UK TV and film industry reacts to Autumn Statement
Organisations including the UK Screen Alliance, British Film Commission, BFI and Bectu have reacted to Jeremy Hunt's plan to provide more additional tax relief...
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Organisations including the UK Screen Alliance, British Film Commission, BFI and Bectu have reacted to Jeremy Hunt's plan to provide more additional tax relief...
With statistics suggesting half of women will leave tech-based businesses by age 35, UpliftHER aims to help women elevate their careers by learning together,...
Writing exclusively for TVBEurope, Moonraker VFX’s creative director, Graham Stott, provides commentary on a scene from the BBC’s five part Earth series, for which...
Sean Baker, managing director at ERA Ltd, explains why media production companies must find faster, more efficient hardware and software systems to support flexible...
The team at VFX studio Lux Aeterna was behind the visuals on the glossy BBC Studios documentary series Ancient Powers. The battle was telling...
Framestore's chief creative officer Timothy Webber discusses some of the ways Generative AI is already impacting production workflows
How the visual effects team at Lux Aeterna used subtle 3D lighting, dust effects, and precise compositions to establish the new visual style of...
Laura Usaite, VFX lead on No Escape, tells Robert Shepherd about the intricate process of breathing life and vitality into the Paramount+ tropical thriller
BlueBolt delivered 369 VFX shots for season three; recreating 18th century Russia with crowd duplication in key settings, squib hits, and muzzle flashes, in...
Sky Sports' new advertising campaign turns some of the biggest names in sport into circus performers. TVBEurope speaks to the team at Framestore to...
Tim Burke joins DNEG having most recently served as production VFX supervisor for Disney’s The Little Mermaid
The Universal Pixels team joined the second season shoot at Glasgow’s Wardpark Studios, to provide in-vehicle driving sequences and rear projection for the show's...
Doogan has over 15 years of experience having previously worked at The Mill, Gramercy Park Studios and Prime Focus
In our new issue, we talk to the re-recording mixer on the latest Transformers movie, hear how this year's Eurovision Song Contest made a...
Studio opens new base in the @22 district in Poble Nou, an area known for innovation, tech and VFX
TVBEurope talks to Ryan Hendricks, PhD, senior manager, RiS Initiative, at SMPTE, about its work in the virtual production space, the challenges its faced...
Cinematographer Alex Disenhof discusses the workflow behind one of the show's pivotal sequences
The set included a central ‘portal’ with doors to ‘connect’ the multiple virtual scenes the artists walk in and out of from one location...
Williams has been tasked with driving DNEG's episodic VFX services globally
The new issue focuses on sustainability in the media technology industry, as well as looking at high-end TV, mental health and the TV and...
The studio will be led by Milk VFX supervisor and Dublin native, Ciaran Crowley
The award "recognises someone who consistently goes above and beyond the expectations of the role and shows a genuine curiosity and passion for post...
The company's technology was used on Best Picture winner Everything Everywhere All at Once, as well as Black Panther: Wakanda Forever and Top Gun:...
2022 saw the end of Jodie Whittaker’s time as the Doctor. Her final episode has more visual effects than any other in Doctor Who’s...
Tim Kafka, head of creative operations at The Mill Los Angeles, reveals how the company worked with HP to drop a Z8 Fury workstation...
Annual awards celebrate work that "elevates the art of storytelling and exemplifies the spirit of adaptation and ingenuity"
Netflix's director of production strategy Jeff Shapiro, and Peter Cioni, director of production business development, talk to TVBEurope about how the streamer is using...
Company is working with Doncaster-based Firebrand which supports the VFX community with extra capacity and staff
TVBEurope catches up with ACCESS:VFX's founder Simon Devereux and new European chapter lead Chris Kiser to talk about the need for a European-wide organisation...
According to CoreWeave, the acquisition will enable it to deliver burst rendering solutions to visual effects studios while "removing friction" in the setup process
TVBEurope talks to AWS' Nina Walsh about the company's involvement in James Cameron's latest epic
New Bordeaux base has been built to be "client, artist and technology-driven from the outset" said the company
The new headquarters has been built to accommodate up to 200 permanent members of staff
The Rings of Power producer Ron Ames discusses how cloud was a major part of the show's production process, enabling the production team to...
Netflix said the aim of the partnership is to support a healthy VFX ecosystem, and helping VFX studios move toward the cloud is a...
Unreal Engine has now been used on over 425 film and TV productions, and is integrated into over 300 virtual production stages worldwide
He joins Milk after a decade as CTO at Framestore London
New studio will be located at Penzing Studios in Munich
European chapter intends to promote initiatives such as its e-mentoring scheme, industry apprenticeships and awareness-building events
Lola's credits in 2022 include Dangerous Liaisons (Starz/Lionsgate) and Dinosaurs: The Final Day with David Attenborough (BBC)
Show includes longest pre-credits sequence the show has ever done, reveals showrunner Chris Chibnall
Colourist Eric Whipp discusses how using Baselight helped him create the look of the fantasy drama