Cracking creation: Fun facts from Wallace & Gromit: Vengeance Most Fowl
According to co-director Nick Park, the production team "embraced technology" to help create the iconic duo's latest adventure
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According to co-director Nick Park, the production team "embraced technology" to help create the iconic duo's latest adventure
Jenny Priestley talks to the BFI’s Douglas Weir who oversaw the restoration of a much-loved animated classic, which returns to UK and Ireland cinemas...
The newly acquired UKVI licence enables Escape Studios to recruit and retain international students
The SCENESIS Pictures office includes a CG / VFX open plan area, grading suites, flexi suite, and viewing area
From 100,000 storyboards to 119 sets and 800 chicken wings, TVBEurope reveals some interesting facts behind the latest film from Aardman
Movella has launched Indie Starter and Indie Pro Bundles to bring studio-grade motion capture to independent creators, in a show of support for those impacted...
The software uses a 4D solver to combine video and depth data together with a MetaHuman representation of the performer
New tools can ensure the best tradeoff in terms of quality and storage when compressing a 3D model, such as a graphical environment, character,...
LucidLink Filespaces has facilitated collaboration and workflows on the likes of the BBC's The Boy, the Mole, the Fox, and the Horse, and Hulu/Disney...
Colour is a crucial part of documentary film My Old School, with one of the main challenges unifying its animated and live sections
Animation production rendering software was used on such films as How to Train Your Dragon
New location will join the company’s other European studios in London, UK and Sofia, Bulgaria
How animation studio Hazimation used DaVinci Resolve Studio to produce its new feature film, Rift
Hype Chamber is based on the real-world workflow and findings from building motion graphics, animation and a full virtual environment
Director Colin Ramsay and producer Claire Mackenzie discuss Six Inches of Soil, a new film that will tell the story of the UK’s broken...
TVBEurope talks to the team behind a proof of concept looking at a standardised data pipeline allowing content makers to create 3D animated content...
Computer monitors with professional level performance are now available for a small fraction of the “traditional” price. We asked four freelance content creators -...
The team at Moonraker VFX discuss making great TV remotely for Netflix's new series History 101
At Home with Olaf uses existing character models and backgrounds
Prize often referred to as the "Nobel Prize of computing"
Operates in a PC-over-IP environment with all tech housed off-site
300TB software-defined system controls all hardware, applications and systems in the workflow
Largest "virtual" VFX and animation studio in the world
New figures from UK Screen Alliance
Offers a forum for open source software developers to share resources and collaborate on image creation, visual effects, animation and sound technologies
Previously held positions at Gaumont Animation, Sacrebleu Productions and Amuse
Headed up by Jellyfish Pictures’ new animation director Kevin Spruce
Designed to assist stop-motion filmmakers with the puppet-making process
Issues guidance for VFX, post production and animation industries
Production studio explores different animation styles with help of V-Ray renderer
Uncovering the data-driven innovations turbocharging film from creation to consumption
Charlotte Loynes has 20 years experience in animation
Endemol Shine UK has acquired a controlling share in animation company Simon’s Cat, founded in 2008 by illustrator, animator and director Simon Tofield
BusinessReuters has launched its Partner Marketplace, a service offering clients fully-licensed video content from a range of specialist providers, available via a single, tiered...
NewsFlix has launched a new £1 million facility which features finishing suites and theatres across 5,500sqft on the seventh floor of MediaCityUK’s White Tower.
BusinessManchester-based animation studio RealtimeUK has embarked on a major documentary series project for TV channel Yesterday.
NewsThe digital and creative sector is expected to need 1.2 million new workers by 2022; equivalent to half the current workforce, according to training...
Creative Skillset, the industry training and skills body, has announced the results of its creative media workforce survey.