Grading the candidates
Now in its 19th season, BBC One’s The Apprentice continues to innovate in terms of its look. Colourist Andrew Cloke tells TVBEurope's Jenny Priestley...
Update your browser to view this website correctly. Update my browser now
Now in its 19th season, BBC One’s The Apprentice continues to innovate in terms of its look. Colourist Andrew Cloke tells TVBEurope's Jenny Priestley...
The "AI issue" takes a look at how AI is reshaping broadcasting, including areas such as sports commentary and archiving and storage, plus we...
The latest issue takes an in depth look at the ongoing IP migration in the broadcast and video industry, includes a preview of the...
Colourist Deidre (Dee) McClelland details how she helped shape the distinct look and feel of whimsical Oscar-nominated stop-motion film, Memoir of a Snail
The solution provides users with remote low latency colour grading as part of Baselight 6.0
TVBEurope investigates the work of colourist Dan Coles on the latest season of the BBC's crime series
Peter Oppersdorff, creative director of colour at Absolute, tells TVBEurope how a keen interest in all visual media gives him a wealth of influences...
Six colourists were celebrated at the November 17th event
The latest iteration includes new AI tools as well as over 100 feature upgrades
How ITV Content Services brought classic films, including Carry on Henry and That Riviera Touch, back to the screen in glorious HD
Ahead of this year's FilmLight Colour Awards, jury member Jax Harney, founder and senior colourist at X-LDN speaks to TVBEurope about the colourist's role...
Blackmagic-based workflows aim to enable The Look to provide colour, conform and finishing services for clients such as Netflix and Sky
This year's awards include Emerging Talent, which celebrates the work of young colourists (age 18-35) in commercial and music video creation
Colourist Eric Whipp discusses the challenges of creating the look for George Miller's epic blockbuster
The events are for filmmakers, editors, colourists, and visual effects artists, whether they're beginners and experienced users
Coles enhanced colour separation, adding shape and depth to the characters through the use of a soft highlight and shadow roll off, and embracing...
Nara can natively decode and playback a wide selection of media without the need to transcode to proxy files
UNIT will now have numerous VFX suites housing Flame, Flame Assist, Nuke and Nuke Studio, while the lower ground floor will house MCR, QC...
Integrated audio and picture post workflows within DaVinci Resolve Studio deliver significant cost and time saving benefits for Belgium-based Option Media
TVBEurope talks to the production team behind Channel 4's "social experiment" to find out how they enabled viewers to look over the shoulders of...
Colourist Felix Hüsken discusses the 4K/HDR image workflows for the Paramount+ drama series
The UK-based post production house worked closely with director Jonathan Glazer on the grade of the BAFTA and Oscar-nominated film
Colourist Simone Grattarola talks to TVBEurope about the process and challenges of grading Netflix's The Kitchen, and the differences between working on an HDR...
The SCENESIS Pictures office includes a CG / VFX open plan area, grading suites, flexi suite, and viewing area
Stan Cassio, president at post production services company Mango/NewEdit, explains how it uses Signiant Media Shuttle's fast file transfer service to save time and...
Colourists can copy corrections and enhancements made in Face Track to the entire timeline
The 2023 FilmLight Colour Award winners were announced by jury president Lawrence Sher, ASC, at a ceremony during EnergaCAMERIMAGE in Poland yesterday
The suite, which was built by systems integrator Big Pic Media, includes an Advanced DaVinci Resolve suite and offers full support for high-end 2K...
"Our jury meetings so far have illuminated how fundamental the colourists’ work is in the film-making process," said jury president Lawrence Sher
Laura Hewett, colourist and on-line editor, Bumblebee – part of Zinc Media Group, tells TVBEurope how curiosity about film and television led to a...
Renowned cinematographer Tristan Nyby tells Robert Shepherd about his approach to lighting and capturing the highly anticipated horror sequel, The Nun II
Sky Sports' new advertising campaign turns some of the biggest names in sport into circus performers. TVBEurope speaks to the team at Framestore to...
Chair of this year's FilmLight Colour Awards Lawrence Sher talks about his working relationship with colour and colourists
The annual FilmLight Colour Awards are open to colourists on any grading platform and entries are judged by an independent panel of cinematographers, colourists...
The £10 ticket to sunny Australia was a no-brainer for people looking to escape the post-war gloom and grey skies of Great Britain. However,...
Colourist Raúl Lavado explains how he created emotions with colour for Spain's first original Disney Plus series
The transformations are part of the company's commitment to provide filmmakers globally with first-in-class technology
Among the technology used by creatives were the company's digital film cameras, DaVinci Resolve editing, grading, visual effects (VFX) and audio post production software
The award "recognises someone who consistently goes above and beyond the expectations of the role and shows a genuine curiosity and passion for post...
MediaConvert can generate Dolby Vision dynamic metadata for on-the-fly jobs to convert non-Dolby Vision HDR content into Dolby Vision
How colourist Dylan R Hopkin utilised Davinci Resolve to being the drama to life, including greenscreening the lead character's coat to create the right...
How the German post production facility rebuilt its colour grading workflow with DaVinci Resolve