Production & Post
ARRI Film Lab makes digital look and feel like film
The plug-in builds on the company's image processing legacy to simplify creative control of grain, colour, halation and gate weave.
Arri
Production & Post
Fraunhofer IIS, ARRI partner on high-quality transport and storage of camera data
The companies aim to significantly enhance the quality and performance as well as the time-cost-efficiency in current and future media production
Business
Is ARRI for sale?
According to reports, the company is considering a partial or full sale, as well as "streamlining" its business
Production & Post
ARRI launches 660 fps ALEXA 35 Xtreme and new codec
Available as a new unit or upgrade to existing ALEXA 35 cameras, the system delivers frame rates up to 660 fps and five-times longer pre-recording times
Business
ARRI sells lighting subsidiary Claypaky
The lighting company will retain its headquarters and R&D operations in Italy
Production & Post
ARRI launches Camera Companion App
The solution enables control of single or multiple ARRI cameras via a customisable user interface
Production & Post
ARRI launches ALEXA 35 Base camera with flexible upgrade options
A suite of five licences can be purchased, upgrading the camera to meet specific requirements as needed
Production & Post
ARRI, Steadicam among Scientific and Technical Academy Award winners
As well as the 14 honours, the Academy is awarding an Oscar statuette to recognise “all the individuals who have developed and supported captioning...
Live Production
ARRI launches lightweight ARTEMIS 2 Live stabiliser
The stabiliser provides an entry-level route to ARRI's CSS range, and has been optimised for live productions such as sports and event broadcasts
Production & Post
ARRI unveils ALEXA 265 65mm camera
At one third of the weight of its predecessor, ALEXA 265 features a revised 65mm sensor retaining 6.5K resolution with higher dynamic range, said...
Production & Post
Brighter Eyes
Jenny Priestley talks to the BFI’s Douglas Weir who oversaw the restoration of a much-loved animated classic, which returns to UK and Ireland cinemas...
Production & Post
ARRI launches 14-strong Ensō Prime lens range
Ensō lenses feature a magnification ratio of 1:4 on most focal lengths, equivalent to 10" close focus on the 32mm, which, said the company,...
Virtual Production
ARRI Solutions, VCI and ROE deliver one of the largest VP stages in Europe
The volume uses ROE Visual Black Pearl BP2V2 LED panels, aiming to provide high-contrast, detailed in-camera visuals and flexibility for virtual production and XR...
Business
CVP announces second Education Festival
The free event for students and educational leaders will feature over 70 workshops, seminars and demonstrations
Production & Post
ARRI unveils SkyPanel S60 Pro
The successor to SkyPanel S60-C, the solution provides technical enhancements for improved workflows
Live Production
ARRI cameras capture landmark Billy Joel concert
The historic event has been nominated for four Emmy awards
Live Production
ARRI launches single-axis upgradeable Hi-5 SX camera control unit
The new unit is compatible with all existing Hi-5 licenses, such as the Cinefade, RED camera control and Focusbug
Production & Post
How rehoused Soviet-era glass and 1980s Moviecams captured Dune 2
Cinematographer Greig Fraser discusses some of the innovative technology used on Dune 2
Production & Post
ARRI lights up LED spotlight market with new Orbiter Beam
The light’s intensity level has a comparable output to the ARRI Daylight M-Series M18 within a tighter beam angle, said the company
Business
TVBEurope January/February 2024 issue out now
TVBEurope kicks off 2024 with a new look, as well as a deep dive into virtual production. Plus, we look at the ongoing convergence...
Production & Post
ARRI unveils advanced stabilised remote head with 360-degree rotation
According to the company, the 360 EVO opens up new shot possibilities for dramas, commercials, and music videos
Live Production
ARRI improves functionality in TRINITY GEN 1 camera stabiliser
TRINITY Live allows the wireless video link required for broadcast work to be mounted at the bottom of the system instead of being attached...
Production & Post
Establishing the visual language of Apple’s The Buccaneers
Cinematographer Oliver Curtis tells Jenny Priestley how he went about shooting and lighting Apple TV's adaptation of Edith Wharton's novel, and how he drew...
Live Production
ARRI lights up Aragon TV’s studio upgrade
The broadcaster wanted to ensure the lighting and electrical design would drive more efficient workflows, increase reliability, and have a substantial impact on operational...
Case Studies
The Banshees of Inisherin blends old and new tools
Our latest case study looks at DoP Ben Davis's unusual digital-film-digital approach
Production & Post
ARRI releases new camera control monitor
The new 7" ARRI CCM-1 provides full camera control for ALEXA 35 and ALEXA Mini LF and has been developed with partner SmallHD
Production & Post
Watch: Behind-the-scenes of Mount Doom’s eruption in The Rings of Power
Cinematographer Alex Disenhof discusses the workflow behind one of the show's pivotal sequences
Production & Post
ARRI opens office in Rome
The office is situated in Rome's Prati district, and includes a creative space/show room, and large warehouse
Business
ARRI creates dedicated business unit for virtual production
ARRI Solutions designs, engineers, builds, and operates virtual production environments of all sizes
Case Studies
Devising a new look for House of the Dragon
Fabian Wagner, BSC, ASC was among more than a dozen cinematographers who lent their talents to Game of Thrones, helping to change television production...
Production & Post
Case study: Creating the beauty and horror of All Quiet on the Western Front
Editor Sven Budelmann discusses his work on the Oscar-nominated drama, and how his close collaboration with director Edward Berger led to creating a film...
Business
ARRI, Rotolight settle patent lawsuits
ARRI no longer contests the validity of Rotolight’s patents over its special effects CineSFX patent portfolio in the US, UK and Europe
Business
MultiDyne, ARRI, Harmonic to be honoured at Tech and Engineering Emmys
The annual awards celebrate developments and/or standardisation in engineering technologies that impacted television
People
ARRI appoints Dr Raphael Kiesel as head of quality management
Based at the company's headquarters in Munich, ARRI said Kiesel will "convert customer requirements into products and services in an even more structured manner"
Business
ARRI acquires lighting company Clay Paky
The company's products are used across film, television and theatre, including the 2022 Eurovision Song Contest
Production & Post
New Lord of the Rings series involves over 9,500 VFX shots
Among the studios involved in the production were Industrial Light and Magic, Weta, Ncam, Blackmagic Design, DNEG, ARRI and DNEG
Production & Post
Mo-Sys, ARRI, AWS among HPA Award winners
The HPA Awards recognise creative artistry and innovation in the professional media content industry
Production & Post
ARRI, disguise, ILM, Shure among Emmy Award winners
Annual awards honour an individual, company or organisation for developments in broadcast technology
Live Production
ARRI introduces next-gen camera stabilisers
New modular system has been redesigned to add enhancements to camera movement, connectivity, power management, user interface, balance options, and product longevity
People
Dr Mathias Erb to chair ARRI’s executive board
He joins Dr Michael Neuhaeuser and Markus Zeiler on the company's executive board
Production & Post
ARRI, Plazamedia partner to test new standards for virtual TV production
Companies are working together on optimising mixed reality for TV applications using ARRI’s camera and lighting systems
IP Migration
ARRI puts the spotlight on broadcast studio lighting networks
Software will work with contemporary studio facilities with both IP-based and DMX-controlled lighting systems