Maono debuts ‘world first’ AI-powered hybrid microphone
Building on the success of previous Kickstarter campaigns, the PD500W incorporates features shaped by community feedback
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Building on the success of previous Kickstarter campaigns, the PD500W incorporates features shaped by community feedback
The new options aim to provide broadcasters with greater flexibility in virtualised workflows
The MPEG-H Renderer plugin, developed by Fraunhofer IIS, enables users to define a wide range of interactive and personalised audio options during production
Antennaware is supplying the Bodywave antenna to Raycom, which will incorporate the part into its Pebble accessory
The Awards recognise the best behind the scenes industry talent over the past 12 months
Featuring mid side (MS) capsule configuration, both mics enable a wide range of stereo image options for professional broadcast applications and more
ADM-IG will focus on real-world integration, from production through to playout and distribution, with the aim of accelerating the adoption of Next Generation Audio...
The AVT-SG1 and AVT-SG1LE have been designed for professional videographers and content creators
The 78th Academy Awards was one of the worst-sounding live broadcasts Jenny Priestley has ever watched
The Gen 2 model adds more advanced, onboard digital audio processing, controllable through the MOTIV desktop and mobile apps across iOS, Android, and desktop devices,...
All three brands join the growing Audiotonix portfolio, which includes Allen & Heath, Calrec, DiGiCo, and Solid State Logic
Paul Thomas Anderson's One Battle After Another leads the full list of nominations with 14, just two less than the record set by Gandhi
SLX-D+ features wide tuning across all components up to 138 MHz, operating across multiple frequency bands, and enabling country-wide deployment
The War Between the Land and the Sea is a spin-off from Doctor Who while also very much its own story. Kevin Hilton talks...
Sound supervisor Andy Tapley details the ambitious overhaul of the sound control room at Elstree Studios, delivering a state-of-the-art, integrated audio and vision system...
Tuomo Tolonen, senior director, strategic market development at Shure looks at how 2025 marked a turning point for audio innovation, from REMI workflows to...
The latest issue asks, how modern is modern broadcast audio? Plus, we sit down with Warner Bros Discovery CTO Avi Saxena, explore the potential...
The latest release aims to deliver key advances in immersive audio creation and workflow efficiency
With 78 elements, 8 steerable lobes, and dual automixers, the Shure DCA901 Digital Broadcast Array delivers unprecedented audio coverage and control for live sports...
TVBEurope talks to supervising sound editor Peter Brown and re-recording mixers Joe Barnett and Adam Jenkins to discuss their work on producing the show's...
The Waves Immersive Wrapper plugin is fully compatible with Lawo’s current range of mc² consoles, giving engineers unlimited creative freedom in 3D audio spaces
The solution, which can be used on both broadcast and streaming, stops music in a drama or live productions from drowning out speech
The platform maximises desk space with full-sized fader strips and intuitive controls
It features digitally steerable lobes and onboard digital signal processing, enabling engineers to isolate sources, reduce ambient noise, and maintain total control over the...
The September issue focuses on the promise of virtual production for both the big and small screen, explores the visual effects and sound created...
The expansion means Gravity Media's Production Centre in White City now has nine dedicated sound control rooms
The integration enables broadcasters to recall any of Jünger Audio’s presets directly from SSL’s IP-native System T control surfaces
Lavalier, shotgun and boundary microphone models were employed to capture the race atmosphere and put viewers at the heart of the action
The ImPulse1 cores are used purely for audio routing and distribution; processing incoming field audio, before it is sent back to Sky’s Production Hub...
Costa Nikols, executive-team strategy advisor, media and entertainment, at Telos Alliance discusses the “clear trend” towards enhanced audio experiences, and how they are leading...
Frank Foti, executive chairman at Telos Alliance, tells Jenny Priestley about his work to revolutionise audio with an upmixing technology that transforms stereo into...
Sound supervisor Oliver Waton talks exclusively to TVBEurope about his work on Netflix’s new music series, and why Shure’s new Nexadyne microphones turned out...
The microphone measures 176 mm (about 6.93 in) in length and weighs 102 grammes
Sound supervisor Richard Meredith explains why he opted for DPA microphones and Wisycom Wireless RF solutions to capture the sound of the award-winning series
The mic can be used for on-location interviews, run-and-gun shooting, field reporting, and capturing unscripted dialogue
The model enables users to create audio, including background sounds, sound effects, and spoken dialogue
The solo system can be used on cameras and smartphones, and can also combine with an external lavalier microphone or be used to create...
Jonathan Edwards, head of RF at Terry Tew Sound & Light, tells TVBEurope about the technology used to deliver both the broadcast and FoH...
Orfeas Boteas, CEO of Krotos, explains why the transparent use of AI in sound can be a powerful support system to set creativity free
The teams behind House of the Dragon, Masters of the Air, Silo and The Lord of the Rings: The Rings of Power will compete...
97th Academy Awards audio director Paul Sandweiss discusses the behind-the-scenes work that goes into Hollywood's biggest award show, and why Calrec's Apollo is his...
The BBC department "for making bonkers noises" is available in Spitfire Audio's Solar engine