How Blackmagic’s DaVinici Resolve helped Oscar-winning film make the grade
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
Case study: Recreating the technicolour era for Ku’damm 63
How ZDF drama series Ku'damm 63 was graded in both SDR and HDR
Timeline North creates remote post production workflow for The Amelia Gething Complex
Timeline North provided both on-location edit facilities and remote post production
Case study: Wash crosses The Bridge from SDR to HDR
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Case study: Returning to the 1940’s for Atlantic Crossing
Colourist Dylan R. Hopkin takes us behind the scenes of the eight-part historical drama series.
Nu Buyana Fim Studios opens London post production facility
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
Case study: Behind the grade on Sky Atlantic’s I Hate Suzie
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Case study: Finding a dramatic look for comedy series Mandy
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Technicolor’s TechStream helps Run reach the finish line
Enables remote viewing of colour and VFX sessions
Blackmagic Design announces camera and post production updates
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1
Germany’s MMC Studios opens new colour grading theatre
Features a 10-metre (33-foot) screen, a Christie CP 4230 4K projector, and Dolby Atmos sound
Grading the striking design of The Little Drummer Girl
Goldcrest's Jet Omoshebi discusses colouring Park Chan-wook's series
Adobe unveils new video features for Creative Cloud
Updates include intelligent audio cleanup tools, selective colour grading, and end-to-end VR 180 support
FilmLight boosts performance with new Baselight Editions
FilmLight will be showing the new features of Baselight v5 for Avid and NUKE, along with BLG for Flame, the latest product in the...
The Look offers remote grading service with LightSpace
UK post production facility The Look is using the colour management capabilities of LightSpace CMS as part of a new remote grading service being...News