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Phil Galler, co-founder of Lux Machina Consulting, tells TVBEurope why he thinks AI/ML, lightfield and spatial displays will drive solutions for content creators, and...
With an accuracy of up to 0.2 mm and ultra-low latency of just six milliseconds, the Traxis Camera Tracking system ensures that every camera...
The company has appointed Phil Ventre and Vivian Yu to "support the growing demand for virtual production in the broadcast and APAC markets"
A series set within the narrow confines of a plane may lack allure for some, but meticulous attention to detail, innovative lighting and clever...
The programme offers a blend of traditional classroom training and real-world principal photography
The company worked with a team of experts on the project, which looked at the rendering requirements, synch issues and hardware limitations on high-speed...
Bites Production Hub has launched TILT, a new tech division which is set to enable filmmakers to carry out "precise, high-speed, repeatable shots"
Soderbergh's new TV series is the first to use the RDX LAB System from Rosco, which enables users to manipulate background imagery instantly, via...
TVBEurope talks to Ryan Hendricks, PhD, senior manager, RiS Initiative, at SMPTE, about its work in the virtual production space, the challenges its faced...
The facility will include five professional studio spaces that can be tailored to suit the production needs of media and entertainment, commercial and event...
Celebrating its 20th anniversary this year, Halon president Chris Ferriter tells TVBEurope about how the company’s adoption of Unreal Engine helped them change the...
Government pledges to open four new state-of-the-art research and development facilities which will aim to drive the next generation of screen technology and on-set...
Sony launched its new Digital Media Production Centre (DMPC) on 16 May; the first virtual production studio in the UK to include the company’s...
The facility is one of the first studios in the world to deploy Vicon’s Valkyrie cameras in combination with the company's Shōgun software platform
The company is marking the ten-year anniversary of its Digital Media Production Centre (DMPC) at Pinewood Studios with a first UK virtual production unit...
The set included a central ‘portal’ with doors to ‘connect’ the multiple virtual scenes the artists walk in and out of from one location...
The whitepaper from Entertainment Technologists and NEP Virtual Studios is accompanied by other tools, including a budget and scheduling calculator to assist producers on...
Pixotope Pocket is available as part of the Pixotope Education Programme and aims to give users easy, unfettered access to augmented reality and virtual...
The initial release targets the use of traditional VFX as a step toward future releases that will cover camera and lens metadata for on-set...
The company has announced a partnership with DreamWall that will bring together complimentary live production technology from both companies
Tool set aims to improve performance and help solve common virtual production challenges such as colour matching and moiré to enhance in-camera visual effects
Universal Pixels' Dan Edmonds talks to TVBEurope about the company's work on major dramas including The Man Who Fell to Earth and Better, and...
The facility is powered by Unreal Engine 5, with 3D environments displayed on 800m2 of fully modular LED volumes in real-time
ARRI Solutions designs, engineers, builds, and operates virtual production environments of all sizes
Pixotope's Kate Watson talks about how her job lets her go "behind the curtain" on major virtual production projects, and why now is the...
disguise has announced a collaboration between the two companies that will see it integrate with NVIDIA Omniverse for end-to-end M&E workflows
The new 7750 ssq ft stage features a 26 x 4.5m ROE BPV2 semicircular volume at Garden Studio’s Park Royal studio complex
CUBE Studio includes a 10.5x5.5m LED volume, crafted with Unilumin Upad IV LED panels, which feature HDR image quality
Instead of using a traditional low loader, the Universal Pixels team built an enclosed box, which was driven by disguise GX2c media servers
The New York-based centre will feature two 3,500-square-foot double-height, column-free stages, two 1,800-square-foot television studios, as well as state-of-the-art broadcast and control rooms
The organisation also plans to update its audio suite, and replace halogen lights with environmentally-friendly LEDs
Shailendra Mathur, vice president, architecture and technology, at Avid takes a look at how virtual production workflows, techniques and technologies are now impacting more...
Systems integrator CJP Broadcast Service Solutions has delivered a complete virtual studio with motion capture facilities for the University of Sunderland. For virtual production,...
The report posits the idea of Set Libs, a greenscreen library subscription service where VR camera experts could standardise detailed location shoots created through...
The new facility, dubbed Seren Virtual Productions, will offer a one-stop, end-to-end solution supporting all aspects of virtual (and physical) production
Jenny Priestley catches up with the team at dock10 to find out how they helped create the virtual environment and creatures for award-winning factual...
The LDT-V2 streams lens data directly to the media player, enabling freedom of movement for camera operators
The company will invest €3.5 million in the Barcelona production centre, which will feature a 500 m2 studio and 235 m2 of LED paneling
The issue focuses on virtual production, augmented reality and studios, and includes articles on The Rings of Power and Doctor Who
dock10's Andy Elliott explains how made the jump from gaming to broadcast, and why the key to loving what you do is to enjoy...
The new studio, named briX|woRk.studio, features a 120-square-metre L-shaped LED wall as its centerpiece,
2022 marked 100 years of the BBC - the first broadcaster in the world to provide a regular high-definition television service. Ryan Kamata, senior...