Production & Post
Netflix launches Post Technology Alliance
Identifies production products that meet streamer's standards
Arri
IBC
Wild fling won’t disturb stable relationship
The new SRH-3 three-axis fully stabilised remote head from...
IBC
First external filter for Arri FSND range
Arri has released its first external filter, with its...
Technology
Moving On: Primetime production values for daytime drama
Michael Burns catches up with LA Productions to learn how UK drama Moving On delivers prime time production value for a daytime audience
Business
Arri joins TVBEurope 2020 as Masterclass Partner
TVBEurope is pleased to confirm Arri as the latest company to join the TVBEurope 2020 conference as a Masterclass Partner. The conference returns to BAFTAin London for its
Business
TVBAwards Production and Post: The finalists
TVBEurope is taking a closer look at the nominated projects for each of the 17 TVBAwards, in the run up to the event on 22 October
Production & Post
Best of both worlds
Showing on the Ikegami stand F25 is the HDK-97 ARRI camera. Jointly developed by Ikegami and ARRI, this is a pioneering new broadcast-style production camera with digital cinema characteristics.
Business
Goldcrest realises expansion plans with Medialease
With this new project Goldcrest Post is aiming to become the UK’s premier ‘one stop post production shop’ for picture, audio and grading post work
IBC
Arri installs giant LED Fresnel wall
German TV news provider Tagesschau has outfitted its €23.8m new studio with 99 Arri L7-C LED Fresnels, gaining huge cost savings and full colour controllability along the way.
IBC
Cameras gain from HDR
Higher dynamic range, with 20 times the contrast of standard video, offers better colour rendition and the image sharpness is “profoundly different. It really is as close to the eye as you can get with today’s technology,” said Milan Krsljanin, Arri’s director of business development at IBC.
Features
Blackmagic captures The Driver for the BBC
Director of photography David Luther (The Mill) shares an insight into the filming with the Blackmagic Pocket Cinema on the new three-part drama co-produced by Highfield Pictures and award-winning RED Production Company for BBC One.
Production & Post
ARRI AMIRA upgrade announced for UHD future
A new software upgrade for ARRI’s documentary-style AMIRA camera will allow it to record ProRes UHD files.
IBC
Master Anamorphic family completed
The new Master Anamorphic MA135/T1.9 lens is the seventh lens in the Master Anamorphic family jointly developed by Arri and Zeiss, and completes the range.
Production & Post
Latest Media Composer release available from Avid
Avid has announced that the latest version of the editing solution Media Composer Software, is now available.
Business
Warner Bros selects Baselight for Clint Eastwood’s Jersey Boys
The Warner Bros MPI team, with colourist Maxine Gervais chose Baselight colour suite for dailies and DI, for the film adaptation of Jersey Boys.
Production & Post
Timeline TV selects Aframe for Channel 4’s The Mill
The post production of Channel 4’s historical drama The Mill was completed using a cloud video production platform from Aframe.
Features
Compact cameras crave a slice of the action
David Fox goes smaller, faster and higher to find out what’s new in compact cameras for sports, drama, documentary or news use.
Business
Arri’s Alexa supports ProRes 4444 XQ
Arri has become the first camera maker to support Apple’s new ProRes 4444 XQ codec, the highest-quality version of ProRes to date, which is designed to preserve all the detail in higher-dynamic range imagery through post production.
Production & Post
ARRI ALEXA supports new Apple ProRes
ARRI has announced support for the new Apple ProRes 4444 XQ, designed to preserve the detail in high-dynamic range imagery through high-end video post production.
Business
Cathedrals of Culture reaches great heights with Mistika
Working at Berlin's ARRI Mitte, online editor Christian Tröger used Mistika's toolsets to post produce scenes for Cathedrals of Culture.
Business
X-Men relies on Codex
Multiple Codex recording and workflow technologies were used in the production to post pipeline on 20th Century Fox’s film X-Men: Days of Future Past.
Production & Post
The science of Cion with AJA
Four years of concept and two years of “solid physical work” has resulted in Cion.
Production & Post
Background to Blackmagic’s broadcast 4K cameras
Blackmagic Design underscored the can-do attractiveness of Ultra HD...
Production & Post
Codex up to speed for 4K recording – enters Action Cam market
Codex is to develop a new recorder for Panasonic’s new VariCam 35 4K camera, and has added support for the Red Epic Dragon and Phantom Flex4k.