Blackmagic Design reveals customisable URSA Cine 12K camera
The URSA Cine 12K LF Body excludes shoulder mounts, handles, some lens mounts, battery plates, power supply, lenses and the high capacity 8TB media...
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The URSA Cine 12K LF Body excludes shoulder mounts, handles, some lens mounts, battery plates, power supply, lenses and the high capacity 8TB media...
In total, Edward Berger's Conclave received the most nominations and is up for 12 BAFTA Film Awards, followed by Emilia Perez and The Brutalist...
Zambarloukos details the cameras and lenses he used to capture Tim Burton's spooky sequel
The latest issue of TVBEurope includes everything from Doctor Who to Baby Reindeer, The Fall Guy to Paris 2024, and a preview of IBC...
Albena Ivanova, director, media and entertainment and strategic products at CHAOS talks to TVBEurope about her route into the industry
Oppenheimer dominated the night, picking up seven BAFTAs across all categories
The new Cine Series aims to meet the diverse needs of cinematographers, from solo operators to larger production crews, said the company
Cinematographer Kira Kelly talks to Robert Shepherd about creating the look of Marvel’s latest TV series, Echo
The 12-month programme is aimed at developing emerging filmmakers across Scotland and the UK
Nominations announced for annual BAFTA Film Awards
TVBEurope kicks off 2024 with a new look, as well as a deep dive into virtual production. Plus, we look at the ongoing convergence...
The four dolls are part of the company's Career of the Year Women in Film series
Cinematographer Oliver Curtis tells Jenny Priestley how he went about shooting and lighting Apple TV's adaptation of Edith Wharton's novel, and how he drew...
Renowned cinematographer Tristan Nyby tells Robert Shepherd about his approach to lighting and capturing the highly anticipated horror sequel, The Nun II
Cooke said the boundaries between cinematography and videography are blurring with the launch of the new lenses
Cinematographer Alex Disenhof discusses the workflow behind one of the show's pivotal sequences
Cinematographer Ksenia Sereda explains why she chose to use the lenses on the hit HBO series
Company is staging a free exhibition of images shot by members of illuminate, a society of UK-based female cinematographers
The annual awards recognise inventors and engineers who have advanced the art and science of motion pictures
Cinematographer Kabelo Thathe used five URSA Mini Pro 12K bodies on set, shooting at 8K in Blackmagic RAW, and recording to Blackmagic URSA Mini...
Natalie Kingston talks to TVBEurope about the technology and colours that helped shape the look of Apple TV Plus' gritty new true-crime drama
Cinematographer Anthony Dod Mantle used a mix of modern and vintage technology to capture the look of the Disney Plus series
How BAFTA and Oscar-nominated cinematographer Ari Wegner shot The Power of the Dog
The final issue of 2021 takes a look at everything from deepfake to film and TV restoration and the metaverse
TVBEurope talks to cinematographer Alice Brooks about her work on new Netflix film, Tick, Tick... Boom!
MediaTech 360 Summit speaker Greig Fraser explains why virtual production is here to stay
Cinematographer Elisa Iannacone discusses diversity in the media industry, and why it's important to celebrate the female gaze
Computer monitors with professional level performance are now available for a small fraction of the “traditional” price. We asked four freelance content creators -...
The Mandalorian won the streamer's first ever Emmys
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
A glimpse behind the scenes of Leigh Whannell's latest horror film
Cinematographer Roger Deakins wins second Academy Award
The Royal Television Society (RTS) has shortlisted nominations for its 2019 Craft & Design Awards. The awards, sponsored by Gravity Media, will be presented...
Allows VENICE to capture three times slow motion at 24p in 6K
Feature is generally available on Media Platform player
Cinematographer responds to viewer complaints
Exploring the Panasonic cameras used to shoot Ricky Gervais' new Netflix show
Medusa Performance Capture System and Light Stage X won for the visuals on Avengers: Infinity War
Cinematographer Matthew Libatique discusses the Cooke Anamorphic/i SF ‘Special Flair’ lenses
Provides state-of-the-art digital cinematography equipment to film students