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The latest member of the Falkon product family enables sports and news productions to transmit 4K/UHD, HD, and HDR video streams from any location
A full modernisation programme has boosted connectivity and production facilities across all 36 Bundesliga 1 and 2 venues
How French free to air channel NOVO19 worked with Capta Prod on a control and delivery workflow based on a Blackmagic Design solution, providing...
The issue focuses on the new technology shaping the media industry: IP, artificial intelligence, the Media eXchange Layer, 5G; hears how the team at...
The new truck from DMC Production and Broadcast Solutions Group enables processing to take place on-site
The remote production build centralises the live production of Lorraine, This Morning and Loose Women, into a single, remote gallery
From a high-altitude broadcast base to a remote operation in Wales, the team at Whisper tells TVBEurope about their plans for Channel 4’s coverage...
Enabling remote production remains the top technology priority for broadcasters over the next 12 months, with 41 per cent of respondents identifying it as...
Wayne Andrews, product manager at Matrox Video, explains how hybridisation provides the flexibility to meet the evolving needs of today's live production landscape
Continuing our series of articles on the year ahead, leading figures from across the media and entertainment world give TVBEurope their thoughts on the...
No longer a backup plan, hybrid work became the backbone of modern production workflows. The result is an industry that’s more agile, more connected,...
Daniel Robinson, product manager at Matrox Video, explains why horizontal scaling is becoming mission critical in meeting the evolving demands of live production
As the official cloud provider, Amazon Web Services will also aim to help the golf tour hit ambitious green targets
Calrec's consoles aim to provide adaptability and flexibility, allowing the Cymru Broadcast Centre to meet future production needs as it expands its roster of...
The CR-N400 is powered by Canon’s latest DIGIC DV7 processor, and offers 4K UHD at 60fps, HDR imaging, and 40x Advanced Zoom in Full...
The unit integrates with SDI, HDMI, and IP production gear, and can deliver 10-bit HDR 4:2:2 encoding with up to 32 audio channels
The expansion means Gravity Media's Production Centre in White City now has nine dedicated sound control rooms
EGG is also employing EditShare’s Swift Link technology, which enables the company's editors, colourists, and VFX artists to work both on-site and remotely
Guillaume Aubuchon, senior director of product management at Avid, explores ways to reduce complexity and boost performance in an increasingly cloud-centred environment
The July/August 2025 issue focuses on the growing adoption of cloud in the media technology industry, and discovers how the EBU's Media eXchange Layer...
As well as TVU Network's remote production capabilities, Red Bull Media House used AI for facial recognition, starting number detection and logo identification of...
Both trucks have been designed for both on-site and remote production workflows, and are designed to handle a mix of HD, UHD and super...
The transmitter features 4:2:2 10-bit HDR video and both SDI and HDMI inputs
"Lawo Workspaces enable operators to use portable and/or mobile devices for broadcast-grade contribution and monitoring purposes from virtually any location," said CTO Phil Myers
Five years since Covid-19 first arrived, TVBEurope hears from leading figures from across the media and entertainment industry to find out what has changed...
The combination aims to provide tier-one sports leagues and broadcasters with low-latency, high-bandwidth connectivity and real-time content enrichment services
How Intinor's IP-based workflows overcame challenging terrain to enable live coverage of the Swedish Disc Golf Championship
The collaboration aims to 'revolutionise' 5G usage for live events and remote productions, said Riedel
Coverage of the swearing-in of the 47th President of the United States will be controlled from the Sky News gallery in Osterley, London, with...
TVBEurope meets the team behind RE:TV, a cross-platform channel, to discover how they keep both their production and streaming carbon footprints down by using...
The rap battle production employed TVU RPS One units from TVU Networks, each equipped with four SDI connections capable of transmitting up to 16...
Helen Matthews and Joyce Wang, lead analysts - professional broadcast, at Futuresource Consulting detail how the broadcast industry can make significant strides towards achieving...
SipRadius founder and chief scientist Sergio Ammirata explains why timing isn't necessarily everything in the move to remote production
The Norwegian broadcaster is taking on the largely hidden environmental challenge of remote production's voracious appetite for disposable batteries
QuickLink's solutions allow ITV Studios to reduce its dependency on laptops and capture cards at remote locations
John Wastcoat, SVP business development and marketing at Zixi, highlights how media organisations can fully leverage technological innovations, positioning themselves at the forefront of...
The broadcaster's live set at the America's Cup Village is equipped with TVU RPS (Remote Production System)
The programme, which SVT has produced since 2019, follows a herd of moose on their ancient migration paths, streaming non-stop for over 500 hours...
The expansion means the company can now offer services including commentary, post production, analysis and Television Match Official (TMO) / Video Assistant Referee (VAR)...
Signals from up to six unilateral cameras with embedded audio were transmitted from each stadium to Cologne
The company deployed a suite of solutions to capture the action from aboard the high-speed electric racing boats
Jenny Priestley sits down with Dean Locke, director of broadcast and media at Formula One, to hear how the sport continues to adapt to...