Meet the… VFX supervisor
Sara Bennett, VFX supervisor at Untold, tells TVBEurope why her role is a continuous learning journey
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Sara Bennett, VFX supervisor at Untold, tells TVBEurope why her role is a continuous learning journey
Watch the VFX breakdown of the work done by Bluebolt on the Prime Video film
Senior colourist Simone Grattarola discusses developing the look of the film in prep, working in DaVinci Resolve Studio, and the grading and finishing decisions...
Oscar-nominated Jones will oversee the global rollout of the company's Futon AI VFX platform
Matthew Corrigan wonders if a resurgence in old filmmaking techniques might be a good thing for the industry
Joining the Dream Machine FX Group, the new facility offers a full spectrum of visual effects from CG environments to aging and de-aging workflows
Created to meet real-world production needs, the workflow uses AI outputs as a base layer before being refined by artists, providing a single, unified...
As the UK’s first off-grid production company, Factual Fiction is determined to minimise its environmental impact. Matthew Corrigan meets directors Emily and Tom Dalton...
The move follows the Clear Angle Studios' acquisition of the IP and technology of facial capture company DI4D
The company said it intends to continue developing Griptape’s offering to meet the demands of VFX and animation pipelines and will integrate it with...
The collaboration aims to deliver DRM-protected, end-to-end streaming solutions for interactive and immersive use cases on supported devices including mobile, PC, laptop, and VR/AR...
In the second of our series of articles, leading figures from across the media and entertainment world give TVBEurope their opinions on IP adoption...
The film, based on Richard Osman's bestselling novel, is available to watch on Netflix
Following a round of recent acquisitions, Phantom Media Group's consolidation aims to leverage the its global creative power
"Merging Scanline VFX and Eyeline Studios under one brand enables us to pioneer new tools and facilitate creative collaboration." said the company
BlueBolt worked on 138 VFX shots for the film, including the opening sequence set in a 1930s Piccadilly Circus
The team at Lux Aeterna explain how partnering with photogrammetry specialists Sample & Hold enabled the recreation of prehistoric humans, while also paving the...
Passionate about doing things differently, DISAUTHORITY is rewriting the post production rules from its East Croydon base
Augmenting traditional processes with AI-driven tools, Spark enables browser-based collaboration throughout the production cycle
Quarterly-collected data shows a fluctuating picture over the last 12 months, but London provides employment for 10,564 people in the sector, more than twice...
Production VFX supervisor Christian Mänz talks to TVBEurope about the work that went into creating the creatures of How to Train Your Dragon both...
The initiative aims to broaden the skillsets of women working in the creative industries across Europe
Johnny Han, visual effects supervisor on HBO's The Penguin, tells TVBEurope how the criminal underworld of Gotham City was created (and almost destroyed)
The new visual effects studio incorporates the former leadership team behind Jellyfish Pictures’ VFX division
VFX compositor Stephen Pugh talks to TVBEurope about creating visual effects that don't draw attention to themselves
Nitin Jain, managing partner, director at Skandha Media Services investigates how Media Capability Centres are emerging as a strategic alternative to traditional in-house operations...
The post production and VFX studio provides strategic advantages with access to Irish tax incentives
The Bombing of Flight 103 examined events surrounding what was and remains the worst terrorist attack ever to take place in the UK. The...
The team behind York's Viridian FX explain how the studio is going back to its roots to train up the next generation of visual...
During its pilot phase, the fund supported projects including HBO's The Penguin
The pilot study aims to help ScreenSkills develop an inclusive and adaptable screen sector workforce for now and the future, said the organisation
The ultra large LED wall features a 24 x 4.5 metre back wall, and 105 sq metre LED ceiling
Jan Krupp, VFX supervisor at Scanline VFX, tells TVBEurope how the company created a range of environments for the Netflix film
The London VFX studio has strengthened its pipeline team with two promotions and a new appointment
Adopting open standards, the solution aims to provide workflow standardisation, allowing for automation and other innovations across a diverse range of markets
The Chancellor presented her speech in the House of Commons today
Coming at a "pivotal" time for the sector, the funding underscores Cinesite's ambition and confidence in the media and entertainment industry
Slapshot aims to make VFX available for a range of users including independent editors, colourists, content creators and established visual effects companies
The company's administrators said "the economic headwinds which are affecting companies right across the creative industries have proved too challenging to overcome"
Technicolor Creative Studios UK Limited is expected to file for administration today
The annual awards celebrate global visual effects artists across a wide range of disciplines
UNIT VFX supervisor Nuno Pereira tells TVBEurope about the work that went into creating an emotive CG gorilla called El Niño