Netflix plans to launch a generative AI animation studio
While Netflix has not officially launched the studio, there are multiple job listings on the company's careers website
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While Netflix has not officially launched the studio, there are multiple job listings on the company's careers website
The five AI-generated animations aim to transform Witness History's audio storytelling into a visual experience designed to extend the programme's reach
According to the partners, unifying assets, standards, and governance into a single foundation will allow productions in all media formats to work in tandem,...
The ambitious project used 700 3D-printed miniature figures for the opening credits of the BBC's Winter Olympic coverage
Animation creative director Tony Reed tells TVBEurope about the monumental task of bringing BBC Children in Need’s beloved mascot to life for his 40th...
The studio will be a "living laboratory of experimentation and research", offering students the opportunity to collaborate, innovate and push the boundaries of stop-motion
Augmenting traditional processes with AI-driven tools, Spark enables browser-based collaboration throughout the production cycle
Quarterly-collected data shows a fluctuating picture over the last 12 months, but London provides employment for 10,564 people in the sector, more than twice...
The pioneering feature marks a cinematic breakthrough combining generative AI with human-directed storytelling, said the company
The initiative aims to broaden the skillsets of women working in the creative industries across Europe
TED-Ed series Ada fuses storytelling with eye-catching animation. The Should We Studio production team explain how they relied on V-Ray for rendering, refining the...
Coming at a "pivotal" time for the sector, the funding underscores Cinesite's ambition and confidence in the media and entertainment industry
Jellyfish Pictures, which has offices in London and Sheffield, said it has been "battling hard in the face of strong headwinds" over the last...
According to co-director Nick Park, the production team "embraced technology" to help create the iconic duo's latest adventure
Jenny Priestley talks to the BFI’s Douglas Weir who oversaw the restoration of a much-loved animated classic, which returns to UK and Ireland cinemas...
The newly acquired UKVI licence enables Escape Studios to recruit and retain international students
The SCENESIS Pictures office includes a CG / VFX open plan area, grading suites, flexi suite, and viewing area
From 100,000 storyboards to 119 sets and 800 chicken wings, TVBEurope reveals some interesting facts behind the latest film from Aardman
Movella has launched Indie Starter and Indie Pro Bundles to bring studio-grade motion capture to independent creators, in a show of support for those impacted...
The software uses a 4D solver to combine video and depth data together with a MetaHuman representation of the performer
New tools can ensure the best tradeoff in terms of quality and storage when compressing a 3D model, such as a graphical environment, character,...
LucidLink Filespaces has facilitated collaboration and workflows on the likes of the BBC's The Boy, the Mole, the Fox, and the Horse, and Hulu/Disney...
Colour is a crucial part of documentary film My Old School, with one of the main challenges unifying its animated and live sections
Animation production rendering software was used on such films as How to Train Your Dragon
New location will join the company’s other European studios in London, UK and Sofia, Bulgaria
How animation studio Hazimation used DaVinci Resolve Studio to produce its new feature film, Rift
Hype Chamber is based on the real-world workflow and findings from building motion graphics, animation and a full virtual environment
Director Colin Ramsay and producer Claire Mackenzie discuss Six Inches of Soil, a new film that will tell the story of the UK’s broken...
TVBEurope talks to the team behind a proof of concept looking at a standardised data pipeline allowing content makers to create 3D animated content...
Computer monitors with professional level performance are now available for a small fraction of the “traditional” price. We asked four freelance content creators -...
The team at Moonraker VFX discuss making great TV remotely for Netflix's new series History 101
At Home with Olaf uses existing character models and backgrounds
Prize often referred to as the "Nobel Prize of computing"
Operates in a PC-over-IP environment with all tech housed off-site
300TB software-defined system controls all hardware, applications and systems in the workflow
Largest "virtual" VFX and animation studio in the world
New figures from UK Screen Alliance
Offers a forum for open source software developers to share resources and collaborate on image creation, visual effects, animation and sound technologies
Previously held positions at Gaumont Animation, Sacrebleu Productions and Amuse
Headed up by Jellyfish Pictures’ new animation director Kevin Spruce
Designed to assist stop-motion filmmakers with the puppet-making process