VFX

DNEG signs multi-year VFX and virtual production agreement with Netflix

The non-exclusive agreement will see DNEG provide premium VFX services for Netflix across domestic and international markets

Production & Post

DNEG wins big at VES Awards

Company picked up four awards for its work on Denis Villeneuve's Dune

Production & Post

Bringing a 19th century Spanish galleon to life for La Fortuna

How Madrid-based post production house Twin Pines worked on 1,000 digitally retouched shots for new drama, La Fortuna

Production & Post

American Society of Cinematographers releases short film on testing and calibration

Project tested how HDR, diverse skin tones, high resolution detail, in-camera VFX, fast moving action, and visuals tax compression algorithms and image processing software

Business

The Fellowship of Unity, Weta Digital

The acquisition will make cutting-edge VFX tools available for next generation of 3D creators

Production & Post

Technicolor Creative Studios plans global network of creative hubs

The London hub will see The Moving Picture Company and The Mill share studio space

Production & Post

Pixomondo to open London studio for VFX and virtual production

Studio will be closely integrated with the company's existing German operations, located in Frankfurt and Stuttgart

Production & Post

New tool aims to help organise VFX libraries

The libraries can store VFX practical elements as well as textures, reference images, clips from the internet or the matte painting library

Production & Post

The Crown in the cloud

How the award-winning in-house VFX team for the Netflix drama completed 600 shots in eight months on AWS

Production & Post

The impact real-time technology is having on VFX

Martin Izzard, head of media and entertainment at Red Lorry Yellow Lorry takes a look at the rise of virtual production

Business

Streamland Media finalises acquisition of Technicolor Post

Deal, worth €30 million, was first announced in January

Production & Post

Framestore lights the FUSE for VFX workflows with real-time technology

Company's CCO Tim Webber to direct short film to test pipeline and demonstrate its potential

Production & Post

Case study: Union VFX bursts into the Cloud with ngenea

How the VFX studio employed pixitmedia's on-demand data management solution for its work on Apple TV's For All Mankind

Production & Post

Disney Plus (and Baby Yoda) win their first Emmy Awards

The Mandalorian won the streamer's first ever Emmys

Production & Post

New VFX house to RISE in London

Will include a state-of-the-art screening room, space for 50 artists and editorial as well as an original traditional British pub

Production & Post

‘We took the Shoggoth to the gym’: Creating Lovecraft Country’s monster

Framestore's Grant Walker talks to TVBEurope about creating Lovecraft Country's big monster

Media Management

Movistar Plus selects ATEME’s head end, Foundry introduces Nuke Indie

TVBEurope rounds up the latest product and tech news from ATEME, Riedel, 24i and Foundry

Production & Post

Netflix launches VFXaaS platform

Cloud-based platform which aims to make it easier for vendors, artists and creators to connect and collaborate

Media Management

Post house Warner Bros De Lane Lea introduces Alfred

New platform enables users to store, distribute and manage assets and data through a a fully integrated Cloud-based system

Media Management

Jellyfish Pictures goes globally remote

VFX house is utilising Microsoft Azure’s backbone to set up hubs all over the world, which will connect back to the Jellyfish Pictures’ data...

Production & Post

Case study: CBBC’s The Snow Spider

The five-part adaptation of Jenny Nimmo’s bestselling fantasy novel series promises to keep the kids entertained while delivering a grown-up, eighties aesthetic

Case Studies