Production & Post
Under Pressure
As Pressure opens in cinemas, director of photography, Jamie D Ramsay BSC SASC tells Robert Shepherd about blending high-resolution archival masters with a clean,...
cinematography
Production & Post
Creating the look of Spider-Noir
Darran Tiernan, director of photography, discusses the challenges of creating both a black and white and colour version of the show, and how the...
Production & Post
Boldly going
Cinematographer Tommy Maddox-Upshaw tells TVBEurope about the creative vision and processes driving his work on Paramount+ series Star Trek: Starfleet Academy
Business
Sir Roger Deakins among 2026 NAB Show speakers
Organisers have announced a number of speakers and sessions spanning the creator economy, filmmaking, streaming platforms, artificial intelligence, broadcast technology and journalism
Production & Post
We’d like to thank…
Ahead of Hollywood's biggest night, TVBEurope looks back at our coverage of some of this year's Academy Award nominees
Production & Post
Behind the lens of The Testament of Ann Lee
Cinematographer William Rexer discusses the film's visual inspirations drawn from Baroque masters like Caravaggio, and the challenges of lighting the film using candlelight, the...
Production & Post
F1, One Battle After Another, Frankenstein lead BAFTA Film Awards technical categories
Paul Thomas Anderson's One Battle After Another leads the full list of nominations with 14, just two less than the record set by Gandhi
Production & Post
Seeing red: creating the look of Tron: Ares
As Tron: Ares is released digitally, TVBEurope talks to cinematographer Jeff Cronenweth about how he created the look of the film
Production & Post
How the cinematography of Train Dreams makes the film feel ‘grounded and honest’
Cinematographer Adolpho Veloso talks to TVBEurope about the importance of focusing on the film's human experiences so that employing modern technology wouldn't feel out...
Virtual Production
Netflix and IIM launch women’s virtual production training initiative
The initiative aims to broaden the skillsets of women working in the creative industries across Europe
Production & Post
Shedding light on the naturalism of Andor
Cinematographer Mark Patten explains how he used the Cine Reflect Lighting System from Lightbridge to create the look of the Star Wars series
Production & Post
Blackmagic Design reveals customisable URSA Cine 12K camera
The URSA Cine 12K LF Body excludes shoulder mounts, handles, some lens mounts, battery plates, power supply, lenses and the high capacity 8TB media...
Production & Post
Dune: Part Two leads BAFTA Film Awards technical categories
In total, Edward Berger's Conclave received the most nominations and is up for 12 BAFTA Film Awards, followed by Emilia Perez and The Brutalist...
Production & Post
How cinematographer Haris Zambarloukos captured the colour of Beetlejuice Beetlejuice
Zambarloukos details the cameras and lenses he used to capture Tim Burton's spooky sequel
Business
TVBEurope July/August issue available to download
The latest issue of TVBEurope includes everything from Doctor Who to Baby Reindeer, The Fall Guy to Paris 2024, and a preview of IBC...
People
Meet the… director of media and entertainment and strategic products
Albena Ivanova, director, media and entertainment and strategic products at CHAOS talks to TVBEurope about her route into the industry
Production & Post
Oppenheimer leads BAFTA Film Awards technical category winners
Oppenheimer dominated the night, picking up seven BAFTAs across all categories
Production & Post
Sachtler introduces new range of fluid heads designed for cinematographers
The new Cine Series aims to meet the diverse needs of cinematographers, from solo operators to larger production crews, said the company
Production & Post
Shooting modern heroism
Cinematographer Kira Kelly talks to Robert Shepherd about creating the look of Marvel’s latest TV series, Echo
Production & Post
NFTS launches Sean Connery Talent Lab for cinematographers, editors
The 12-month programme is aimed at developing emerging filmmakers across Scotland and the UK
Production & Post
Oppenheimer, Poor Things lead BAFTA Film Awards technical categories
Nominations announced for annual BAFTA Film Awards
Business
TVBEurope January/February 2024 issue out now
TVBEurope kicks off 2024 with a new look, as well as a deep dive into virtual production. Plus, we look at the ongoing convergence...
Production & Post
Barbie introduces Women in Film collection
The four dolls are part of the company's Career of the Year Women in Film series
Production & Post
Establishing the visual language of Apple’s The Buccaneers
Cinematographer Oliver Curtis tells Jenny Priestley how he went about shooting and lighting Apple TV's adaptation of Edith Wharton's novel, and how he drew...
Production & Post
Framing Fear on The Nun II
Renowned cinematographer Tristan Nyby tells Robert Shepherd about his approach to lighting and capturing the highly anticipated horror sequel, The Nun II
Production & Post
Cooke Optics debuts new lenses aimed at owner/operators
Cooke said the boundaries between cinematography and videography are blurring with the launch of the new lenses
Production & Post
Watch: Behind-the-scenes of Mount Doom’s eruption in The Rings of Power
Cinematographer Alex Disenhof discusses the workflow behind one of the show's pivotal sequences
Production & Post
Cooke S4/i lenses capture The Last of Us
Cinematographer Ksenia Sereda explains why she chose to use the lenses on the hit HBO series
Production & Post
CVP celebrates female cinematographers as part of #IWD2023
Company is staging a free exhibition of images shot by members of illuminate, a society of UK-based female cinematographers
Production & Post
Render farm management system, AI-driven facial veiling tech among Sci-Tech Oscar winners
The annual awards recognise inventors and engineers who have advanced the art and science of motion pictures
Production & Post
Disney’s Rise shot on URSA Mini Pro 12K cameras
Cinematographer Kabelo Thathe used five URSA Mini Pro 12K bodies on set, shooting at 8K in Blackmagic RAW, and recording to Blackmagic URSA Mini...
Production & Post
‘I wanted to create a viscerally unnerving feeling throughout’: Black Bird cinematographer on the series’ visual language
Natalie Kingston talks to TVBEurope about the technology and colours that helped shape the look of Apple TV Plus' gritty new true-crime drama
Production & Post
Danny Boyle’s Pistol captures anarchy in the UK with Canon
Cinematographer Anthony Dod Mantle used a mix of modern and vintage technology to capture the look of the Disney Plus series
Production & Post
The Power of Long Lenses
How BAFTA and Oscar-nominated cinematographer Ari Wegner shot The Power of the Dog
Business
TVBEurope November/December 2021 issue released
The final issue of 2021 takes a look at everything from deepfake to film and TV restoration and the metaverse
Production & Post
The inspiration behind the look of Tick, Tick… Boom!
TVBEurope talks to cinematographer Alice Brooks about her work on new Netflix film, Tick, Tick... Boom!
Production & Post
Virtual production is a “turning point” in filmmaking
MediaTech 360 Summit speaker Greig Fraser explains why virtual production is here to stay
Production & Post
Challenging the media industry’s status quo
Cinematographer Elisa Iannacone discusses diversity in the media industry, and why it's important to celebrate the female gaze
Production & Post
Monitoring creative production during lockdown
Computer monitors with professional level performance are now available for a small fraction of the “traditional” price. We asked four freelance content creators -...
Production & Post
Disney Plus (and Baby Yoda) win their first Emmy Awards
The Mandalorian won the streamer's first ever Emmys
Production & Post
Case study: Finding a dramatic look for comedy series Mandy
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Media Management
Showing a new side to The Invisible Man
A glimpse behind the scenes of Leigh Whannell's latest horror film