Gravity Media brings it home for ITV
The project is delivering complex, multi-location workflows enabling trans-ocean remote production collaboration at scale
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The project is delivering complex, multi-location workflows enabling trans-ocean remote production collaboration at scale
In an exclusive for TVBEurope, Yospace's Paul Davies explores how key match moments during England v Mexico influenced viewer engagement and why advanced adtech...
Multiple projects are supporting broadcasters at different stages of the World Cup production chain, from live programme production to AR graphics, signal management, channel...
TVBEurope talks to Immersiv.io co-founder Emmanuelle Roger to hear how the company is bringing a new way of watching the FIFA World Cup to...
ITV Sport's New York studio has been a big hit with viewers. TVBEurope talks to Jim Mann, creative director at Lightwell, about how it...
Paul Davies, head of marketing and partnerships at Yospace, explains how this year's FIFA World Cup is creating significant new commercial opportunities for broadcasters...
Mark Phillip, founder of Are You Watching This, explains how predictive technology is enabling fan engagement in a congested sports landscape
The broadcaster's second-screen 3D Experience was used more than a million times during the first week of the tournament
With the FIFA World Cup 2026 underway, Antonio G Corrado, founder and CEO of MainStreaming, outlines the strategies needed to disrupt bad actors and...
Analyst Paolo Pescatore explores how the FIFA World Cup 2026 is pushing the boundaries of broadcast innovation and testing the entire technology ecosystem
The latest data from Caretta Research predicts record revenues of $8.9 billion while rights values and broadcast deal volumes have fallen
To manage the challenge of connectivity across this summer’s FIFA World Cup’s vast geographical footprint, HBS is centralising key operations at the International Broadcast...
At dock10, planning for the FIFA World Cup began 18 months before kick-off. Jon Hatto, head of production technology, explains how the operation will...
Editor Lucas Harger explains the process of editing the HBO Max series which spends four years with the US Men's football team in the...
The film aims to build-up to the tournament through the physical language of fandom, to elevate everyday artefacts, such as scarves or flags, into...
According to FIFA president Gianni Infantino, the 45,000 sq metre hub is "the most technologically advanced and top of the art international broadcast centre...
The company is working with DMC Production Germany, which will be responsible for IP-based signal management and conversion, playout and feed enhancement, gallery production,...
The company is working with the BBC, ITV and STV to showcase live matches, highlights, and related content together in one simple, centralised hub...
The company will utilise an early signal from ARD and ZDF that will be distributed directly via its cable network, without any additional processing...
Key pundits will be based in the platform's New York studio at One World Center, while the broadcast centre in Ismaning/Munich will provide commentary,...
The new brand unifies worldwide operations under a single name as the company continues its global growth strategy
PSSI has acquired multiple X20 chassis, HDR HEVC encoder and decoder cards, and multiple hardware-accelerated SRT (Secure Reliable Transport) cards
Operated by FIFA's Host Broadcaster, Host Broadcast Services, the Dallas IBC will home more than 2,000 broadcast professionals delivering coverage to over 200 countries
The company is promising to deliver experiences for fans, players, media and more as part of the tournament
Dejero's Ivy Cuervo considers how the evolution of remote production and blended IP network connectivity is pivotal in helping broadcasters reduce their carbon footprint...
Company was able to absorb a major submarine cable failure during the tournament through its redundancies and backup paths
The Sivac-ONE Media Processor module (SMP1000), received the signal sent from the IBC in Qatar via IP and fibre, decoding it so that both...
The UK’s leading television facility is serving as the UK production base for BBC Sport’s coverage of the FIFA World Cup 2022
However, in terms of linear viewing a bigger audience tuned into ITV's coverage of Wales's draw against the United States
Fans will be able to opt for commentary from BBC Radio 5 Live if they're watching on iPlayer
S&P's research found football is the most popular live sport in eight of 10 major global markets and in the top three for nine...
Broadcaster will air around 20 matches from the FIFA World Cup in Qatar in 4K UHD
The XR LED Studio will be a central element of the OTT service's coverage
Company says "hundreds" of its 5G/4G field units have been booked by global broadcasters for 4K/HD quality live coverage of the tournament
Broadcaster is promising viewers will see a "new and improved product experience"
Broadcaster has the rights to 33 matches during Qatar 2022, including the big game between Wales and England on 29th November.
Viewers in the UK, France and Spain said they intend to watch a couple of games a day, while in Germany and Italy it's...
TMC will employ a full-redundant IP streaming solution over cloud from TVU and deliver the signals to media outlets using TVU Grid
WSC Sports’ machine learning technology analyses, indexes and tags every piece of action that occurs during play
Gravity Media is counting down to what will be its sixth consecutive Fifa World Cup as a media and broadcast partner
The match between Wales and either Scotland or Ukraine will be available on Sky Sports as well as ITV, S4C and STV
In 2018, the tournament reached a global audience of 3.5 billion viewers