Technicolor London partners with Cinelab London on Front-End Services hub
Aims to provide a "holistic front-end service"
StarTrackerVFX brings Hollywood-grade VFX to all-sized budgets
Mo-Sys has combined Unreal Engine’s interface and Live Link capabilities as well as the ray-tracing render strengths of Chaos Group’s V-Ray with its real-time...
Ncam introduces lighting and depth solutions for AR
IBC2018 will see the first European presentation of Ncam Technologies’ portfolio of augmented reality products and solutions. The company will also show its newest...
Technicolor recreates Victorian London for Vanity Fair
Company provided various post production processes for ITV's new adaptation
UK equity company acquires majority stake in Game of Thrones VFX studio
Mayfair Equity Partners has bought into Pixomondo
VFX studio Milk expands; celebrates fifth birthday
Expansion increases artist capacity to 250 and includes two 4K Baselight screening rooms
UKTV hires The Mill for streaming service advertising campaign
60, 40 and 20 second adverts are to promote UKTV Play
BECTU launches campaign for all VFX artists to receive credit
BECTU says often less than half of the people who worked on a project get a mention in the credits
UK VFX workers oppose Conservative proposals for Immigration Skills Charge
Conservative Party proposes to double the cost of Immigration Skills Charge over course of the next parliament
Surreal VFX makes an impact in two very different docs
High-end drama usually commands the biggest budgets for broadcast CG animation and VFX in the UK, and tends to be from a clutch of...
Nexus selects Pixstor storage solution for evolving production workflow
Shoreditch-based production company and animation studio Nexus has extended its technical capabilities with an investment in Pixit Media’s PixStor software-defined scale-out storage platform. The...
Carbon Digital lends support to government’s UK Creative Industries in careers competition
MediaCity-based video FX specialist Carbon Digital is taking part in the Government’s UK Creative Industries initiative, giving one lucky individual the opportunity to experience...
1.2 million digital and creative skilled workers needed by 2022
The digital and creative sector is expected to need 1.2 million new workers by 2022; equivalent to half the current workforce, according to training...
Codex supports first ARRIRAW workflow on TV series
Codex equipment is playing a key role in the making of the hit ABC television series Marvel’s Agent Carter.
Scrub supplies Avid S6 consoles for Smoke & Mirrors
Scrub, a division of HHB specialising in post production, has supplied three Avid S6 control surfaces and the latest Pro Tools systems for Smoke...
Exponential-e and Jellyfish pictures partner for VFX
Exponential-e, has developed a Desktop-as-a-Service for Graphic Processing Units (DaaS GPU) in conjunction with London-based VFX studio Jellyfish Pictures.
BBC dramas The Ark and The Passing Bells get the Lipsync treatment
BBC dramas The Ark and The Passing Bells get the Lipsync treatment LipSync will provide full post production services and equity investment for two...