blackmagic design

Looking forward: how the IP journey will continue throughout 2025

Key figures from across the industry share their insights into the continuing expansion of IP migration in media and entertainment

Business

Looking back at 2024: the industry trends that stood out

From AI to IP, the cloud to virtual production, key industry executives take a look back at some of the biggest trends that impacted...

Production & Post

DaVinci Resolve 19 exits beta, full software available to download

The latest iteration includes new AI tools as well as over 100 feature upgrades

Live Production

Capturing the colour of the Couleur Café Festival

The Couleur Café Festival has been a cornerstone of urban and world music in Brussels since 1990. LiveCut.TV's Marc Colement explains the technical and...

Production & Post

Case study: Breathing new life into old masters

How ITV Content Services brought classic films, including Carry on Henry and That Riviera Touch, back to the screen in glorious HD

Production & Post

Upgrading The Look with DaVinci Resolve

Blackmagic-based workflows aim to enable The Look to provide colour, conform and finishing services for clients such as Netflix and Sky

Features

Bringing ancient legends to life through the modern filmmaker’s lens

Mineworks Film’s Haunted is a docuseries that brings legends to life through a very different lens and perspective. Series producer and director of photography,...

Production & Post

Blackmagic Design unveils world’s first camera and editing system for Apple Vision Pro

The company has also introduced an updated version of DaVinci Resolve which includes an immersive video viewer to let editors pan, tilt and roll...

Live Production

Blackmagic Cloud Sync adds content to DaVinci Resolve as it’s being recorded

Blackmagic Cloud Sync enables editors to see media arriving in real-time and start editing immediately, wherever they are in the world

People

Atomos appoints Daniel Moore as new chief technical officer

Moore has led the development effort for over 20 products in the AV space

Production & Post

Blackmagic Design unveils ‘game-changer’ URSA Cine 12K

The company has also unveiled DaVinci Resolve 19, which adds new AI tools, as well as over 100 feature upgrades

Production & Post

How Freelens TV puts science centre-stage for its latest game show

Take Off is a game show where science and innovation meet competition. With 12 contestants pitted against one another in a series of challenges,...

Live Production

Blackmagic URSA Broadcast G2 update adds SRT support, direct upload to Resolve

The new feature for simultaneous proxy recording alongside Blackmagic RAW or ProRes means footage can be sent to the newsroom or edit suite in...

Live Production

Case study: How NOS op 3 brought political debate to YouTube

Alain Dikken, managing director at Stream My Event, explains how the company employed ATEM Constellation from Blackmagic Design to help the broadcaster engage younger...

Production & Post

Case study: Behind the scenes at Catch Me if You Can

Ánxo Noya Castro, technical director, Voz Audiovisual, reveals how technology from Blackmagic Design helps produce the Spanish game show

Live Production

Keytown Productions hits the bullseye with PDC European tour

Robbert van Loon explains how the production company built a permanent production solution built on technology from Blackmagic Design that can be deployed anywhere...

Production & Post

Blackmagic adds digital film camera controls to the iPhone

Blackmagic Camera is available from the Apple app store, free of charge, and enables users to adjust settings such as frame rate, shutter angle,...

Live Production

Delivering Miami’s Ultra Music Festival from thousands of miles away

Production agency NOMOBO talks to TVBEurope about their work on Miami's Ultra Music Festival, with the MCR based in Amsterdam

Case Studies

A new era of podcasting with This is Distorted

Content agency This is Distorted "set a new standard of visual podcasting" with a brand new audio and visual studio based around the ATEM...

Case Studies

Case study: EWTN Hungary employs Blackmagic Design in every aspect of the production chain

The broadcaster is deploying Blackmagic URSA Broadcast G2 cameras and ATEM 1 M/E Constellation HD live production switcher to address its evolving production needs

Audio

European premiere for Blackmagic Studio Camera 6K Pro in multi-live streaming of immersive audio concert

In the ambiance of a former brewery near Munich, German pianist Martin Kälberer performed live, with audiences enjoying the concert in immersive audio. Viewers...

Production & Post

Blackmagic launches new URSA Mini 12K model

The company has released the URSA Mini Pro 12K with an optical low pass filter, with the 12K now on Netflix’s list of approved...

Production & Post

Blackmagic Design’s products used on over 20 Oscar nominees

Among the technology used by creatives were the company's digital film cameras, DaVinci Resolve editing, grading, visual effects (VFX) and audio post production software

Live Production

How a passion for photography led to courtside success

The founder and owner of Art’Istic Production talks about his passion for photography and how it led him to delivering OB production services for...

Live Production

Blackmagic Design announces two new studio cameras

The company has also unveiled the ATEM Television Studio HD8, a new family of all-in-one live production switchers, as well as the ATEM Microphone...

Production & Post

Case study: Adding realism, light and deep colour to Norwegian film Kampen om Narvik

How colourist Dylan R Hopkin utilised Davinci Resolve to being the drama to life, including greenscreening the lead character's coat to create the right...

Production & Post

How post production facility BASIS BERLIN rebuilt its grading department from scratch

How the German post production facility rebuilt its colour grading workflow with DaVinci Resolve

Live Production

Case study: Behind the scenes on the EuroHockey Indoor Championships

Production company Video Data Technik relied on an optical fibre backbone, utilising a mixed package of nine cameras

Production & Post

Creating the eerie look of horror movie Matriarch

How Michelle Cort, senior colourist at Outpost Facilities, created the muted colour palette for the creepy horror movie

Live Production

Stop and Go Production employs scalable next-gen workflow for outside broadcast

The company built an OB truck in just six months for the event, which can house up to four technicians and features a hybrid...

Production & Post

Blackmagic Design updates Cintel to include real-time HDR scanning in UHD

The new model retains features from the original Cintel Scanners, such as digital servos, gentle capstan drives, advanced colour science, 35mm and 16mm film...

Production & Post

DaVinci Resolve launches on iPad

DaVinci Resolve for iPad supports H.264, H.265, ProRes and Blackmagic RAW media files

Production & Post

Ms Marvel uses Blackmagic for finishing

The show's finishing supervisor and colourist discuss the technology behind Ms Marvel's colourful debut

Production & Post

Blackmagic Design helps student filmmaker tackle men’s mental health

From the Edge of the Clouds was shot in 1080p using Blackmagic RAW and edited and graded with DaVinci Resolve

Production & Post

Blackmagic debuts four new Ultimatte models

The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so users can operate with current HD video formats as well...

Production & Post

New Lord of the Rings series involves over 9,500 VFX shots

Among the studios involved in the production were Industrial Light and Magic, Weta, Ncam, Blackmagic Design, DNEG, ARRI and DNEG

Production & Post

The Seldom Seen Kid: How Blackmagic’s cameras and ATEM Mini Extreme ISO helped film Elbow documentary

The documentary was shot during Covid restrictions, which meant only the creative director was able to be in the room with the band during...

Production & Post

Investigating the VFX in Only Murders in the Building

How visual effects house Atlanta VFX employed Blackmagic Design's Fusion Studio CFX and motion graphics software for its work on the Emmy-nominated series