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Calrec's consoles aim to provide adaptability and flexibility, allowing the Cymru Broadcast Centre to meet future production needs as it expands its roster of...
Andy Bellamy, technical director, EMEA, AJA Video Systems argues the democratisation of IP is already underway, and with it come opportunities to reimagine how...
Ciro Noronha, CTO, Cobalt Digital answers the question, comparing both technologies and exploring potential use cases
Nine Grass Valley LDX 135 cameras and Creative Grading aim to boost ARTE's transition to full 1080p IP production with UHD capability
According to the companies, the trial demonstrates the strength of ST 2110 and HEVC 4:2:2 workflows for high-bitrate Ultra HD contribution
The company is leasing an additional 9,000 square feet at its White City Place production centre
Ali Hodjat, senior director of marketing at Telestream, explains why ingest has become the strategic entry point to the entire media lifecycle
The new production units feature NEP's TFC broadcast orchestration platform
The company has applied its multicast technology to SRT transport to enable "hundreds" of broadcast-quality compressed video workflows, such as H.264 or HEVC, through a...
Laurent Masia, senior director of product line management, managed switches at NETGEAR identifies some potential pitfalls in the move to IP-based broadcast infrastructure and...
Kevin Salvidge, sales engineering and technical marketing manager of Leader Electronics of Europe, looks at how broadcasters can mitigate the growing threat of disruption...
The streamer worked with Techex and TAG Video Systems on the MCR, which provided centralised control over more than 5,000 unique video sources and...
Working remotely is now firmly established in broadcast production and operations. But, argues Mediaproxy chief executive Erik Otto, virtualised technologies have the potential for...
The new M4350 models include built-in grandmaster clock and boundary clock functionality, meaning they can serve as the primary timing source for a broadcast...
Matrox Video is also offering entry-level hardware for studios migrating to open standards-based SDI and AV-over-IP ST 2110 workflows
The joint solution reduces bandwidth consumption and latency through streamlined multicast replication, while also providing real-time, scalable, and reliable visibility into multiple streams
Embedded into the R8 and R4 encoder series, the solution aims to enable ultra-low latency and pristine image quality in ST 2110 production
Featuring IP analysis and monitoring capabilities, the solution aims to boost development of ST 2110 compliant encoders
The solution combines image and sound editing and control as well as integrated image technology, aiming to provide a single, flexible and scalable...
intoPIX’s TicoXS FIP Codec enables Cobalt Digital to offer low-latency encoding and decoding for SMPTE 2110, IPMX and cloud workflows
The Matrox DSX Software Development Kit (SDK) and DSX LE5 ST 2110 NICs provide Pixotope with a precise hardware fit for a range of...
The platform can function as a multi-path transcoder for signal acquisition and normalisation as well as a bulk contribution encoder that can support JPEG...
A range of new tools and upgrades aims to optimise media and entertainment workflows to meet growing demand for high-quality content
Building on their existing partnership, the deployment boosts Videlio's transition to IP-based workflows while maintaining the reliability of traditional SDI systems
SRF has recently relocated to one of the largest media environments using interworking SMPTE ST 2110 equipment in Europe
The integration provides enhanced access and control via a single user-friendly interface
The IP Showcase Theatre will host 16 presentations on subjects including IPMX, covering key milestones in the standard's development and its relationship with AES67...
The SMPTE ST 2110-based deployment aims to support 26 dynamic channels across a mix of on-prem, cloud or hybrid architecture
The development means broadcasters will be able to deliver immersive and object-based audio experiences in both live and recorded productions
Added functionality includes a new gain-sharing Auto Mixer function, designed to optimise real-time gain control scenarios with multiple speakers
The company said the LV7600W rasterizer will play a pivotal role in validation for ST 2110 IP across decoders, playout systems and in Ultra...
Steve Reynolds, CEO of Imagine Communications, offers a view on the trends he believes will significantly impact the way the media and entertainment industry...
Chris Wright, vice president of business development EMEA, TASCAM, examines why European success in adopting redundancy-driven SMPTE ST 2110 is providing a roadmap for...
To mark World Television Day, Calrec's general manager Sid Stanley takes a look at how TV sound has developed over the last two decades
Its feature set is closer to what a vision mixer provides than to what operators traditionally expect from a downstream keying function, said the...
The project was delivered in 42 days, in time for the Italian football season
The software is configurable for both SDI streams and IP-based formats and supports high precision imagery including 1080P, UHD and HDR
The plug-and-play SMPTE 2110 native console supports 5.1.2, 5.1.4, 7.1.2 and 7.1.4. immersive paths for input channels, busses, metering and monitoring as standard
The new truck is built around Sony's Networked Live ecosystem of solutions for live production with hybrid on-premises and cloud capabilities
The facility provides Matchday Production with comprehensive remote production infrastructure and facilities, said the company
The partnership aims to provide users with a greater range of live production workflow options
The collaboration intends to integrate Dante APIs and SDKs for access to control, management and media signals for Dante networks directly into HOME Apps