Disguise and Creative Technology partner to power Eurovision’s visuals
The 70th anniversary of the Eurovision Song Contest provides a real-world showcase for the next evolution of Disguise's IP-based broadcast workflows, said the company
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The 70th anniversary of the Eurovision Song Contest provides a real-world showcase for the next evolution of Disguise's IP-based broadcast workflows, said the company
Earlier this week, Matthew Corrigan travelled to Vienna to go behind the scenes and see the build-up to this year's Eurovision Song Contest
TFC is managing IP-based SMPTE ST 2110 signal routing across software and hardware, along with multiview capabilities and redundant support
Viz Engine will render all on-screen graphics, including the scores during the jury and public votes
Head technical production manager Claudio Bortoli tells TVBEurope how ORF is using cinematic ARRI Alexa cameras to bring a unique look to Eurovision 2026,...
The Austrian broadcaster has unveiled the lighting design for this year's event, which will also include more than 2,100 LED and laser units
Broadcaster ORF has set itself a goal of minimising its CO₂ footprint as much as possible
The Bradford museum's temporary exhibition will highlight Eurovision's contribution to technological advancement in the global media and entertainment industry
Österdahl has spent five years in the role, overseeing the pandemic-hit event in Rotterdam, as well as the events in Turin, Liverpool, Malmö and...
The 69th Contest, staged in Basel, Switzerland, reached 166 million people across 37 public service media markets, said the EBU, 3 million more than...
The implementation of the TFC broadcast orchestration platform allows NEP to streamline signal management and reduce rigging and setup time
As Basel welcomes thousands of fans from across Europe (and beyond) for the Eurovision Song Contest 2025, TVBEurope speaks to key members of the...
My Eurovision Party 2025 is part of the push to bring the contest to a younger generation, and has been released in collaboration with...
The viewing share of the Grand Final was 46.7 per cent - the highest since 2006
SVT's Tobias Aberg talks to TVBEurope about the host broadcaster's plans for this year's Eurovision Song Contest, including cameras, sound and graphics
The stage designers have worked to create a 360-experience for both the arena and TV audiences, with movable LED cubes, LED floors, light, video...
The aim of the design is to make the audience more of a focus than ever before, both inside the arena and for viewers...
The 36 countries represented in 2023’s event in Liverpool will return and be joined by RTL from Luxembourg who will take part for the...
Expanding on the article in TVBEurope's August issue, about how BBC R&D used the Eurovision Song Contest as a testing ground for next generation...
In our new issue, we talk to the re-recording mixer on the latest Transformers movie, hear how this year's Eurovision Song Contest made a...
Both semi-finals and the grand final were mixed in Conrad Fletcher's Mixbus by Andy Tapley
According to NPAW, online video plays surged by 28 per cent during the show versus the previous 90 days, with Eurovision 2023 registering 31...
Company has developed a customised solution to provide a more seamless stage management experience for this year's show
The set included a central ‘portal’ with doors to ‘connect’ the multiple virtual scenes the artists walk in and out of from one location...
TVBEurope talks to dock10's Adam Balcombe about how the facility will be the backbone of the BBC's Eurovision 2023 coverage
The set brings together 220 square metres of independently moving and turning video screens, as well as over 700 video tiles integrated into the...
The 37 postcards feature 111 different locations, with local production crews used where possible
The stage is inspired by a wide hug, and includes over 260 individual components that will be assembled on site at the Liverpool Arena
The BBC will be the host broadcaster of the event, working alongside the European Broadcasting Union
The BBC will now begin the process of selecting a host city
The EBU said it made the decision given the current circumstances, and operational guarantees required for a broadcaster to host, organise and produce Eurovision
Across the EBU's 34 measured markets, the event saw an increase of 7 million viewers compared to 2021
“5G Broadcast offers big opportunities to the whole media value chain and there’s no better way to showcase this technology than at the EBU’s...
With the countdown on to Eurovision 2022, the team at dock10 tell TVBEurope about their role as the UK’s new permanent production base and...
Both semi-finals and the Grand Final on May 14th will be available to RAI viewers in 4K for the first time
Lighting designer Crt Birsa created two different lighting setups – offset by 90 degrees to one another – on the same stage, allowing the...
Salford is to become Eurovision's permanent production base and broadcast location
This year's Grand Final saw a 99.9 per cent viewing share in Iceland
Eurovision's executive supervisor Martin Österdahl talks to TVBEurope about the return of the "mother of all big entertainment shows"
Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...
Organisers are now working on three other scenarios