Calrec has revealed details of a collaboration with DMC Production, aiming to rethink the traditional broadcast workflow for two identical remote production vehicles..
The two new scalable, software-defined remote production units, AR1 and AR2 effectively reverse the conventional workflow, retaining all production-critical processing at the venue with operators working remotely. Designed around the Grass Valley AMPP platform, Calrec’s ImPulseV virtualised DSP and 48-fader Argo M console aim to create an agile audio network, reducing dependency on hardware.
Video switching, replay, signal processing, multiviewers, recording and audio mixing all run within the Grass Valley AMPP environment, operated remotely from any of DMC Production’s broadcast centres. The methodology enhances bandwidth efficiency and enabling the handling of large, multi-camera productions over a lightweight 100 Mbit/s internet connection. Working with Calrec, DMC Production has developed a seamlessly connected audio network delivering low-latency control with a familiar interface.
Jens Envall, DMC Production’s chief innovation officer, said, “The aim is not just to build one or two vehicles, but to establish a repeatable and scalable production concept where software, IP connectivity and professional broadcast control surfaces work together in a practical live production environment.”
Building on Calrec’s technology partnership with Grass Valley, DMC Production is using the ImPulse1 processing core until the fully integrated ImPulseV AMPP platform comes online, when the company plans to increase native control integration within the AMPP environment.
A 48-fader Calrec Argo M console has been deployed at DMC Production’s remote facility in Munich, connected and managed via Calrec’s True Control 2.0 to provide integration between the control surface and OB units across multiple locations.
“The physical faders, layout and operational approach are very important for sports and fast-moving live events. True Control 2.0 is also critical because it allows us to operate the audio environment remotely while maintaining a familiar and responsive workflow for the engineer. That is a key part of making this production model practical,” said Envall.
Both vehicles include Calrec Type R for local monitor and in-ear mixing, alongside the required IP I/O infrastructure.
Calrec regional sales manager, Anthony Harrison commented, ” DMC Production’s approach to dynamic remote production is highly innovative and is testament to the company’s adaptability, in tandem with Calrec’s scalable and flexible audio ecosystem. It is the first step in establishing a repeatable production concept where software, IP connectivity and control work together in a practical live production environment.”
Envall added, “This is not a standard installation where we are simply replacing one traditional audio console with another. We are building a new workflow, and that requires a close dialogue between engineering, product and operational teams. Calrec has been very supportive throughout the project. That ongoing relationship is important because this is the first step in a scalable model. We need partners who are willing to develop with us, not only supply equipment.”
