Sennheiser expands Evolution Digital Wireless radio mics family
EW-DX includes a handheld mic, bodypack and table stand transmitters, two versions — one with Dante — of a two-channel receiver and a 19-inch...
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EW-DX includes a handheld mic, bodypack and table stand transmitters, two versions — one with Dante — of a two-channel receiver and a 19-inch...
The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
The top match every Saturday will be available with enhanced audio
dock10's Madeleine Jones discusses how she got her start in the media industry, why no day is ever quite the same, and finding a...
During his career, Richard Pryke has also worked on a number of projects, including Bird Box, Die Another Day, V for Vendetta, and 127 Hours
The new group will look at spectrum requirements for dedicated wireless production networks
ImPulse is "probably the most powerful DSP you can buy," Calrec's Henry Goodman tells TVBEurope
"Our focus is really on the producers and integrators of the tournaments," Glensound's managing director Marc Wilson tells TVBEurope
The new Dolby E decoder and metadata analyser allows users to check the correct timing of Dolby E packets in the audio signal of...
The URX-P41D can be used on broadcast and news productions, run-and-gun style interviews, documentaries and series productions
Company has also restructured its audio department, promoting Jon Gray to head of audio and hiring Andrew Wilson as senior re-recording engineer
Jenny Priestley finds out how some of the UK’s biggest live TV shows have embraced brand new technology following the 700MHz clearance, in conversation...
BBC R&D's Jon Francombe takes a look at the latest trends in audio delivery
MPEG-H Audio is the less well known of the two object-based audio systems in the DVB-T2 specification. But, as Kevin Hilton reports, its developer...
New products support ST 2110-30, ST 2022-7 and offer multiple control options including NMOS
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
Nugen has added new presets and an improved browser to the solution, with search, tagging and favourite functions, which is says are especially important...
The latest issue includes a UK exclusive interview with West Side Story's production sound mixer
Elliott was described as Canford's "guiding force" for almost 45 years
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Company added the suites at the request of its clients in the film and music video industries
The Soundscape Explorer tool decodes a shared link to grab the sounds from the sound effects library and then positions them (randomly) in 3D...
Remote production suite will be located at Dorna Sports' facility in Barcelona, Spain and will include a custom-built 7.1.4 / 5.1.4 dedicated audio control room
The 4097 CORE Micro Shotgun Microphone features a lightweight telescopic boom pole, and a Rycote windjammer, for use in outdoor productions
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
MPEG-H 3D audio is specified in TV broadcast standards such as Digital Video Broadcasting (DVB) and ATSC 3.0
Includes a new new in-house subtitling division as well as three high-spec sound booths
Installed systems can access the cameras, recorders, intercoms and telephone system that are on broadcaster's studio IP network
Rollout began on Wednesday, with more users expected to see it in the coming days
Experts from BBC R&D, Calrec and Audinate discuss everything from audio-over-IP to immersive audio in a special TVBEurope roundtable
Dedicated multipurpose remote gallery works with outside broadcasts and connects to the dock10 network
New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...
Single-commentator AoIP Inferno units were employed to maintain social distancing between the commentators and summarisers
Titan Live now supports both Dolby AC-4 and Dolby Audio delivery formats, such as Dolby Digital Plus
STV is the first UK broadcaster to employ Lawo's A_UHD Core (Phase 2) and 48-fader mc²56 MKIII console,
Feature can be used for sound design, Foley and ADR
Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)
Brownsill has previously worked for both TSL Products and Grass Valley
Van uses Calrec’s Hydra2 network for connectivity, consisting of multiple I/O boxes, including a stage box, four MADI interfaces and one Dante connection
Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...
Boutique post production house has also upgraded its Baselight capabilities to 4K
Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...