The final issue of TVBEurope for 2025 is now available to download and read.
The issue focuses on audio asking, how modern is modern broadcast audio?
Features include a deep dive into why Europe’s broadcasters need to tune in to MPEG-H audio, an exploration of the creative impact of array microphones, and the differences between narrowband and wideband transmission.
Kevin Emmott meets the team behind audio post house Sound Disposition to hear how a new 23-channel Dolby Atmos setup is helping the company meet the demands of the film and broadcast industry.
Jenny Priestley visits Blueprint Studios London, a new broadcast-quality facility for traditional broadcasters and video-first podcasts.
Elsewhere, Matthew Corrigan turns the spotlight on production facilities in Manchester, and David Davies explores the potential of Time Addressable Media Store (TAMS).
Plus, Jenny Priestley sits down with Warner Bros Discovery CTO Avi Saxena to discuss technological advancements driving the company’s streaming strategies, and we head back to the ’30s to talk to some of the creatives who worked on Downton Abbey: The Grand Finale.
