Audio

What’s the frequency?

Jenny Priestley finds out how some of the UK’s biggest live TV shows have embraced brand new technology following the 700MHz clearance, in conversation...

Audio

A new generation of audio delivery

BBC R&D's Jon Francombe takes a look at the latest trends in audio delivery

Audio

Making it personal for next-generation audio

MPEG-H Audio is the less well known of the two object-based audio systems in the DVB-T2 specification. But, as Kevin Hilton reports, its developer...

Audio

TSL introduces IP-functionality to SAM-Q audio monitoring platform

New products support ST 2110-30, ST 2022-7 and offer multiple control options including NMOS

Audio

How Pinewood Studios moved ‘in the box’ with its post production sound

Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...

Audio

Nugen introduces “tweak-ability” to Paragon Convolution Reverb

Nugen has added new presets and an improved browser to the solution, with search, tagging and favourite functions, which is says are especially important...

Audio

TVBEurope March 2022 issue now available

The latest issue includes a UK exclusive interview with West Side Story's production sound mixer

Audio

Canford Audio founder and CEO Iain Elliott passes away

Elliott was described as Canford's "guiding force" for almost 45 years

Audio

Qvest upgrades audio production for Rotor Film

Dual-operator installation features two Avid S6 mixers at Babelsberg studios

Audio

Bitmax adds Dolby Atmos suites to London facility

Company added the suites at the request of its clients in the film and music video industries

Audio

BBC launches immersive spatial audio soundscapes explorer

The Soundscape Explorer tool decodes a shared link to grab the sounds from the sound effects library and then positions them (randomly) in 3D...

Audio

MotoGP puts Audio-Technica at heart of audio remote production plans

Remote production suite will be located at Dorna Sports' facility in Barcelona, Spain and will include a custom-built 7.1.4 / 5.1.4 dedicated audio control room

Audio

DPA Microphones adds remote audio recording to product suite

The 4097 CORE Micro Shotgun Microphone features a lightweight telescopic boom pole, and a Rycote windjammer, for use in outdoor productions

Audio

Salsa Sound updates AI-based audio mixing platform aimed at sports broadcasting

Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups

Audio

Sony licenses MPEG-H 3D audio decoder software for DVB and ATSC 3.0 broadcasts

MPEG-H 3D audio is specified in TV broadcast standards such as Digital Video Broadcasting (DVB) and ATSC 3.0

Audio

The Voiceover Gallery opens London studio

Includes a new new in-house subtitling division as well as three high-spec sound booths

Audio

Italy’s Mediaset updates OB and studios with new production platforms

Installed systems can access the cameras, recorders, intercoms and telephone system that are on broadcaster's studio IP network

Audio

Netflix rolls out spatial audio support

Rollout began on Wednesday, with more users expected to see it in the coming days

Audio

The next generation role for broadcast audio

Experts from BBC R&D, Calrec and Audinate discuss everything from audio-over-IP to immersive audio in a special TVBEurope roundtable

Audio

dock10 installs Calrec Artemis in £1 million remote gallery

Dedicated multipurpose remote gallery works with outside broadcasts and connects to the dock10 network

Audio

NHK announces ‘world’s first’ live mixing console for object-based audio

New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...

Audio

Glensound’s AoIP technology keeps Wimbledon commentary on point

Single-commentator AoIP Inferno units were employed to maintain social distancing between the commentators and summarisers

Media Management

ATEME natively supports Dolby Atmos and Vision

Titan Live now supports both Dolby AC-4 and Dolby Audio delivery formats, such as Dolby Digital Plus

Audio

STV upgrades sound control rooms for AoIP

STV is the first UK broadcaster to employ Lawo's A_UHD Core (Phase 2) and 48-fader mc²56 MKIII console,

Audio

Cleanfeed introduces Aux Outputs for TV and film industry

Feature can be used for sound design, Foley and ADR

Audio

Shure adds portable receiver to its digital wireless system

Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)

Audio

Stephen Brownsill joins Ross Video

Brownsill has previously worked for both TSL Products and Grass Valley

Audio

St Petersburg’s first UHD OB van opts for Calrec

Van uses Calrec’s Hydra2 network for connectivity, consisting of multiple I/O boxes, including a stage box, four MADI interfaces and one Dante connection

Live Production

Lawo helps Eurovision sound as good as ever

Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...

Audio

Dolby Audio purrs in new Lucky Cat audio suite

Boutique post production house has also upgraded its Baselight capabilities to 4K

Audio

Avid, Dolby partner on Pro Tools Dolby Atmos production training

Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...

Audio

R&S Clipster extends support for Dolby Atmos, Polsat selects Sony for new OB van, and more

TVBEurope rounds up products and solutions news from Rohde & Schwarz, Sony, and Vizrt

Live Production

TVU Networks debuts cloud-based remote commentary solution

Browser-based interface provides a low-latency, high-quality preview of the event, which allows the talent to add commentary that is in sync with the programme