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Arri

IBC

ND filters put HDR in contrast

Arri has released its first external filter, with its new Full Spectrum Neutral Density (FSND) filter range. Designed for the Alexa Mini and Amira,...

IBC

Amira Multicam on song

The new Amira Multicam system allows broadcasters to shoot cinematic live events under the control of standard Sony remote control panels. It is already...

IBC

Trinity stabilisation on a roll

Trinity is a powerful new stabilisation system that can produce some moves that other rigs would struggle to get, and cope with larger cameras...

IBC

Alexa Xtended for 4K

The new Alexa SXT (Super Xtended Technology) adds electronics from Arri’s Alexa 65 camera to the existing Alexa XT sensor for in-camera recording of...

IBC

Queue forms for SkyPanel LEDs

The new SkyPanel range of LED soft lights will ship after IBC and already has “a tremendous amount of pre-orders”, said Markus Zeiler, Arri’s...

IBC

Fouque to lead partnership strategy

After years of business development for Canon in the broadcast and cinema industry, Karine Fouque is joining Ithaki-Group as sales director of Transvideo and...

Production & Post

Best of both worlds

Showing on the Ikegami stand F25 is the HDK-97 ARRI camera. Jointly developed by Ikegami and ARRI, this is a pioneering new broadcast-style production...

IBC

Cameras gain from HDR

Higher dynamic range, with 20 times the contrast of standard video, offers better colour rendition and the image sharpness is “profoundly different. It really...

IBC

Master Anamorphic family completed

The new Master Anamorphic MA135/T1.9 lens is the seventh lens in the Master Anamorphic family jointly developed by Arri and Zeiss, and completes the...

Business

X-Men relies on Codex

Multiple Codex recording and workflow technologies were used in the production to post pipeline on 20th Century Fox’s film X-Men: Days of Future Past.

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