Production & Post
Who renders The Witcher?
Framestore discusses world-building, Netflix and the magic of Houdini
Features
Media Delivery
Which flavour of Android is right for your pay-TV business?
Tim Pearson, senior director, product marketing, NAGRA, explains the pros and cons of different Android TV distributions
Media Delivery
2020: The year sports will go direct-to-consumer?
Imagen CEO Charlie Horrell outlines his predictions for 2020
Production & Post
De-ageing The Irishman
Visual effects supervisor Pablo Helman tells TVBEurope how Martin Scorsese's epic took its actors back in time
Production & Post
Uncanny tabby
TVBEurope asks VFX experts why the Cats visual effects left some viewers feline uncomfurtable
Media Management
Game on: Emerging trends in digital content storage and delivery
Ryan Nicometo, SVP product and marketing at Vecima Networks, breaks down the challenges ahead for broadcasters delivering a summer of sport
Media Consumption
Bingeing all the way
TVBEurope asks Ampere Analysis' Toby Holleran why streaming services are changing up their release models
Production & Post
“A fear of technology stopped me from directing”
Director Alexandra Boyd discusses the challenges of her debut feature film, Widow's Walk
Audio
The sound of Strictly
Daniel Gumble visits BBC Studioworks’ facilities at Elstree Studios for a look behind the scenes at a TV phenomenon
Live Production
Capturing the counts
Philip Stevens talks to several broadcasters about their plans for election night coverage
Production & Post
“I hope people find it honest”
Andy Murray talks to TVBEurope about his new documentary
Production & Post
Pushing back the frontiers of virtualised multiviewers
How tpc Switzerland and Rohde & Schwarz created a revolutionary news and sports production centre
Media Management
How to unlock the potential of your media archives
Neil Stobart, vice president, Global System Engineering at Cloudian, on choosing the right storage foundation
Sponsored
Software-Defined Visual Storytelling
By Andrew Cross, president of global research and development at Vizrt
Media Delivery
Taking Streaming Tech TV+ to the right audience
How using Red Bee Media’s White-Label Proposition has enabled a Swedish tech conference to establish global thought leadership with a dedicated video site
Videos
Media Consumption
Can Apple TV+ take a bite out of the streaming market?
TVBEurope breaks down the prospects for Apple's new streaming service
Live Production
How radio frequency technology smashes tennis coverage
Jonathan Endley, head of sales development, Gearhouse Broadcast, discusses delivering faultless RF at major tennis events
Features
How tech is solving the problem of ‘nothing to watch’
Even the most niche audiences are catered for by technology, writes Dan Goman, founder and CEO, OWNZONES Entertainment Technologies
Media Management
How can AI simplify broadcast production?
Simon Forrest, principal technology analyst at Futuresource Consulting, discusses the impact of machine learning
IP Migration
There’s a new IP standard in town
JT-NM TR-1001-1 gives broadcasters an owner’s manual for SMPTE ST 2110-based installations, writes Mike Cronk, AIMS board chairman and core technology VP for Grass...
Production & Post
Fusion Studio delivers high-end VFX for Sky One’s Brassic
A look at the VFX work employed on Sky One's latest comedy
Production & Post
Candid photography
Dan Meier asks restoration colourist Jonathan Wood (knowingly) about his work on Monty Python’s 50th anniversary releases
Features
Could sports OTT be a new pay-TV opportunity?
Simon Trudelle, senior director, product marketing, NAGRA, discusses the implications of the rise in sports OTT for traditional pay-TV providers
Features
How 2019 became a surprising year for sport
Chris Alner, commercial director for media and satellite, Arqiva, examines the year's key trends in sports broadcasting
Features
Five reasons why interactive video is about to explode
Monterosa CEO Tom McDonnell discusses the new generation of interactivity on OTT and TV apps
Videos
Production & Post
Recreating TV once thought doomed
Dan Meier gets permission to speak to Dad’s Army: The Lost Episodes director and executive producer Ben Kellett
IP Migration
What is holding back IP adoption?
By Kieran Kunhya, managing director, Open Broadcast Systems
Sponsored
Lynx Technik’s greenMachine powers HDR to SDR conversion
HDR Evie is powered by the award-winning greenMachine titan platform
Features
Crossing over with The Finish Line
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
Features
Going green screenless
Dan Meier visits visualisation specialist disguise to see extended reality in action
Features
A crowded OTT market means opportunity ahead for telcos
Kamal Bhadada, president, CMI, Tata Consultancy Services, explores potential value for telco businesses
Features
Colour my world
How are Youngster's colourists and creative artists using FilmLight’s Baselight to colour grade content?
Features
Will increased competition drive technological innovation in the OTT market?
Remi Beaudouin, chief strategy officer at ATEME looks at the new services that could disrupt the OTT market
Features
Measuring the race for viewers
Chief executive of BARB Justin Sampson explains how the company continues to futureproof in the face of a fragmenting TV industry
Features
The key (or quay) to dock10’s achievements
Philip Stevens travels to Salford to hear about a decade of successful production
Features
This month in the world of streaming…
Catch up on all July's activity from the streamers
Videos
Features
Making a killing
Daniel Gumble delves into Killing Eve’s technical challenges with its award-winning sound crew
Sponsored
Selling rights: No pain, more gain
By François Xavier Schlesser, business development manager, MEDIAGENIX
Features
How extreme weather could affect disaster recovery
Juliet Walker, CMO, Globecast, on how extreme weather could cause major problems for broadcasters
Features
How artificial intelligence gave new life to old Apollo footage
Apollo’s New Moon executive producer Thomas Lucas discusses the process of upscaling NASA images to 4K