Water, water everywhere
Vine FX blends practical and CGI elements for ITV's After the Flood, crafting immersive world-building crucial to the post-disaster thriller's authenticity, writes Robert Shepherd
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Vine FX blends practical and CGI elements for ITV's After the Flood, crafting immersive world-building crucial to the post-disaster thriller's authenticity, writes Robert Shepherd
The speakers will discuss why there are so few women in senior roles, juggling parenthood with a career, LGBTQ+ representation and inclusion, financial literacy,...
According to UK Screen Alliance estimates, the tax relief changes are likely to stimulate an additional £175 million of VFX work to be performed...
Godzilla Minus One director Takashi Yamazaki explains how Maxon's ZBrush helped create the look of the iconic monster's latest big screen outing
The March issue focuses on the on-going move to sustainability in the media technology industry, goes behind the scenes of The Traitors, and discovers...
The film is from writer-director Mark Gill and was shot in Tokyo, Japan in October 2023. It chronicles the life of Japanese photographer Masahisa...
Oppenheimer dominated the night, picking up seven BAFTAs across all categories
The studio's first major project will involve bringing to life prehistoric creatures and environments with high-end VFX for NBC series Surviving Earth
VFX supervisor Dan May tells TVBEurope about the challenge of previsualising the VFX featured in the Doctor Who 60th anniversary special
The studio collaborates with all of Rodeo FX's 900 international artists on productions such as Zack Snyder's Rebel Moon and Monarch: Legacy of Monster...
Robert Shepherd meets Vinay Chuphal, VFX supervisor on Indian hit Jaane Jaan, who explains how the team at FutureWorks crafted this record-breaking film
The SCENESIS Pictures office includes a CG / VFX open plan area, grading suites, flexi suite, and viewing area
Painting Practice served as the project's digital art department, delivering concept design, hybrid virtual production previz, post viz, motion graphics and VFX design and...
VFX supervisor Henry Badgett discusses how the company created 126 VFX shots for sequences involving Napoleon’s 1793 Siege of Toulon and his violent suppression...
The project aimed to take pre-visualisations created by Painting Practice in Unreal Engine onto set with the real camera
ACCESS:VFX founder Simon Devereux looks at the drive towards diversity and inclusion in the visual effects industry, and how the industry is becoming democratised...
Organisations including the UK Screen Alliance, British Film Commission, BFI and Bectu have reacted to Jeremy Hunt's plan to provide more additional tax relief...
With statistics suggesting half of women will leave tech-based businesses by age 35, UpliftHER aims to help women elevate their careers by learning together,...
Writing exclusively for TVBEurope, Moonraker VFX’s creative director, Graham Stott, provides commentary on a scene from the BBC’s five part Earth series, for which...
Sean Baker, managing director at ERA Ltd, explains why media production companies must find faster, more efficient hardware and software systems to support flexible...
The team at VFX studio Lux Aeterna was behind the visuals on the glossy BBC Studios documentary series Ancient Powers. The battle was telling...
Framestore's chief creative officer Timothy Webber discusses some of the ways Generative AI is already impacting production workflows
How the visual effects team at Lux Aeterna used subtle 3D lighting, dust effects, and precise compositions to establish the new visual style of...
Laura Usaite, VFX lead on No Escape, tells Robert Shepherd about the intricate process of breathing life and vitality into the Paramount+ tropical thriller
BlueBolt delivered 369 VFX shots for season three; recreating 18th century Russia with crowd duplication in key settings, squib hits, and muzzle flashes, in...
Sky Sports' new advertising campaign turns some of the biggest names in sport into circus performers. TVBEurope speaks to the team at Framestore to...
Tim Burke joins DNEG having most recently served as production VFX supervisor for Disney’s The Little Mermaid
The Universal Pixels team joined the second season shoot at Glasgow’s Wardpark Studios, to provide in-vehicle driving sequences and rear projection for the show's...
Doogan has over 15 years of experience having previously worked at The Mill, Gramercy Park Studios and Prime Focus
In our new issue, we talk to the re-recording mixer on the latest Transformers movie, hear how this year's Eurovision Song Contest made a...
Studio opens new base in the @22 district in Poble Nou, an area known for innovation, tech and VFX
TVBEurope talks to Ryan Hendricks, PhD, senior manager, RiS Initiative, at SMPTE, about its work in the virtual production space, the challenges its faced...
Cinematographer Alex Disenhof discusses the workflow behind one of the show's pivotal sequences
The set included a central ‘portal’ with doors to ‘connect’ the multiple virtual scenes the artists walk in and out of from one location...
Williams has been tasked with driving DNEG's episodic VFX services globally
The new issue focuses on sustainability in the media technology industry, as well as looking at high-end TV, mental health and the TV and...
The studio will be led by Milk VFX supervisor and Dublin native, Ciaran Crowley
The award "recognises someone who consistently goes above and beyond the expectations of the role and shows a genuine curiosity and passion for post...
The company's technology was used on Best Picture winner Everything Everywhere All at Once, as well as Black Panther: Wakanda Forever and Top Gun:...
2022 saw the end of Jodie Whittaker’s time as the Doctor. Her final episode has more visual effects than any other in Doctor Who’s...
Tim Kafka, head of creative operations at The Mill Los Angeles, reveals how the company worked with HP to drop a Z8 Fury workstation...
Annual awards celebrate work that "elevates the art of storytelling and exemplifies the spirit of adaptation and ingenuity"