Throwing the kitchen sink at the look of The Bear
Cinematographer Andrew Wehde discusses how his lens choice helped create the look and feel of award-winning comedy drama The Bear
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Cinematographer Andrew Wehde discusses how his lens choice helped create the look and feel of award-winning comedy drama The Bear
The charity's stop-gap grants are available to help people working across the film, TV, and cinema sectors to meet urgent financial needs
Rob Drewett, CEO/co-founder of Motion Impossible discusses the company's technology development and why it's venturing beyond the traditional focus on remote modular dollies
Areas covered by the Academy include camera, sound, post production, sustainability, lighting and grip
The aim of the inquiry is to make sure the industry and government are thinking of the future to maintain and enhance an industry...
Wayne Hills used artificial intelligence to write the script, while the video, images and subtitle production were all automated with AI
Bites Production Hub has launched TILT, a new tech division which is set to enable filmmakers to carry out "precise, high-speed, repeatable shots"
"I think the strikes are going to expose some weaknesses in our domestic content production, and how much we really are propped up by...
Soderbergh's new TV series is the first to use the RDX LAB System from Rosco, which enables users to manipulate background imagery instantly, via...
Studio opens new base in the @22 district in Poble Nou, an area known for innovation, tech and VFX
“The introduction of Molinare Creative Group reflects years of ongoing work to develop, grow, and restructure the Molinare brand," said CEO Nigel Bennett
The investigations include areas such as interactive renderers and 3D clothing creation, and digital film restoration and onboard remote driving apparatus
According to the BBC Annual Report, BBC Studioworks, the broadcaster's commercial subsidiary providing television studios and post production services, has invested heavily in its...
The site "demands significant investment in its major infrastructure such as roofs, flooring, replacement of windows, replacement of electrical wiring and mechanical plant replacements"...
Content agency This is Distorted "set a new standard of visual podcasting" with a brand new audio and visual studio based around the ATEM...
Key findings from the report indicate that the 12 studios that took part collectively contributed 25,820 tonnes from location-based and market-based emissions during 2021/22
The project includes upgrades to several of the site’s historic buildings, as well as the creation of more than 10,000 sq ft of creative...
Performit Live uses a motion capture suit and real-time avatar technology to enable animators to remotely direct performers in a virtual world
TVBEurope talks to Ryan Hendricks, PhD, senior manager, RiS Initiative, at SMPTE, about its work in the virtual production space, the challenges its faced...
The facility will include five professional studio spaces that can be tailored to suit the production needs of media and entertainment, commercial and event...
Celebrating its 20th anniversary this year, Halon president Chris Ferriter tells TVBEurope about how the company’s adoption of Unreal Engine helped them change the...
MovieLabs' CEO Rich Berger talks to TVBEurope about the 2030 Showcase programme, which encourages companies to submit real-life case studies illustrating some of the...
The new Barcelona facility will serve as a central hub for content distribution, localisation and post production work
"Delivering a half-petabyte movie - that’s 500,000 gigabytes - that utilises more than 160,000 speakers is mind boggling," said Aronofsky
Indie-Zero's current three-acre site will be developed to create a zero-emission, state-of-the-art film studio hub, with 4000 sq.ft. Studio E already complete and available...
Editor David Tregonig discusses his work on the film which premiered at the Tribeca Film Festival earlier this month
Police Interceptors is one of the longest-running series on Channel 5. Series producer James Coldwell tells Marlon Szczepankiewicz how he came up with the...
Amazon said it has doubled its investments in the creative sectors across the UK in the last five years, including new production facilities set...
The event was captured by Red Bull TV using Canon's EOS C500 Mark II, the PowerShot V10 and the XF605 video camera
The Anfield Wrap produces podcasts, live shows, and articles about Liverpool Football Club. In recent months, it has released a five-part documentary about the...
The software uses a 4D solver to combine video and depth data together with a MetaHuman representation of the performer
The Grid Project enables productions to access green energy via the mains network, installing an electrical feeder pillar at a key unit base in Victoria...
The HXC-FZ90 includes HLG and S-Log3 built-in support for SR Live workflow
The camera system, which has been named Big Sky, includes a single 316-megapixel, 3"x3" HDR image sensor capable of a 40X resolution increase over...
Mo-Sys said it has listened to G30 users and made the mount easier to rig and operate, and even more precise and repeatable in...
High Wire provides editing, grading, sound design and mixing, subtitling, audio description and graphics
It's believed AXA wants to expand the studios in order to make it one of the biggest in Europe, rivalling similar facilities in the...
dock10 will continue to provide television studios, post production and infrastructure services for the broadcaster
Creatives can access USDZ files, the preferred file type of Apple and Pixar, via a smartphone, tablet or AR headset
Universal Pixels provided in-camera scenery and reflections for the production’s vehicle shots
New tools can ensure the best tradeoff in terms of quality and storage when compressing a 3D model, such as a graphical environment, character,...
The £10 ticket to sunny Australia was a no-brainer for people looking to escape the post-war gloom and grey skies of Great Britain. However,...