ARRI establishes new Solutions Group for TV and film
Company also revealed plans to open a new mixed reality studio in Uxbridge, London later this month
Germany’s WELT studios employ entirely IP-based lighting technology
The ARRI System Group handled the consulting, planning, and turnkey installation of the studio lighting and control systems on behalf of system integrator Qvest...
Sky Deutschland uses cinematic camera for Bayern’s Champions League match
Broadcast will employ ARRI ALEXA Mini for the first time
Industry moves: Chris Lennon, Stephan Schenk, Simon Farnsworth
Ross Video appoints standards director, ARRI announces new GM, Discovery's CTO appointed non-executive director of recruitment company
Epic Games’ London Innovation Lab includes complete virtual production LED stage
Company partnered with Brompton Technology, ARRI and creative technical production company 80six to refurbish its Innovation Lab in London with a new curved LED...
ARRI employs TIXstream MFT to manage files in Germany
Post production company is using solution at three locations
Moving On: Primetime production values for daytime drama
Michael Burns catches up with LA Productions to learn how UK drama Moving On delivers prime time production value for a daytime audienceCase Studies
Goldcrest realises expansion plans with Medialease
With this new project Goldcrest Post is aiming to become the UK’s premier ‘one stop post production shop’ for picture, audio and grading post...News
Warner Bros selects Baselight for Clint Eastwood’s Jersey Boys
The Warner Bros MPI team, with colourist Maxine Gervais chose Baselight colour suite for dailies and DI, for the film adaptation of Jersey Boys.
Timeline TV selects Aframe for Channel 4’s The Mill
The post production of Channel 4’s historical drama The Mill was completed using a cloud video production platform from Aframe.News