Arri

Business

ARRI divests global rental business

The new standalone rental group, led by Dana Harrison as CEO, will transition to its own brand following completion of the transaction

Live Production

ARRI expands range with new ALEXA 35 Live Xtreme

The latest addition to the ARRI family features high frame rate output of up to 8x to live productions using traditional SDI workflows

People

Riedel bolsters SLT with new chief operating officer

The expanded leadership team forms part of a strategic initiative to strengthen operational management and overarching group leadership, said the company

Production & Post

ARRI lights the way with new Omnibar IP65 LED bars

Available in 2 and 4 foot lengths, Omnibar features full-spectrum ARRI colour with high-resolution pixel control, flexible mounting, interchangeable optics and wired or wireless...

Production & Post

ARRI debuts faster, lighter cforce MAX lens motor for Hi-5 ecosystem

The latest upgrade to the cforce family features 'market-leading' latency and up to 400 teeth per minute speeds

Business

Thomas Riedel sets out his plans for ARRI

Asked by TVBEurope bow involved he expects to be with the company, Riedel said he "wants to be involved with the creation side of...

Business

Thomas Riedel acquires ARRI

ARRI will retain independent operations and remain headquartered in Munich, said its new owner

Production & Post

ARRI and HONOR collaborate to give content creators high-end cinematic standards

HONOR's forthcoming ROBOT Phone will integrate core cinematic imaging principles drawn from ARRI's Image Science Foundation

Production & Post

Behind the lens of The Testament of Ann Lee

Cinematographer William Rexer discusses the film's visual inspirations drawn from Baroque masters like Caravaggio, and the challenges of lighting the film using candlelight, the...

Live Production

The Helm becomes ARRI’s first global Live Solution Partner

Aiming to expand the use of ARRI's cinematic technology across live production workflows, the initiative accelerates innovation and provides turnkey solutions for productions around...

Production & Post

Seeing red: creating the look of Tron: Ares

As Tron: Ares is released digitally, TVBEurope talks to cinematographer Jeff Cronenweth about how he created the look of the film

Live Production

Leader’s ZEN adds support for cinematic cameras in live production to its waveform monitors

Engineers are able to switch between cinematic and conventional broadcast sources while keeping a consistent monitoring workflow from studio to OB truck, said the...

Business

Report: ARRI to cut jobs, close two locations

The company is expected to close its lighting factory, repair and distribution centres in Stephanskirchen and Brannenburg, Germany

Production & Post

ARRI Film Lab makes digital look and feel like film

The plug-in builds on the company's image processing legacy to simplify creative control of grain, colour, halation and gate weave.

Production & Post

Fraunhofer IIS, ARRI partner on high-quality transport and storage of camera data

The companies aim to significantly enhance the quality and performance as well as the time-cost-efficiency in current and future media production

Business

Is ARRI for sale?

According to reports, the company is considering a partial or full sale, as well as "streamlining" its business

Production & Post

ARRI launches 660 fps ALEXA 35 Xtreme and new codec

Available as a new unit or upgrade to existing ALEXA 35 cameras, the system delivers frame rates up to 660 fps and five-times longer pre-recording times

Business

ARRI sells lighting subsidiary Claypaky

The lighting company will retain its headquarters and R&D operations in Italy

Production & Post

ARRI launches Camera Companion App

The solution enables control of single or multiple ARRI cameras via a customisable user interface

Production & Post

ARRI launches ALEXA 35 Base camera with flexible upgrade options

A suite of five licences can be purchased, upgrading the camera to meet specific requirements as needed

Production & Post

ARRI, Steadicam among Scientific and Technical Academy Award winners

As well as the 14 honours, the Academy is awarding an Oscar statuette to recognise “all the individuals who have developed and supported captioning...

Live Production

ARRI launches lightweight ARTEMIS 2 Live stabiliser

The stabiliser provides an entry-level route to ARRI's CSS range, and has been optimised for live productions such as sports and event broadcasts

Production & Post

ARRI unveils ALEXA 265 65mm camera

At one third of the weight of its predecessor, ALEXA 265 features a revised 65mm sensor retaining 6.5K resolution with higher dynamic range, said...

Production & Post

Brighter Eyes

Jenny Priestley talks to the BFI’s Douglas Weir who oversaw the restoration of a much-loved animated classic, which returns to UK and Ireland cinemas...

Production & Post

ARRI launches 14-strong Ensō Prime lens range

Ensō lenses feature a magnification ratio of 1:4 on most focal lengths, equivalent to 10" close focus on the 32mm, which, said the company,...

Virtual Production

ARRI Solutions, VCI and ROE deliver one of the largest VP stages in Europe

The volume uses ROE Visual Black Pearl BP2V2 LED panels, aiming to provide high-contrast, detailed in-camera visuals and flexibility for virtual production and XR...

Business

CVP announces second Education Festival

The free event for students and educational leaders will feature over 70 workshops, seminars and demonstrations

Production & Post

ARRI unveils SkyPanel S60 Pro

The successor to SkyPanel S60-C, the solution provides technical enhancements for improved workflows

Live Production

ARRI cameras capture landmark Billy Joel concert

The historic event has been nominated for four Emmy awards

Live Production

ARRI launches single-axis upgradeable Hi-5 SX camera control unit

The new unit is compatible with all existing Hi-5 licenses, such as the Cinefade, RED camera control and Focusbug

Production & Post

How rehoused Soviet-era glass and 1980s Moviecams captured Dune 2

Cinematographer Greig Fraser discusses some of the innovative technology used on Dune 2

Production & Post

ARRI lights up LED spotlight market with new Orbiter Beam

The light’s intensity level has a comparable output to the ARRI Daylight M-Series M18 within a tighter beam angle, said the company

Business

TVBEurope January/February 2024 issue out now

TVBEurope kicks off 2024 with a new look, as well as a deep dive into virtual production. Plus, we look at the ongoing convergence...

Production & Post

ARRI unveils advanced stabilised remote head with 360-degree rotation

According to the company, the 360 EVO opens up new shot possibilities for dramas, commercials, and music videos

Live Production

ARRI improves functionality in TRINITY GEN 1 camera stabiliser

TRINITY Live allows the wireless video link required for broadcast work to be mounted at the bottom of the system instead of being attached...

Production & Post

Establishing the visual language of Apple’s The Buccaneers

Cinematographer Oliver Curtis tells Jenny Priestley how he went about shooting and lighting Apple TV's adaptation of Edith Wharton's novel, and how he drew...

Live Production

ARRI lights up Aragon TV’s studio upgrade

The broadcaster wanted to ensure the lighting and electrical design would drive more efficient workflows, increase reliability, and have a substantial impact on operational...