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The broadcaster is deploying Blackmagic URSA Broadcast G2 cameras and ATEM 1 M/E Constellation HD live production switcher to address its evolving production needs
In the ambiance of a former brewery near Munich, German pianist Martin Kälberer performed live, with audiences enjoying the concert in immersive audio. Viewers...
The company has released the URSA Mini Pro 12K with an optical low pass filter, with the 12K now on Netflix’s list of approved...
Among the technology used by creatives were the company's digital film cameras, DaVinci Resolve editing, grading, visual effects (VFX) and audio post production software
The founder and owner of Art’Istic Production talks about his passion for photography and how it led him to delivering OB production services for...
The company has also unveiled the ATEM Television Studio HD8, a new family of all-in-one live production switchers, as well as the ATEM Microphone...
How colourist Dylan R Hopkin utilised Davinci Resolve to being the drama to life, including greenscreening the lead character's coat to create the right...
How the German post production facility rebuilt its colour grading workflow with DaVinci Resolve
Production company Video Data Technik relied on an optical fibre backbone, utilising a mixed package of nine cameras
How Michelle Cort, senior colourist at Outpost Facilities, created the muted colour palette for the creepy horror movie
The company built an OB truck in just six months for the event, which can house up to four technicians and features a hybrid...
The new model retains features from the original Cintel Scanners, such as digital servos, gentle capstan drives, advanced colour science, 35mm and 16mm film...
DaVinci Resolve for iPad supports H.264, H.265, ProRes and Blackmagic RAW media files
The show's finishing supervisor and colourist discuss the technology behind Ms Marvel's colourful debut
From the Edge of the Clouds was shot in 1080p using Blackmagic RAW and edited and graded with DaVinci Resolve
The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so users can operate with current HD video formats as well...
Among the studios involved in the production were Industrial Light and Magic, Weta, Ncam, Blackmagic Design, DNEG, ARRI and DNEG
The documentary was shot during Covid restrictions, which meant only the creative director was able to be in the room with the band during...
How visual effects house Atlanta VFX employed Blackmagic Design's Fusion Studio CFX and motion graphics software for its work on the Emmy-nominated series
Cinematographer Kabelo Thathe used five URSA Mini Pro 12K bodies on set, shooting at 8K in Blackmagic RAW, and recording to Blackmagic URSA Mini...
New 6K model adds an adjustable LCD touchscreen, larger longer battery life, support for the OLED viewfinder and improved on screen menus
The small van provides a workspace for a crew of two - with everything else done remotely
How animation studio Hazimation used DaVinci Resolve Studio to produce its new feature film, Rift
VFX supervisor Lesley Robson-Foster discusses how she used Blackmagic Design's URSA Mini Pro 12K digital film camera to capture visual effects plates for the...
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
Company has announced a number of new cloud-based storage products, as well as a new version of DaVinci Resolve
The company is taking over the entirety of the 19,000 sq ft V1 building within the Violet development at Sci-Tech Daresbury
Colourist Martin Szafranek recalls finding the Sky Deutschland series' emotional tone
How French cooking star Jigmé employs 4K cameras from Blackmagic Design to produce live and pre-recorded content for his streaming channels
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
Broadcaster has implemented 31 Fairlight Advanced Consoles in two bay systems, across 24 regional newsroom hubs throughout France
"URSA Broadcast G2 can be used as a production camera, a studio camera or a digital film camera, so it’s really three cameras in...
DaVinci Resolve can work with up to 12 streams of 8K footage
oXyFire Media's Jay Rozanski tells TVBEurope about the technology behind ABBA's recent livestream announcement
Blackmagic Design has announced the release of DaVinci Resolve 17.3, which comes with a speed increase that CEO Grant Petty hails "hard to believe"...
New compact all-in-one studio cameras are designed for live production customers
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Equidia enlisted Anjou-Image to design and build a mobile control room solution, featuring an ATEM 2 M/E Production Studio 4K switcher, HyperDeck Studio Mini...
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
How the Royal Shakespeare Company implemented a live, multicamera production to bring theatre to audiences at home
Fashion magazine is using Blackmagic's Pocket Cinema Camera 6K to broadcast from home to its YouTube followers
Company also announced the ATEM Mini Extreme, a larger model of its ATEM Mini live production switcher