Blackmagic Design launches Pocket Cinema Camera 6K G2
New 6K model adds an adjustable LCD touchscreen, larger longer battery life, support for the OLED viewfinder and improved on screen menus
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New 6K model adds an adjustable LCD touchscreen, larger longer battery life, support for the OLED viewfinder and improved on screen menus
The small van provides a workspace for a crew of two - with everything else done remotely
How animation studio Hazimation used DaVinci Resolve Studio to produce its new feature film, Rift
VFX supervisor Lesley Robson-Foster discusses how she used Blackmagic Design's URSA Mini Pro 12K digital film camera to capture visual effects plates for the...
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
Company has announced a number of new cloud-based storage products, as well as a new version of DaVinci Resolve
The company is taking over the entirety of the 19,000 sq ft V1 building within the Violet development at Sci-Tech Daresbury
Colourist Martin Szafranek recalls finding the Sky Deutschland series' emotional tone
How French cooking star Jigmé employs 4K cameras from Blackmagic Design to produce live and pre-recorded content for his streaming channels
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
Broadcaster has implemented 31 Fairlight Advanced Consoles in two bay systems, across 24 regional newsroom hubs throughout France
"URSA Broadcast G2 can be used as a production camera, a studio camera or a digital film camera, so it’s really three cameras in...
DaVinci Resolve can work with up to 12 streams of 8K footage
oXyFire Media's Jay Rozanski tells TVBEurope about the technology behind ABBA's recent livestream announcement
Blackmagic Design has announced the release of DaVinci Resolve 17.3, which comes with a speed increase that CEO Grant Petty hails "hard to believe"...
New compact all-in-one studio cameras are designed for live production customers
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Equidia enlisted Anjou-Image to design and build a mobile control room solution, featuring an ATEM 2 M/E Production Studio 4K switcher, HyperDeck Studio Mini...
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
How the Royal Shakespeare Company implemented a live, multicamera production to bring theatre to audiences at home
Fashion magazine is using Blackmagic's Pocket Cinema Camera 6K to broadcast from home to its YouTube followers
Company also announced the ATEM Mini Extreme, a larger model of its ATEM Mini live production switcher
The production relied on the Arri LWZ-1 15.5-45mm T2.6 with a Speed Booster Ultra 0.71x adapter, together with Black pro mist 1/4 and 1/2...
With its plot centering around a deadly virus hitting a small island community, ZDF’s latest drama series, ‘Sløborn’, could not have been more timely....
DaVinci Resolve 17 includes HDR grading tools, redesigned primary colour controls, next-gen Fairlight audio core and support for 2,000 real-time audio tracks.
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
The Morrison Studio and Lexhag VFX detail the creative process behind the one- minute long, main title sequence.
System can create, capture and composite more than ten minutes of finished 4K content in real time each day.
Series producer Tim Wagg explains how the production team used the ATEM Mini Pro for stings, graphics and VTs
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Today's round up of tech and product news features Blackmagic Design, Sail GP, Acronis and Dalet
Colourist Simone Grattarola discusses his work grading the BBC One series
The five-part adaptation of Jenny Nimmo’s bestselling fantasy novel series promises to keep the kids entertained while delivering a grown-up, eighties aesthetic
Case StudiesCompany installed a SMPTE fibre network as the facility’s backbone in order to produce shows and content simultaneously
Includes new ATEM Mini Pro which features a built-in multiview and streaming engine
Swiss network expanded its output to more than 83 channels
Added grading suite with Resolve Mini Panel
A look at the VFX work employed on Sky One's latest comedy
Featuring Marshall Electronics, Blackmagic Design and FilmLight
VideosZeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1