ATP Media aims to smash highlights with WSC Sports’ AI video technology
WSC Sports-generated clips will be distributed near-live to all ATP Media stakeholders including broadcasters and media partners
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WSC Sports-generated clips will be distributed near-live to all ATP Media stakeholders including broadcasters and media partners
The company is launching in Europe with an inventory of more than $3 million of cameras, lenses and accessories
The new facility, dubbed Seren Virtual Productions, will offer a one-stop, end-to-end solution supporting all aspects of virtual (and physical) production
Awards are voted for by members of the Hollywood creative and technology community working in motion pictures, television and emerging media
How the German post production facility rebuilt its colour grading workflow with DaVinci Resolve
Jenny Priestley catches up with the team at dock10 to find out how they helped create the virtual environment and creatures for award-winning factual...
Immersive Stream for XR enables users to click a link or scan a QR code and immediately be transported to extended reality
The company has opened new hubs in Birmingham and Merseyside, and recently finalised negotiations on its second Scottish 'yard' within the Pioneer Film Studios...
The Trusted Partner Network's new platform TPN+ helps member companies to manage and communicate content security status
The LDT-V2 streams lens data directly to the media player, enabling freedom of movement for camera operators
The annual awards recognise inventors and engineers who have advanced the art and science of motion pictures
Company is working with Doncaster-based Firebrand which supports the VFX community with extra capacity and staff
The company will invest €3.5 million in the Barcelona production centre, which will feature a 500 m2 studio and 235 m2 of LED paneling
TVBEurope catches up with ACCESS:VFX's founder Simon Devereux and new European chapter lead Chris Kiser to talk about the need for a European-wide organisation...
The studio is aiming to deliver sustainable productions and minimise its carbon footprint, with local film and TV crews available
Among the new use cases are: show control, camera calibration on the go, control of disguise servers, status support and greater colour capabilities.
According to CoreWeave, the acquisition will enable it to deliver burst rendering solutions to visual effects studios while "removing friction" in the setup process
TPN, powered by the Motion Picture Association, aims to help content owners, service providers and the industry as a whole with security preparedness and...
As an open source project, xSTUDIO will be managed by a Technical Steering Committee (TSC) chaired by DNEG and consisting of engineers and contributors...
According to Adobe, 67 per cent of the films included in this year's Sundance Film Festival were shot using Adobe Premiere Pro or Frame.io
Nominations announced for annual BAFTA Film Awards
The new studio, named briX|woRk.studio, features a 120-square-metre L-shaped LED wall as its centerpiece,
Porta 2.1 users can control real-time graphics via enhanced data sharing, said the company, using template creation tools when they're working either on-prem or...
The report, by Caretta Research, also finds that the rush to cloud and remote working has too often been tactical, involving the lift-and-shift of...
2022 marked 100 years of the BBC - the first broadcaster in the world to provide a regular high-definition television service. Ryan Kamata, senior...
The curved screen measures 18 metres wide and 5 metres high, and is composed of 450 "assortments" each including a combination of 8 LED...
"Subscription pricing enables customers to purchase more flexibly as their business grows and changes with new shows or projects," said Foundry's chief product officer
The Sky Content Academy will see the students take on year-long paid roles where they will receive specialist training and mentoring as they rotate...
Why the biggest battles of 2023 could be around the use of augmented reality, and 5G and multi-access edge computing (MEC) could play a...
Broadcasters in France, Belgium and Slovenia employed technology from the company to power virtual studios as part of their coverage of last month's FIFA...
Edison's senior colourist Carl Skaff details the work behind the scenes on the Netflix drama, and the importance of maintaining the show's look in...
Colourist Shiva Kumar details his work on Oscar contender RRR (Rise, Roar, Revolt)
The move to virtual production is being driven by a need to lower production costs, improve timelines, and overcome the limitations of physical production...
TVBEurope talks to AWS' Nina Walsh about the company's involvement in James Cameron's latest epic
New Bordeaux base has been built to be "client, artist and technology-driven from the outset" said the company
Unilumin's LED volumes have been used on The X Factor and Sky TV’s sport studio
The new headquarters has been built to accommodate up to 200 permanent members of staff
One of the key features of the project was the ability of Tellyo Pro to ingest ProRes broadcast-quality files
How Michelle Cort, senior colourist at Outpost Facilities, created the muted colour palette for the creepy horror movie
TVBEurope talks to Stornaway's Kate Dimbleby about the company's new editing software that aims to 'democratise' content creation across video and gaming
Cinematographer Tat Radcliffe details how he used a Cooke S7/i prime lens range paired with a Sony Venice camera to create the look of...
The stage where It's A Wonderful Life was shot has been turned into a virtual production volume by Amazon