Christian Mänz talks to TVBEurope about the work that went into creating the creatures of How to Train Your Dragon both...
Audio
Building the sound of Building the Band
Sound supervisor Oliver Waton talks exclusively to TVBEurope about his work on Netflix’s new music series, and why Shure’s new Nexadyne microphones turned out...
Virtual Production
How the BBC’s Women’s Euro 2025 studio reflects the Swiss landscape
TVBEurope talks to Jim Mann, creative director at Lightwell, and BBC Sport's design director John Murphy, about the technology powering the broadcaster's virtual studio
Production & Post
‘Like creating one giant movie’: The process of creating the twists and turns of Dept Q
Editor Michelle Tesoro talks TVBEurope through the process of cutting Netflix drama Dept Q, including the technology that enabled the editing team to work...
Production & Post
Clear Angle Studios puts F1: The Movie in pole position
Clear Angle Studios' Marco Lee outlines how the company overcame the many technical challenges involved in capturing the sights and sounds of an active...
Production & Post
How Ignite handled the ‘moving parts’ of creating ITV’s Women’s Euros title sequence
Ignite's David Snowdon talks TVBEurope through the process of creating the titles for ITV's coverage of the UEFA Women's Euro, and why it was...
Adtech
How media companies can leverage major sports events to increase advertising revenue
Yospace CEO Tim Sewell talks to TVBEurope about the opportunities for broadcasters and streamers to maximise their return on investment during major sports events
Business
The year so far: TVBEurope’s stories of 2025
From the demise of Technicolor to the launch of world’s smallest slow-motion minicam, TVBEurope reflects on the first six months of the year
Live Production
A team sport
Around 200 members of staff at IMG have been working on a project that came together in a “matter of weeks, not months". TVBEurope...
Media Management
Putting cloud at the heart of the action
M2A Media CEO Ciaran Doran discusses how the company has scaled the orchestration of its cloud distribution services to deliver this summer's FIFA Club...
Media Delivery
Why live streaming needs stronger anti-piracy measures
As more viewers turn to streaming to watch major sports events, Broadpeak's Nivedita Nouvel explains why dealing with anti-piracy will protect the future of...
Media Consumption
How women’s sports are writing new rules of engagement
Women's sports are seeing a coordinated rise across live broadcasts, streaming, and digital platforms. Instead of gradual growth, it’s a rapid, worldwide acceleration. Operative's...
Live Production
Ready to roar: Sky Sports’ MNF studio prepares to host the Lions
The creative team at Sky Sports talk to TVBEurope about the work that's gone into transforming the broadcaster's Ultra HD Monday Night Football studio...
Production & Post
The undetectable VFX in Netflix’s Nobody Wants This
VFX compositor Stephen Pugh talks to TVBEurope about creating visual effects that don't draw attention to themselves
Production & Post
Giving colour to Jesse Armstrong’s darkly-comic Mountainhead
UNIT Film & TV colourist Dan Coles tells TVBEurope about the balance between light and shade in Jesse Armstrong's film
Production & Post
Exploring the creative journey of Squid Game season two
Director of Photography Kim Ji-yong and colourist Park Jin Young explain how they intentionally shifted the visual tone and style of the hit...
Sponsored
The top 4 broadcast industry technology trends
Densitron details four technology trends in broadcast operations, and identifies solutions that can enable broadcasters to improve workflows
Eurovision Song Contest
What the hell just happened: TVBEurope visits Eurovision
TVBEurope's Matthew Corrigan on the sights, sounds and incredible production behind the exuberance of Eurovision
Eurovision Song Contest
Eurovision 2025 to employ SRT, open source graphics, and augmented reality
As Basel welcomes thousands of fans from across Europe (and beyond) for the Eurovision Song Contest 2025, TVBEurope speaks to key members of the...
Virtual Production
Providing the virtual production building blocks for A Minecraft Movie
Disguise's Talia Finlayson and Laura Bell tell TVBEurope about their work both on-set and off, working to create the amazing virtual environments used in...
Production & Post
Stone cold classic
A new documentary about Sly Stone reinforces his influence on a half-century of popular music and contextualises him in what were deeply turbulent times....
Artificial Intelligence
AI in TV sound: creative threat or supportive tool?
Orfeas Boteas, CEO of Krotos, explains why the transparent use of AI in sound can be a powerful support system to set creativity free
Artificial Intelligence
Chat Show GPT
The producers behind the Virtually Parkinson podcast explain how its AI creation not only aims to maintain ethical integrity but advocates responsible development across...