Production & Post
Blackmagic Design launches Pocket Cinema Camera 6K G2
New 6K model adds an adjustable LCD touchscreen, larger longer battery life, support for the OLED viewfinder and improved on screen menus
blackmagic design
Live Production
How content creator Michael Praetorius built his own OB van
The small van provides a workspace for a crew of two - with everything else done remotely
Production & Post
Building a feature film in the cloud
How animation studio Hazimation used DaVinci Resolve Studio to produce its new feature film, Rift
Production & Post
Creating the visual effects for Amazon’s The Marvelous Mrs Maisel
VFX supervisor Lesley Robson-Foster discusses how she used Blackmagic Design's URSA Mini Pro 12K digital film camera to capture visual effects plates for the...
Production & Post
How colour helped tell the story of the Peaky Blinders
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
Media Management
Blackmagic pivots to cloud
Company has announced a number of new cloud-based storage products, as well as a new version of DaVinci Resolve
Business
Blackmagic moves EMEA HQ to larger facility
The company is taking over the entirety of the 19,000 sq ft V1 building within the Violet development at Sci-Tech Daresbury
Production & Post
How DaVinci Resolve set the mood on Pagan Peak
Colourist Martin Szafranek recalls finding the Sky Deutschland series' emotional tone
Production & Post
Cooking up success in 4K
How French cooking star Jigmé employs 4K cameras from Blackmagic Design to produce live and pre-recorded content for his streaming channels
Production & Post
Case study: How classic Hollywood inspired the look of Toast of Tinseltown
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
Production & Post
France Télévisions future proofs newsroom with Fairlight
Broadcaster has implemented 31 Fairlight Advanced Consoles in two bay systems, across 24 regional newsroom hubs throughout France
Live Production
Blackmagic unveils broadcast camera with 6K digital film sensor
"URSA Broadcast G2 can be used as a production camera, a studio camera or a digital film camera, so it’s really three cameras in...
Production & Post
Blackmagic updates DaVinci Resolve for Apple’s M1 chips
DaVinci Resolve can work with up to 12 streams of 8K footage
Live Production
Taking ABBA on a Voyage around the world
oXyFire Media's Jay Rozanski tells TVBEurope about the technology behind ABBA's recent livestream announcement
Production & Post
Blackmagic releases DaVinci Resolve 17.3
Blackmagic Design has announced the release of DaVinci Resolve 17.3, which comes with a speed increase that CEO Grant Petty hails "hard to believe"...
Live Production
Blackmagic Design launches new 4K studio cameras
New compact all-in-one studio cameras are designed for live production customers
Production & Post
Grading Norwegian episodic comedy, Pørni
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Live Production
European racing channel jumps to HD with help from Blackmagic Design
Equidia enlisted Anjou-Image to design and build a mobile control room solution, featuring an ATEM 2 M/E Production Studio 4K switcher, HyperDeck Studio Mini...
Production & Post
How Blackmagic’s DaVinici Resolve helped Oscar-winning film make the grade
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
Production & Post
All the World’s a Stage: How the RSC brought theatre to audiences during lockdown
How the Royal Shakespeare Company implemented a live, multicamera production to bring theatre to audiences at home
Production & Post
Case study: How the Parisian Gentleman turned on the style
Fashion magazine is using Blackmagic's Pocket Cinema Camera 6K to broadcast from home to its YouTube followers
Production & Post
Blackmagic debuts self-contained streaming solution, new 6K Pocket Cinema Camera
Company also announced the ATEM Mini Extreme, a larger model of its ATEM Mini live production switcher
Production & Post
Sweden’s Trex rampages on screen with Blackmagic Pocket Cinema Camera 4K
The production relied on the Arri LWZ-1 15.5-45mm T2.6 with a Speed Booster Ultra 0.71x adapter, together with Black pro mist 1/4 and 1/2...
Case Studies
How ZDF series ‘Sløborn’ was graded using black magic
With its plot centering around a deadly virus hitting a small island community, ZDF’s latest drama series, ‘Sløborn’, could not have been more timely....
Production & Post
Blackmagic Design unveils new DaVinci Resolve
DaVinci Resolve 17 includes HDR grading tools, redesigned primary colour controls, next-gen Fairlight audio core and support for 2,000 real-time audio tracks.
Production & Post
Nu Buyana Fim Studios opens London post production facility
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
Production & Post
Case study: Crafting the titles for Sky Atlantic’s Riviera
The Morrison Studio and Lexhag VFX detail the creative process behind the one- minute long, main title sequence.
Production & Post
Madrid’s MR Factory develops 4K virtual production system
System can create, capture and composite more than ten minutes of finished 4K content in real time each day.
Production & Post
ATEM Mini Pro keeps The Gadget Show on air
Series producer Tim Wagg explains how the production team used the ATEM Mini Pro for stings, graphics and VTs
Production & Post
Case study: Behind the grade on Sky Atlantic’s I Hate Suzie
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Production & Post
Case study: Finding a dramatic look for comedy series Mandy
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Production & Post
Darude goes live with Blackmagic Design, Acronis sets sail, and more
Today's round up of tech and product news features Blackmagic Design, Sail GP, Acronis and Dalet
Production & Post
Talking colour grading on Talking Heads
Colourist Simone Grattarola discusses his work grading the BBC One series
Production & Post
Case study: CBBC’s The Snow Spider
The five-part adaptation of Jenny Nimmo’s bestselling fantasy novel series promises to keep the kids entertained while delivering a grown-up, eighties aesthetic
Case Studies
Production & Post
Blackmagic Design enables Freaks 4U Gaming to deliver 4K content
Company installed a SMPTE fibre network as the facility’s backbone in order to produce shows and content simultaneously
Live Production
Blackmagic Design announces live production and camera updates
Includes new ATEM Mini Pro which features a built-in multiview and streaming engine
Production & Post
Blackmagic Design doubles Teleclub capacity
Swiss network expanded its output to more than 83 channels
Production & Post
VRT installs DaVinci Resolve for 4K production
Added grading suite with Resolve Mini Panel
Production & Post
Fusion Studio delivers high-end VFX for Sky One’s Brassic
A look at the VFX work employed on Sky One's latest comedy
TVBEverywhere
IBC 2019 tech roundup
Featuring Marshall Electronics, Blackmagic Design and FilmLight
Videos
Features
Crossing over with The Finish Line
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
Production & Post
Blackmagic Design announces camera and post production updates
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1