Milk acquires Lola Post Production
Lola's credits in 2022 include Dangerous Liaisons (Starz/Lionsgate) and Dinosaurs: The Final Day with David Attenborough (BBC)
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Lola's credits in 2022 include Dangerous Liaisons (Starz/Lionsgate) and Dinosaurs: The Final Day with David Attenborough (BBC)
Show includes longest pre-credits sequence the show has ever done, reveals showrunner Chris Chibnall
The October/November edition of TVBEurope is now available to read and download. Our cover feature this issue sees senior VFX supervisor Michael Shelton...
Among the studios involved in the production were Industrial Light and Magic, Weta, Ncam, Blackmagic Design, DNEG, ARRI and DNEG
Milk will develop and create digital environments, landscapes and creatures for the series which takes audiences on a journey to learn the lessons from...
New company will draw from a global source of artists and studios who work across interactive experiences, such as augmented reality and holographic technology
The range includes a 26-megapixel (MP) model and a high-speed capture mode at up to 2,000 Frames Per Second (FPS)
Namit Malhotra, DNEG chairman and CEO, insisted the company feels "incredibly optimistic" about its future despite the decision
VFX supervisor Lesley Robson-Foster discusses how she used Blackmagic Design's URSA Mini Pro 12K digital film camera to capture visual effects plates for the...
The non-exclusive agreement will see DNEG provide premium VFX services for Netflix across domestic and international markets
Company picked up four awards for its work on Denis Villeneuve's Dune
How Madrid-based post production house Twin Pines worked on 1,000 digitally retouched shots for new drama, La Fortuna
Project tested how HDR, diverse skin tones, high resolution detail, in-camera VFX, fast moving action, and visuals tax compression algorithms and image processing software
The acquisition will make cutting-edge VFX tools available for next generation of 3D creators
The London hub will see The Moving Picture Company and The Mill share studio space
Studio will be closely integrated with the company's existing German operations, located in Frankfurt and Stuttgart
The libraries can store VFX practical elements as well as textures, reference images, clips from the internet or the matte painting library
How the award-winning in-house VFX team for the Netflix drama completed 600 shots in eight months on AWS
Martin Izzard, head of media and entertainment at Red Lorry Yellow Lorry takes a look at the rise of virtual production
Deal, worth €30 million, was first announced in January
Company's CCO Tim Webber to direct short film to test pipeline and demonstrate its potential
How the VFX studio employed pixitmedia's on-demand data management solution for its work on Apple TV's For All Mankind
The Mandalorian won the streamer's first ever Emmys
Will include a state-of-the-art screening room, space for 50 artists and editorial as well as an original traditional British pub
Framestore's Grant Walker talks to TVBEurope about creating Lovecraft Country's big monster
TVBEurope rounds up the latest product and tech news from ATEME, Riedel, 24i and Foundry
Cloud-based platform which aims to make it easier for vendors, artists and creators to connect and collaborate
New platform enables users to store, distribute and manage assets and data through a a fully integrated Cloud-based system
VFX house is utilising Microsoft Azure’s backbone to set up hubs all over the world, which will connect back to the Jellyfish Pictures’ data...
The five-part adaptation of Jenny Nimmo’s bestselling fantasy novel series promises to keep the kids entertained while delivering a grown-up, eighties aesthetic
Case StudiesEnables remote viewing of colour and VFX sessions
Dave Goodbourn brings over 20 years industry experience
9,000 sign petition to Motion Picture Association
Simon Devereux up for Community Person of the Year award
Operates in a PC-over-IP environment with all tech housed off-site
Cinematographer Roger Deakins wins second Academy Award
TVBEurope asks Stuart Penn, VFX supervisor on Avengers: Endgame, about the film's Oscar nomination for visual effects
Adds tracking and motion capture to visual effects capabilities
FPS will be aligned with Framestore's R&D department
Framestore discusses world-building, Netflix and the magic of Houdini
Denied a similar proposal for actors' salaries