People
Meet the audio describer
Take 1’s Ryan Hennessey explains how a love for creative writing and film is a great basis for becoming an audio describer
Audio
Audio
A change in pitch
Salsa Sound CEO Rob Oldfield tells Dan Meier about the possibilities of personalisation, AI and 5G for sound in sports broadcasting
Audio
Eurovision, Ateme test enhanced features of audio’s BISS-CA encryption standard
The enhanced BISS-CA features enables video service providers to offer viewers more personalised audio
Audio
Deluxe acquires German dubbing company Creative Sound Conception Studio
Deluxe also has European dubbing studios in Paris, Madrid and Barcelona
Audio
Phabrix updates rasterisers with audio functionality, browser-based remote access
The company's Qx and QxL rasterisers' audio functionality has also been updated, enabling them to receive up to four independent 32-channel ST 2110-30/-31 flows...
Audio
Sound Devices launches A20-RX Wireless Receiver
In the UK, the A20-RX can tune to the 800 MHz duplex gap, 800 MHz guard band, and, with a proper license, the DME...
Audio
Netflix, Sennheiser partner on spatial audio
The rendering software runs in the streaming service’s cloud-based encoding pipelines and produces AMBEO 2-Channel Spatial Audio from existing ADM or IAB files
Audio
Twickenham Film Studios brings the sound of Top Gun: Maverick to the big screen
Twickenham played host to the final Dolby Atmos and IMAX mixes as well as ADR
Audio
New TV and film music platform launches ready for the metaverse
It will feature a curated gallery of Dolby Atmos as standard soundtracks and songs for cinema, TV, advertising, trailers, games, VR, AR and XR
Audio
EMG UK’s new Remote Operations Centre looks to next-gen audio
The new ROC includes Dolby Atmos as well as audio-over-IP and SMPTE 2110
Audio
Red Bee aims to help broadcasters track the music they use
Red Bee will provide Utopia with audio feeds of over 9,000 TV and radio channels across EMEA that will be analysed for royalties allocation
Audio
Capturing the sound of Ms Marvel
Production sound mixer Chris Giles talk to TVBEurope about the challenges of working on Marvel's latest TV series, and how he can walk into...
Audio
Taking control: AES70 set for further broadcast success
With new features that are supportive of decentralised and remote production, the AES70 network control standard seems poised for a new level of recognition...
Audio
New Bluetooth Auracast broadcast audio could change the sound of TV
Technology enables viewers to share the audio from their laptop, smartphone or tablet with others; or listen to silent TVs in public spaces
Audio
Sennheiser expands Evolution Digital Wireless radio mics family
EW-DX includes a handheld mic, bodypack and table stand transmitters, two versions — one with Dante — of a two-channel receiver and a 19-inch...
Audio
Portland Audio adds Dolby Atmos suite
The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
Audio
Sky Deutschland to broadcast Bundesliga in Dolby Atmos
The top match every Saturday will be available with enhanced audio
People
Meet the entry-level sound assistant
dock10's Madeleine Jones discusses how she got her start in the media industry, why no day is ever quite the same, and finding a...
People
Oscar-winning re-recording mixer joins Molinaire
During his career, Richard Pryke has also worked on a number of projects, including Bird Box, Die Another Day, V for Vendetta, and 127 Hours
Live Production
EBU launches expert group on PSME challenges
The new group will look at spectrum requirements for dedicated wireless production networks
Audio
Calrec aims to give multi-console operations momentum with ImPulse
ImPulse is "probably the most powerful DSP you can buy," Calrec's Henry Goodman tells TVBEurope
Audio
Glensound develops unique interface for esports audio
"Our focus is really on the producers and integrators of the tournaments," Glensound's managing director Marc Wilson tells TVBEurope
Audio
PHABRIX updates Qx and QxL rasterisers with Dolby decoding
The new Dolby E decoder and metadata analyser allows users to check the correct timing of Dolby E packets in the audio signal of...
Audio
Sony releases new dual-channel wireless receiver
The URX-P41D can be used on broadcast and news productions, run-and-gun style interviews, documentaries and series productions
Audio
Virtual Post upgrades audio facilities
Company has also restructured its audio department, promoting Jon Gray to head of audio and hiring Andrew Wilson as senior re-recording engineer
Audio
What’s the frequency?
Jenny Priestley finds out how some of the UK’s biggest live TV shows have embraced brand new technology following the 700MHz clearance, in conversation...
Audio
A new generation of audio delivery
BBC R&D's Jon Francombe takes a look at the latest trends in audio delivery
Audio
Making it personal for next-generation audio
MPEG-H Audio is the less well known of the two object-based audio systems in the DVB-T2 specification. But, as Kevin Hilton reports, its developer...
Audio
TSL introduces IP-functionality to SAM-Q audio monitoring platform
New products support ST 2110-30, ST 2022-7 and offer multiple control options including NMOS
Audio
How Pinewood Studios moved ‘in the box’ with its post production sound
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
Audio
Nugen introduces “tweak-ability” to Paragon Convolution Reverb
Nugen has added new presets and an improved browser to the solution, with search, tagging and favourite functions, which is says are especially important...
Audio
TVBEurope March 2022 issue now available
The latest issue includes a UK exclusive interview with West Side Story's production sound mixer
Audio
Canford Audio founder and CEO Iain Elliott passes away
Elliott was described as Canford's "guiding force" for almost 45 years
Audio
Qvest upgrades audio production for Rotor Film
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Audio
Bitmax adds Dolby Atmos suites to London facility
Company added the suites at the request of its clients in the film and music video industries
Audio
BBC launches immersive spatial audio soundscapes explorer
The Soundscape Explorer tool decodes a shared link to grab the sounds from the sound effects library and then positions them (randomly) in 3D...
Audio
MotoGP puts Audio-Technica at heart of audio remote production plans
Remote production suite will be located at Dorna Sports' facility in Barcelona, Spain and will include a custom-built 7.1.4 / 5.1.4 dedicated audio control room
Audio
DPA Microphones adds remote audio recording to product suite
The 4097 CORE Micro Shotgun Microphone features a lightweight telescopic boom pole, and a Rycote windjammer, for use in outdoor productions
Audio
Salsa Sound updates AI-based audio mixing platform aimed at sports broadcasting
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
Audio
Sony licenses MPEG-H 3D audio decoder software for DVB and ATSC 3.0 broadcasts
MPEG-H 3D audio is specified in TV broadcast standards such as Digital Video Broadcasting (DVB) and ATSC 3.0
Audio
The Voiceover Gallery opens London studio
Includes a new new in-house subtitling division as well as three high-spec sound booths
Audio
Italy’s Mediaset updates OB and studios with new production platforms
Installed systems can access the cameras, recorders, intercoms and telephone system that are on broadcaster's studio IP network