Spilling the tea: The challenges of live music for television
Ciaran Doran reports on a recent RTS Technology Centre event that heard about the challenge of getting sound on live TV events just right,...
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Ciaran Doran reports on a recent RTS Technology Centre event that heard about the challenge of getting sound on live TV events just right,...
Series producer Sharmila Choudhury reveals some of the technology used on the Sky Nature documentary series, which also features five minutes of behind-the-scenes footage...
Oppenheimer dominated the night, picking up seven BAFTAs across all categories
The integration with Dolby.io enables support for ADM (Audio Definition Model) BWF (Broadcast Wave Format) Atmos audio, said the company
Josh Riordan, audio engineer at The Voiceover Gallery, tells TVBEurope how he went from recording his own music to mixing adverts for large companies....
According to the company, the rebrand will bring the UK operation more in line with other DPA territories in Europe, including shipping all orders...
Nominations announced for annual BAFTA Film Awards
The BD-10 and HC-35 microphones are available now
IAMF is a codec-agnostic container specification that can carry information for playback time rendering algorithms and audio mixing
The DirectOut Prodigy.MX is a modular routing matrix designed for professional live sound and broadcast applications
Rycote's new UK-based custom-built manufacturing facility aims to create better content and quietly address customer needs
Lawo announces IP-native crystal mixing system for audio production workflows; Audeze updates headphones for Dolby Atmos mixing
The IPS Pro-Audio Show will also welcome production sound mixer Stuart Piggott, who will talk about how he adapted Dante to capture the audio...
TVBEurope talks to the team behind the film about Eddie Jones and the Japanese rugby team's shock win at the 2015 Rugby World Cup
How Cleanfeed's award-winning remote recording software was used extensively by Forever Audio during the recording of a new animated children’s TV series
The new facility is due to include a full anechoic chamber that will aid in the creation of DPA's microphones, said the company
The acquisition will enable Shure to expand its portfolio of solutions that enable creative productions across broadcast, and content creation, said the company
The event is the UK's only event totally dedicated to sound professionals, and will include exhibitors from across the UK and Europe introducing new...
Emmy and Oscar-winner Mark Hills explains why coding is such a fundamental part of the media technology industry
Expanding on the article in TVBEurope's August issue, about how BBC R&D used the Eurovision Song Contest as a testing ground for next generation...
The new reference studio features a Mac Studio M1 Max, Avid Dock and S1 control surfaces, Genelec subwoofer, speakers and monitors, a BENQ 4K...
The fit-out also included implementing a Dante-based infrastructure to offer the facility more flexibility as well as making it futureproof
Luke Hatfield, group head of sound at Vaudeville, discusses how the creative sound design and mixing group gains performance, security, and media management advantage...
In our new issue, we talk to the re-recording mixer on the latest Transformers movie, hear how this year's Eurovision Song Contest made a...
Areas covered by the Academy include camera, sound, post production, sustainability, lighting and grip
The facility provides localisation services including dialogue replacement and voiceovers, as well as new mixes and final quality control
Emotion Systems' MC Patel looks at how audio standards can be raised and maintained through automated deliverables, raising consumer satisfaction, eliminating costly reworks and...
Both semi-finals and the grand final were mixed in Conrad Fletcher's Mixbus by Andy Tapley
Molinare's Helen Miles tells TVBEurope how she started her career working on an antiques newspaper, before taking the plunge into freelance sound recording; and...
Maidstone has invested in a 12-fader Calrec Type R setup with 16 channels of AES I/O, as part of a number of upgrades to...
The BBC has revealed sone of the facts and figures behind this year's Eurovision Song Contest
Kyrion’s low-latency video encoding capabilities enable a broad range of applications, mainly for sports events, news coverage, and entertainment, said Ateme
With a hard TX deadline of St Patrick's Day looming, the sound editing and mixing team at Levels Audio had only a few weeks...
The latest version of the AAC family, xHE-AAC, offers maximum coding efficiency with a usable bit rate range that spans from 12 kbit/s to...
The AI commentary solution will produce detailed golf narration for more than 20,000 video clips over the course of the tournament
The 8351 three-way coaxial monitors were installed in the LCR positions, accompanied by the compact 8331s at the rear and complemented by a 7360 subwoofer
The Dolby Atmos Renderer application brings together existing functionality and adds new capabilities like native Apple Silicon compatibility and improved performance, said the company
The company has installed an Avid S6 console with fully integrated Dolby Atmos workflows, as well as a projection theatre matching DCI specification
Mark Taylor recently chose to upgrade his post production studio at Shepperton Studios with Dynaudio’s flagship Core 59
The broadcaster is building a facility-wide Dante network in its headquarters that will also be connected to another facility within the city
FOX Sports' on-air talent wore Shure ADX1 bodypacks for backup and all stand-up segments
Titles such as Stranger Things, The Watcher, Wednesday, and Knives Out: Glass Onion are now available in immersive, cinematic sound