How DaVinci Resolve set the mood on Pagan Peak
Colourist Martin Szafranek recalls finding the Sky Deutschland series' emotional tone
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Colourist Martin Szafranek recalls finding the Sky Deutschland series' emotional tone
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
How colourist Dylan R Hopkin created the look of the latest TV adaptation of the classic fairytale
TVBEurope talks to cinematographer Alice Brooks about her work on new Netflix film, Tick, Tick... Boom!
Light Iron's senior colourist Sam Daley reveals how the look of the hit HBO drama is rooted in both realism and classicism
Blackmagic Design has announced the release of DaVinci Resolve 17.3, which comes with a speed increase that CEO Grant Petty hails "hard to believe"...
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Wolfgang Lempp, CEO of FilmLight, explains the driving force and inspiration behind the launch of the new FilmLight Colour Awards 2021
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
A mockumentary shooting style and an encouragement to ad-lib has tickled the nation's funny bone enough to launch Meet the Richardsons into a second...
How ZDF drama series Ku'damm 63 was graded in both SDR and HDR
Timeline North provided both on-location edit facilities and remote post production
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Computer monitors with professional level performance are now available for a small fraction of the “traditional” price. We asked four freelance content creators -...
Colourist Dylan R. Hopkin takes us behind the scenes of the eight-part historical drama series.
DaVinci Resolve 17 includes HDR grading tools, redesigned primary colour controls, next-gen Fairlight audio core and support for 2,000 real-time audio tracks.
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Colourist Simone Grattarola discusses his work grading the BBC One series
Colourist Gary Curran talks to TVBEurope about his work on the hit BBC drama
Enables remote viewing of colour and VFX sessions
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1
Takes a look at all things production from colour grading to VFX and sound to virtual studios
Blackmagic Design, Avid among pro developers seeing benefits
Facility has acquired two Leader LV7600 rasterising SDI/IP test instruments for its 4K/UHD and HDR capable grading and finishing areas
Features a 10-metre (33-foot) screen, a Christie CP 4230 4K projector, and Dolby Atmos sound
Goldcrest's Jet Omoshebi discusses colouring Park Chan-wook's series
Updates include intelligent audio cleanup tools, selective colour grading, and end-to-end VR 180 support
FilmLight will be showing the new features of Baselight v5 for Avid and NUKE, along with BLG for Flame, the latest product in the...
Sam Chynoweth joins Technicolor's features team
TVBEurope talks to Ronney Afortu, whose credits include Golden Globe winner In The Fade
Sessions will cover HDR, colour workflows, and new grading and delivery tools
Creative Cloud update also enhances sound, animation, graphics, immersive content
Technicolor colourist Maxine Gervais discusses her work on Marvel Studios' epic blockbuster
From the production team behind Senna comes an emotionally charged documentary film chronicling British singer-songwriter Amy Winehouse’s life and career, featuring previously unseen archive...
UK post production facility The Look is using the colour management capabilities of LightSpace CMS as part of a new remote grading service being...
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