Case study: Baselight helps George Miller achieve his vision for Three Thousand Years of Longing
Colourist Eric Whipp discusses how using Baselight helped him create the look of the fantasy drama
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Colourist Eric Whipp discusses how using Baselight helped him create the look of the fantasy drama
After successful deployments at major sports events in 2022, Sky in New Zealand looks set to retain live remote production system from TVU Networks...
Bray Film Studios will serve as the main production hub for the second season of Amazon Prime's The Rings of Power
The series used 12 x Robe SuperSpikie moving lights as part of its lighting rig
How 4K/UltraHD, HDR, and mixed reality workflows are being employed across the production industry, from live sport to virtual production
The show's finishing supervisor and colourist discuss the technology behind Ms Marvel's colourful debut
The company has invested in the latest technology for the hub, including HD facilities, and high-quality audio equipment
The camera includes a number of professional features such as Dual Base ISO, Log shooting modes, and user-imported LUTs
Francis Ford Coppola will use both traditional and virtual production for his latest film, Megalopolis
Pixotope said the new partnerships reflect the increased global demand for high-level, virtual production technology
Among the TV shows shot in the city during 2021-22 is the upcoming Doctor Who special, The Power of the Doctor
New facility will act as a hub for the company's hybrid working set-up, and has capacity for 200 artist seats
From the Edge of the Clouds was shot in 1080p using Blackmagic RAW and edited and graded with DaVinci Resolve
Other winners and nominees who relied on Avid's Media Composer editing software included Barry, Stranger Things, Better Call Saul, Euphoria, Squid Game, Only Murders...
The solution will provide teams with all the apps required to store, preview and review high-resolution media, tag content and leave comments on projects...
The complex has been deliberately designed from a gaffer’s perspective
The 57,000 sq ft building will include two large-scale virtual production stages with in-camera visual effects stage, a motion capture stage, a 3D scanning...
Video Europe said it expects to take delivery of the first 20 lenses at the end of November 2022
From reading comics as a kid, to directing feature films and TV projects for Disney, Hasraf ‘HaZ’ Dulull details why he loves the creative...
TVBEurope talks to Gravity Media's managing director Ed Tischler about the company's plans for its latest Production Centre
The new agreement offers the broadcaster the immediate flexibility and scalability that the creative teams require to stay ahead of the shifting demand for...
The VENICE Extension System 2 is a tethered extension system that allows the camera body to detach from the actual image sensor block with no...
The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so users can operate with current HD video formats as well...
New products include the CN8x15 IAS S E1/P1, Canon’s latest Cine-Servo lens for a broad range of productions, as well as four professional camcorders
The series involved 2188 filming days in the field across three years, with filming on every continent, all around Antarctica and in space
She will lead a worldwide team on delivering colour, editorial, dailies, and mastering and restoration services
The event organisers worked with the company's Stream Studio cloud production solution to create livestreams, highlights packages and clips
Sony believes the FR7 will be used on reality TV, in stadiums, on drama and film production, music videos, in studios
The ITV series has employed virtual production for a special rooftop sequence set to air this week
Bumblebee is described as a climate-conscious, work-anywhere post solution, that will offer dedicated upload hubs at Zinc's nationwide facilities, flexible remote and physical edits...
Among the studios involved in the production were Industrial Light and Magic, Weta, Ncam, Blackmagic Design, DNEG, ARRI and DNEG
The new infrastructure can be upgraded from HD to UHD and SDR to HDR if or when required
The iSpiiders were tasked with providing location lighting over large distances bringing all the dramatic scenery, including a waterfall approximately 800 metres away.
Dr Jonathan Wardle, director, National Film & Television School, explains how the organisation is using cloud-based tools to show the next-generation of media talent...
LucidLink's SaaS-based solution Filespaces provides rapid access to data through AJA Diskover Media Edition in conjunction with Telestream GLIM and the Vantage platform
Lightspeed Live C2+ includes four channels of 3G HD-SDi inputs and also supports UHD ingest
At IBC 2022, Ai-Media will be showcasing how it's leveraging cutting edge technologies to add multiple layers of accessibility for viewers
The new 18,000 square foot purpose-built sound stage is one of five new stages opening on the Pinewood Studios lot
The documentary was shot during Covid restrictions, which meant only the creative director was able to be in the room with the band during...
How visual effects house Atlanta VFX employed Blackmagic Design's Fusion Studio CFX and motion graphics software for its work on the Emmy-nominated series
The minute-long advert mentions numerous roles within the industry, including coders, boom operators, creative artists, rig makers, and all the people in the credits...
Sony’s Ci Media Cloud will natively integrate with Teradek's 4K HDR encoding solutions, Serv 4K and Prism Flex