How Netflix is using the cloud to get productions over the finish line
Netflix's director of production strategy Jeff Shapiro, and Peter Cioni, director of production business development, talk to TVBEurope about how the streamer is using...
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Netflix's director of production strategy Jeff Shapiro, and Peter Cioni, director of production business development, talk to TVBEurope about how the streamer is using...
Company is working with Doncaster-based Firebrand which supports the VFX community with extra capacity and staff
TVBEurope catches up with ACCESS:VFX's founder Simon Devereux and new European chapter lead Chris Kiser to talk about the need for a European-wide organisation...
According to CoreWeave, the acquisition will enable it to deliver burst rendering solutions to visual effects studios while "removing friction" in the setup process
TVBEurope talks to AWS' Nina Walsh about the company's involvement in James Cameron's latest epic
New Bordeaux base has been built to be "client, artist and technology-driven from the outset" said the company
The new headquarters has been built to accommodate up to 200 permanent members of staff
The Rings of Power producer Ron Ames discusses how cloud was a major part of the show's production process, enabling the production team to...
Netflix said the aim of the partnership is to support a healthy VFX ecosystem, and helping VFX studios move toward the cloud is a...
Unreal Engine has now been used on over 425 film and TV productions, and is integrated into over 300 virtual production stages worldwide
He joins Milk after a decade as CTO at Framestore London
New studio will be located at Penzing Studios in Munich
European chapter intends to promote initiatives such as its e-mentoring scheme, industry apprenticeships and awareness-building events
Lola's credits in 2022 include Dangerous Liaisons (Starz/Lionsgate) and Dinosaurs: The Final Day with David Attenborough (BBC)
Show includes longest pre-credits sequence the show has ever done, reveals showrunner Chris Chibnall
Colourist Eric Whipp discusses how using Baselight helped him create the look of the fantasy drama
New facility will act as a hub for the company's hybrid working set-up, and has capacity for 200 artist seats
From reading comics as a kid, to directing feature films and TV projects for Disney, Hasraf ‘HaZ’ Dulull details why he loves the creative...
Among the studios involved in the production were Industrial Light and Magic, Weta, Ncam, Blackmagic Design, DNEG, ARRI and DNEG
Milk will develop and create digital environments, landscapes and creatures for the series which takes audiences on a journey to learn the lessons from...
New company will draw from a global source of artists and studios who work across interactive experiences, such as augmented reality and holographic technology
The range includes a 26-megapixel (MP) model and a high-speed capture mode at up to 2,000 Frames Per Second (FPS)
New location will join the company’s other European studios in London, UK and Sofia, Bulgaria
Namit Malhotra, DNEG chairman and CEO, insisted the company feels "incredibly optimistic" about its future despite the decision
VFX supervisor Lesley Robson-Foster discusses how she used Blackmagic Design's URSA Mini Pro 12K digital film camera to capture visual effects plates for the...
The non-exclusive agreement will see DNEG provide premium VFX services for Netflix across domestic and international markets
Company picked up four awards for its work on Denis Villeneuve's Dune
New company, which will retain the name DNEG, is thought to have a combined worth of $1.7 billion
How Madrid-based post production house Twin Pines worked on 1,000 digitally retouched shots for new drama, La Fortuna
The acquisition will make cutting-edge VFX tools available for next generation of 3D creators
The London hub will see The Moving Picture Company and The Mill share studio space
Studio will be closely integrated with the company's existing German operations, located in Frankfurt and Stuttgart
The libraries can store VFX practical elements as well as textures, reference images, clips from the internet or the matte painting library
How the award-winning in-house VFX team for the Netflix drama completed 600 shots in eight months on AWS
VFX studio used photogrammetry to create continuous shots of the West and main Valleys
Timeline North provided both on-location edit facilities and remote post production
The ML toolset's applications include upres, removing motion blur, tracker marker removal, beauty work, and garbage matting
Computer monitors with professional level performance are now available for a small fraction of the “traditional” price. We asked four freelance content creators -...
Company's CCO Tim Webber to direct short film to test pipeline and demonstrate its potential
TVBEurope talks to the visual effects team behind His Dark Materials' daemons
TVBEurope talks to the team at Framestore about their work on season four of The Crown.
Acquisition creates the only global creative services studio working across every part of the creative and production process.