Netflix adds spatial audio to more than 700 titles
Titles such as Stranger Things, The Watcher, Wednesday, and Knives Out: Glass Onion are now available in immersive, cinematic sound
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Titles such as Stranger Things, The Watcher, Wednesday, and Knives Out: Glass Onion are now available in immersive, cinematic sound
Producer and sound mixer James Sieczka discusses his work on major international adventure shows, and it's important to have the best kit to deliver...
Kevin Emmott investigates how artificial intelligence can make the unintelligible intelligible
New appointments further strengthen Molinare's audio offering to drama and film productions, having worked previously with Netflix, BBC, Amazon and Apple TV, said the company
How Intinor is helping SuperSport to provide tailored commentary feeds of the FIFA World Cup to seven different countries
The remastered version of Sex and the City is currently available on HBO Max in Dolby Surround 5.1, a direct render from a Dolby...
The hardware is designed to support upmixing of all legacy content from mono, stereo, 5.1 & 7.1 to Atmos
Mark Mangini, sound designer on documentary Good Night Oppy, talks to TVBEurope about creating believable sounds for the Mars Opportunity rover, including when it...
The BBC leads with 35 nominations followed by Sky with 13 and ITV with 11
Soundtrack Creation CEO Sefi Carmel details how the company created the aquatic world for forthcoming film, Deep Fear
Patrick Haynes talks to TVBEurope about his dual roles on short film One Drop, why he chose Audio-Technica microphones and wireless systems to capture...
The C-80 is a uni-directional condenser microphone that inherits the technology of the Sony C-800G and C-100 microphone, said Sony
The setting is available for viewers watching via satellite or DVB-T2 HD
Supervising sound editor Mark Stoeckinger talks to TVBEurope about his work on Brad Pitt's latest blockbuster
Salsa Sound CEO Rob Oldfield tells Dan Meier about the possibilities of personalisation, AI and 5G for sound in sports broadcasting
In the UK, the A20-RX can tune to the 800 MHz duplex gap, 800 MHz guard band, and, with a proper license, the DME...
Production sound mixer Chris Giles talk to TVBEurope about the challenges of working on Marvel's latest TV series, and how he can walk into...
Technology enables viewers to share the audio from their laptop, smartphone or tablet with others; or listen to silent TVs in public spaces
dock10's Madeleine Jones discusses how she got her start in the media industry, why no day is ever quite the same, and finding a...
Nugen has added new presets and an improved browser to the solution, with search, tagging and favourite functions, which is says are especially important...
The latest issue includes a UK exclusive interview with West Side Story's production sound mixer
Channel 4 comedy We Are Lady Parts in the most nominated show, receiving five nods
Includes a new new in-house subtitling division as well as three high-spec sound booths
More than 23,000 images, amounting to 30 gigabytes of data, were gathered during the final minutes of Perseverance’s journey to Jezero Crater on Mars
His Dark Materials has picked up four nominations, followed by I May Destroy You with three
Trade group AudioUK has released a 15-page document with COVID-19 guidelines for safe audio production during the pandemic
Focuses on audio analytics, anomaly detection, predictive maintenance and environmental sound monitoring
Cinematographer Roger Deakins wins second Academy Award
Dr Mariana Lopez explains how enhancing audio description improves access to film and TV
The Royal Television Society (RTS) has shortlisted nominations for its 2019 Craft & Design Awards. The awards, sponsored by Gravity Media, will be presented...
Dan Meier asks restoration colourist Jonathan Wood (knowingly) about his work on Monty Python’s 50th anniversary releases
Show won a total of 10 awards at Creative Arts Emmys
Daniel Gumble delves into Killing Eve’s technical challenges with its award-winning sound crew
'Narrative Balancer' helps viewers turn up speech and reduce other sounds
Takes a look at all things production from colour grading to VFX and sound to virtual studios
Production sound mixer Simon Hayes talks to TVBEurope about the festive season's big film
Match coverage will include sound technology that tracks the ball and activates microphones
Company provided various post production processes for ITV's new adaptation
TVBEurope speaks to sound supervisor Richard Meredith