Opinion: The evolution of robotics in broadcast
Paddy Taylor, head of broadcast at MRMC, considers the continuing impact of technologies such as robotics and automation in the broadcast environment
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Paddy Taylor, head of broadcast at MRMC, considers the continuing impact of technologies such as robotics and automation in the broadcast environment
Simon Wilkinson, head of VFX at 1185 Films, tells TVBEurope how a desire to constantly learn new things has helped shape his career
Jon Mason from VFX talent agency Hotspring, tells TVBEurope why the visual effects industry is a perfect blend of art and technology, allowing for...
Simon Percy from Little Shadow talks to TVBEurope about how the animation studio used a mobile virtual production setup to create a VFX shark...
According to Camera and Lens Metadata committee, modern digital cinema cameras are not accurately representing the usable depth of field achieved with various lenses
1185 Talent will include directors, editors, colourists, VFX artists and photographers
Albena Ivanova, director, media and entertainment and strategic products at CHAOS talks to TVBEurope about her route into the industry
TVBEurope meets Laetitia Michetti, head of production at SCENESIS Pictures, who shares her insights into the post production world
The newly acquired UKVI licence enables Escape Studios to recruit and retain international students
Coles enhanced colour separation, adding shape and depth to the characters through the use of a soft highlight and shadow roll off, and embracing...
The office is equipped to embrace a hybrid way of working so teams can collaborate no matter where they are based, added the company
The fully managed service aims to help customers set up, deploy and scale rendering projects in minutes
Vine FX blends practical and CGI elements for ITV's After the Flood, crafting immersive world-building crucial to the post-disaster thriller's authenticity, writes Robert Shepherd
The speakers will discuss why there are so few women in senior roles, juggling parenthood with a career, LGBTQ+ representation and inclusion, financial literacy,...
According to UK Screen Alliance estimates, the tax relief changes are likely to stimulate an additional £175 million of VFX work to be performed...
The film is from writer-director Mark Gill and was shot in Tokyo, Japan in October 2023. It chronicles the life of Japanese photographer Masahisa...
The studio's first major project will involve bringing to life prehistoric creatures and environments with high-end VFX for NBC series Surviving Earth
Teradek TV allows productions to set up and share encrypted ultra-high-quality video feeds with low delay
A large part of the £4.23 billion spent on production during 2023 was contributed by HETV shows with £2.87 billion, or 68 per cent
The UK-based post production house worked closely with director Jonathan Glazer on the grade of the BAFTA and Oscar-nominated film
VFX supervisor Dan May tells TVBEurope about the challenge of previsualising the VFX featured in the Doctor Who 60th anniversary special
The studio collaborates with all of Rodeo FX's 900 international artists on productions such as Zack Snyder's Rebel Moon and Monarch: Legacy of Monster...
Robert Shepherd meets Vinay Chuphal, VFX supervisor on Indian hit Jaane Jaan, who explains how the team at FutureWorks crafted this record-breaking film
The SCENESIS Pictures office includes a CG / VFX open plan area, grading suites, flexi suite, and viewing area
Painting Practice served as the project's digital art department, delivering concept design, hybrid virtual production previz, post viz, motion graphics and VFX design and...
VFX supervisor Henry Badgett discusses how the company created 126 VFX shots for sequences involving Napoleon’s 1793 Siege of Toulon and his violent suppression...
ACCESS:VFX founder Simon Devereux looks at the drive towards diversity and inclusion in the visual effects industry, and how the industry is becoming democratised...
Organisations including the UK Screen Alliance, British Film Commission, BFI and Bectu have reacted to Jeremy Hunt's plan to provide more additional tax relief...
Movella has launched Indie Starter and Indie Pro Bundles to bring studio-grade motion capture to independent creators, in a show of support for those impacted...
The team behind the visuals on Our Universe explains their stellar work and efficient pipeline on the big Netflix series
Laura Usaite, VFX lead on No Escape, tells Robert Shepherd about the intricate process of breathing life and vitality into the Paramount+ tropical thriller
BlueBolt delivered 369 VFX shots for season three; recreating 18th century Russia with crowd duplication in key settings, squib hits, and muzzle flashes, in...
VFX studio Moonraker VFX has announced the appointment of Lucas Pozzey as its head of 3D
2022 saw the end of Jodie Whittaker’s time as the Doctor. Her final episode has more visual effects than any other in Doctor Who’s...
Netflix's director of production strategy Jeff Shapiro, and Peter Cioni, director of production business development, talk to TVBEurope about how the streamer is using...
Lola's credits in 2022 include Dangerous Liaisons (Starz/Lionsgate) and Dinosaurs: The Final Day with David Attenborough (BBC)
Show includes longest pre-credits sequence the show has ever done, reveals showrunner Chris Chibnall
The October/November edition of TVBEurope is now available to read and download. Our cover feature this issue sees senior VFX supervisor Michael Shelton...
Among the studios involved in the production were Industrial Light and Magic, Weta, Ncam, Blackmagic Design, DNEG, ARRI and DNEG
Milk will develop and create digital environments, landscapes and creatures for the series which takes audiences on a journey to learn the lessons from...
New company will draw from a global source of artists and studios who work across interactive experiences, such as augmented reality and holographic technology
The range includes a 26-megapixel (MP) model and a high-speed capture mode at up to 2,000 Frames Per Second (FPS)