2021: Producing the unforgettable
In an exclusive extract from this year's MediaTech Outlook, the DPP's CEO Mark Harrison explains how the unparalleled innovation in content production seen in...
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In an exclusive extract from this year's MediaTech Outlook, the DPP's CEO Mark Harrison explains how the unparalleled innovation in content production seen in...
As AVoD and FAST services continue to rollout, traditional TV providers will need to provide a more holistic offering to keep advertisers on board,...
As the popularity of immersive media experiences continues to surge, we will see a rapid increase in next-generation immersive UHD HDR services coming to...
Latest camera and remote production system are helping companies zoom in on the changes shaping the world of broadcasting
Eurovision's executive supervisor Martin Österdahl talks to TVBEurope about the return of the "mother of all big entertainment shows"
Martin Izzard, head of media and entertainment at Red Lorry Yellow Lorry takes a look at the rise of virtual production
Johan Bolin, CTO at Agile Content argues that successfully re-defining broadcast comes down to incorporating web-based technologies throughout the end-to-end content production process
A new report from the DPP has outlined five production models for a post-pandemic world, as well as offering guidance to help broadcasters determine...
Luke Durham, CTO at Switch Media, looks at how the pandemic has helped both SVoD and AVoD services find even bigger audiences
With two major global sporting events due to take place this summer, Ronan Poullaouec, CTO at Aviwest takes a look at the impact 5G...
Everyone knows that the TV and film industry has gone through fundamental changes over the past 12 months. From pre-production to post, new technology...
In an exclusive extract from this year's MediaTech Outlook report, Mike Cronk, VP of advanced technology at Grass Valley and chairman of the board...
Recent updates to the HTTP Live Streaming (HLS) standard have made new ways of standard-compliant low-latency streaming possible. But how low can the latency...
John Mailhot, CTO networking and infrastructure at Imagine Communications, takes a look at the so-called war between SDI and IP
Innovative AI system can be used for tracking subjects using PTZ cameras or robotic pan/tilt heads
TVBEurope talks to the team at The Round, an augmented reality app which will feature an exclusive performance by Liam Payne ahead of Sunday's...
Marcus Bergström, CEO of Vionlabs, explains why streaming services need to better understand their content
With all the talk about new and developing technology, it might be easy to overlook how the studio sets actually come about. Philip Stevens...
Philip Stevens reports on the newsroom system behind Britain’s newest channel
TVBEurope investigates how a new modular dolly system, described as a filmmaking Swiss Army Knife, helped film a major stunt for the hit BBC...
Gideon Gilboa, EVP Product and Marketing at Kaltura, explains that the time is ripe for pay-TV providers to rise to the challenge of the...
TVBEurope talks to three women about their experiences of working in the media tech industry, and the importance of support from their colleagues
Tedial CEO Emilio L. Zapata takes a look at how remote production and virtualisation tools have given a lifeline to the entire broadcast and...
In an excerpt from his article for this year's TVBEurope MediaTech Outlook report, Greg Hoskin, managing director, EMEA and APAC, at Signiant, provides insight...
Rafael Fonseca, VP of Product Management, Artel discusses some of the finer points of syncing using Precision Time Protocol in a remote production workflow
By Andy Bellamy, product marketing manager, AJA Video Systems
Covid-19 has forced broadcasters to dramatically rethink how TV operations are carried out. But as Mediaproxy chief executive Erik Otto writes, remote working is...
Kevin Hilton talks to Three Media, Lawo, Blackmagic Design and Symbox about the issues driving commercial policy during the pandemic
BusinessColourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
On the release of the Media Management section of this year's MediaTech Outlook report, we spoke to Greg Dolan, COO of our section partner...
Lars Larsson, CEO at Varnish Software details why CDNs are key to meeting consumers’ expectations of 5G
InterDigital publishes white paper on the importance of sustainability as the energy footprint of the video entertainment industry grows
White PaperRobin Boldon, director product management for anti-piracy at OpSec Security explains why direct-to-consumer platforms at must begin to work with experts and implement...
Haivision's new whitepaper offers advice on enabling flexible and decentralised remote production.
Philip Stevens talks to directors Paul McNamara and Tim Goodden about how they've been directing ITV Sport's horse racing coverage from home.
Thierry Fautier, vice president of Video Strategy at Harmonic takes a look at how the high-speed network capability of 5G will enable UHD experiences,...
Blockchain remains a relatively unfamiliar concept to most people in the broadcast and media industries, writes Steven Bilow, SMPTE Member, volunteer, and contributor. But...
FeaturesTVBEurope takes a look back at some of the highs and lows experienced by the media technology industry in 2020.
Jo Auston, production executive at Multistory Media explains how technology kept ITV's The Martin Lewis Money Show on air during the UK's first lockdown.
TVBEurope gets an exclusive insight into how the Strictly Come Dancing graphics, lighting and audio teams have introduced augmented reality in this year's series.
Alex Wrigglesworth talks about the "bonkers" remote audio production involved in the BBC’s The Choir.
As 2020 comes to an end, Philip Stevens talks to ITV Sport's Roger Pearce about a year of fewer events – and the hopes...