Audio
Case study: Capturing the voices of MAX’s Ivandoe
How Cleanfeed's award-winning remote recording software was used extensively by Forever Audio during the recording of a new animated children’s TV series
sound
Audio
DPA Microphones opens new HQ with emphasis on research and development
The new facility is due to include a full anechoic chamber that will aid in the creation of DPA's microphones, said the company
Audio
Shure acquires software company AB Wavemark Oy
The acquisition will enable Shure to expand its portfolio of solutions that enable creative productions across broadcast, and content creation, said the company
Audio
Institute of Professional Sound gears up for Pro-Audio Show 2023
The event is the UK's only event totally dedicated to sound professionals, and will include exhibitors from across the UK and Europe introducing new...
People
Meet the… software developer and co-founder
Emmy and Oscar-winner Mark Hills explains why coding is such a fundamental part of the media technology industry
Audio
Everything we know about: ADM-OSC, S-ADM and the delivery of next-generation audio
Expanding on the article in TVBEurope's August issue, about how BBC R&D used the Eurovision Song Contest as a testing ground for next generation...
Audio
Smart Studio opens Dublin-based bespoke reference studio
The new reference studio features a Mac Studio M1 Max, Avid Dock and S1 control surfaces, Genelec subwoofer, speakers and monitors, a BENQ 4K...
Audio
Post facility Fifty Fifty goes all in with Dolby Atmos
The fit-out also included implementing a Dante-based infrastructure to offer the facility more flexibility as well as making it futureproof
Media Management
Case study: The backbone of Vaudeville Sound Group’s media asset management
Luke Hatfield, group head of sound at Vaudeville, discusses how the creative sound design and mixing group gains performance, security, and media management advantage...
Business
TVBEurope August 2023 issue now available
In our new issue, we talk to the re-recording mixer on the latest Transformers movie, hear how this year's Eurovision Song Contest made a...
Production & Post
Prime Video opens submissions for craft traineeships, expands into Wales
Areas covered by the Academy include camera, sound, post production, sustainability, lighting and grip
Audio
Pip Studios transfers audio to Hollywood and beyond with DataSprint
The facility provides localisation services including dialogue replacement and voiceovers, as well as new mixes and final quality control
Audio
Microservices: Audio processing to enhance viewer experience
Emotion Systems' MC Patel looks at how audio standards can be raised and maintained through automated deliverables, raising consumer satisfaction, eliminating costly reworks and...
Eurovision 2023
Studer Vista X mixes the sound of Eurovision
Both semi-finals and the grand final were mixed in Conrad Fletcher's Mixbus by Andy Tapley
People
Meet the… re-recording mixer
Molinare's Helen Miles tells TVBEurope how she started her career working on an antiques newspaper, before taking the plunge into freelance sound recording; and...
Audio
Maidstone Studios invests in Calrec Type R audio console
Maidstone has invested in a 12-fader Calrec Type R setup with 16 channels of AES I/O, as part of a number of upgrades to...
Eurovision 2023
Eight miles of cabling and 150 microphones: The numbers behind Eurovision Song Contest 2023
The BBC has revealed sone of the facts and figures behind this year's Eurovision Song Contest
Audio
Ateme integrates Fraunhofer IIS’ MPEG-H Audio into its encoders
Kyrion’s low-latency video encoding capabilities enable a broad range of applications, mainly for sports events, news coverage, and entertainment, said Ateme
Audio
Sorting sound for a Sort of Homecoming
With a hard TX deadline of St Patrick's Day looming, the sound editing and mixing team at Levels Audio had only a few weeks...
Audio
Google extends AAC codec range license
The latest version of the AAC family, xHE-AAC, offers maximum coding efficiency with a usable bit rate range that spans from 12 kbit/s to...
Media Management
IBM uses AI to generate commentary for golf’s Masters
The AI commentary solution will produce detailed golf narration for more than 20,000 video clips over the course of the tournament
Audio
Finland’s Soundon selects Genelec monitors for new OB truck
The 8351 three-way coaxial monitors were installed in the LCR positions, accompanied by the compact 8331s at the rear and complemented by a 7360 subwoofer
Audio
Dolby combines Atmos production and mastering in one solution
The Dolby Atmos Renderer application brings together existing functionality and adds new capabilities like native Apple Silicon compatibility and improved performance, said the company
Audio
Qvest helps Herold Studios futureproof its post production sound facilities
The company has installed an Avid S6 console with fully integrated Dolby Atmos workflows, as well as a projection theatre matching DCI specification
Audio
Top Gun: Maverick re-recording sound mixer updates studio with Core 59s
Mark Taylor recently chose to upgrade his post production studio at Shepperton Studios with Dynaudio’s flagship Core 59
Audio
Polsat upgrades news studios with new audio mixing consoles
The broadcaster is building a facility-wide Dante network in its headquarters that will also be connected to another facility within the city
Audio
Shure’s Wireless Systems catch the sound of Super Bowl LVII
FOX Sports' on-air talent wore Shure ADX1 bodypacks for backup and all stand-up segments
Audio
Netflix adds spatial audio to more than 700 titles
Titles such as Stranger Things, The Watcher, Wednesday, and Knives Out: Glass Onion are now available in immersive, cinematic sound
Audio
A life of adventure: James Sieczka travels the world capturing the sound of Naked and Afraid
Producer and sound mixer James Sieczka discusses his work on major international adventure shows, and it's important to have the best kit to deliver...
Audio
What are you talking about?
Kevin Emmott investigates how artificial intelligence can make the unintelligible intelligible
People
Molinaire expands audio post production department
New appointments further strengthen Molinare's audio offering to drama and film productions, having worked previously with Netflix, BBC, Amazon and Apple TV, said the company
Live Production
Case study: Bringing remote World Cup commentary to viewers across Africa
How Intinor is helping SuperSport to provide tailored commentary feeds of the FIFA World Cup to seven different countries
Audio
Carrie, Cosmos and catwalks: NUGEN Audio brings the sound of Sex and the City back to life
The remastered version of Sex and the City is currently available on HBO Max in Dolby Surround 5.1, a direct render from a Dolby...
Audio
Orban sounds out Dolby Atmos upmixer
The hardware is designed to support upmixing of all legacy content from mono, stereo, 5.1 & 7.1 to Atmos
Audio
How do you create the sound of Mars?
Mark Mangini, sound designer on documentary Good Night Oppy, talks to TVBEurope about creating believable sounds for the Mars Opportunity rover, including when it...
Production & Post
Sky’s Landscapers tops nominations at RTS Craft & Design Awards
The BBC leads with 35 nominations followed by Sky with 13 and ITV with 11
Audio
How does underwater ambience sound?
Soundtrack Creation CEO Sefi Carmel details how the company created the aquatic world for forthcoming film, Deep Fear
Audio
How to juggle working as an executive producer and sound supervisor on set
Patrick Haynes talks to TVBEurope about his dual roles on short film One Drop, why he chose Audio-Technica microphones and wireless systems to capture...
Audio
Sony introduces C-80 microphone for studio recording
The C-80 is a uni-directional condenser microphone that inherits the technology of the Sony C-800G and C-100 microphone, said Sony
Audio
Germany’s ARD launches ‘Klare-Sprach’ optimised audio
The setting is available for viewers watching via satellite or DVB-T2 HD
Audio
Using sound to create a fun and funny ride on Bullet Train
Supervising sound editor Mark Stoeckinger talks to TVBEurope about his work on Brad Pitt's latest blockbuster
Audio
A change in pitch
Salsa Sound CEO Rob Oldfield tells Dan Meier about the possibilities of personalisation, AI and 5G for sound in sports broadcasting