Audio
Report: Gen Z is willing to pay for spatial audio on its TV and film content
When asked in what setting spatial audio experiences are most important, 21 per cent of those surveyed by Agora said film and TV content
audio
Audio
Artificial Intelligence takes over as the voice of Darth Vader
LucasFilm is working with Ukrainian company Respeecher to recreate Vader's voice from Star Wars: A New Hope
Media Consumption
Google ‘preparing to launch own version of Dolby Atmos and Dolby Vision’
Google is said to have already discussed the project with hardware manufacturers
Audio
Calrec launches new Argo IP audio mixing system
Calrec’s Argo is a new approach to audio mixing, with a flexible control philosophy that blends processing and control
Audio
Germany’s ARD launches ‘Klare-Sprach’ optimised audio
The setting is available for viewers watching via satellite or DVB-T2 HD
Audio
Using sound to create a fun and funny ride on Bullet Train
Supervising sound editor Mark Stoeckinger talks to TVBEurope about his work on Brad Pitt's latest blockbuster
Live Production
Lawo’s infrastructure delivers the sound of the European Championships
The nine galleries in the International Broadcast Centre (IBC), located in Munich’s Olympic Stadium, and one gallery for outside venues, were equipped with Lawo...
People
Meet the composer and sound designer
Sefi Carmel explains why he feels the studio is the place where technology and creativity meet
Audio
A change in pitch
Salsa Sound CEO Rob Oldfield tells Dan Meier about the possibilities of personalisation, AI and 5G for sound in sports broadcasting
Audio
Eurovision, Ateme test enhanced features of audio’s BISS-CA encryption standard
The enhanced BISS-CA features enables video service providers to offer viewers more personalised audio
News Releases
DHD.audio to showcase DX2 compact broadcast audio mixing console at IBC 2022
DHD.audio, a globally active leader in the development and manufacture of broadcast-quality digital audio studio equipment and systems, will demonstrate the latest additions to...
Audio
Phabrix updates rasterisers with audio functionality, browser-based remote access
The company's Qx and QxL rasterisers' audio functionality has also been updated, enabling them to receive up to four independent 32-channel ST 2110-30/-31 flows...
Audio
Sound Devices launches A20-RX Wireless Receiver
In the UK, the A20-RX can tune to the 800 MHz duplex gap, 800 MHz guard band, and, with a proper license, the DME...
Audio
Netflix, Sennheiser partner on spatial audio
The rendering software runs in the streaming service’s cloud-based encoding pipelines and produces AMBEO 2-Channel Spatial Audio from existing ADM or IAB files
Audio
New TV and film music platform launches ready for the metaverse
It will feature a curated gallery of Dolby Atmos as standard soundtracks and songs for cinema, TV, advertising, trailers, games, VR, AR and XR
Audio
EMG UK’s new Remote Operations Centre looks to next-gen audio
The new ROC includes Dolby Atmos as well as audio-over-IP and SMPTE 2110
Live Production
‘We will start to roll out cloud distribution’: Formula One’s plans for the future
In the second part of our interview with Formula One's director of media and broadcast, Dean Locke discusses plans for the cloud, enhanced audio,...
Live Production
Timeline TV’s Broadcast Centre includes Custom Consoles desks
The largest of the eight desks is the 5.4 metre wide PCR 1 front desk which spans 10 bays and is configured for use...
Audio
Red Bee aims to help broadcasters track the music they use
Red Bee will provide Utopia with audio feeds of over 9,000 TV and radio channels across EMEA that will be analysed for royalties allocation
Audio
Taking control: AES70 set for further broadcast success
With new features that are supportive of decentralised and remote production, the AES70 network control standard seems poised for a new level of recognition...
Audio
Portland Audio adds Dolby Atmos suite
The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
Audio
Sky Deutschland to broadcast Bundesliga in Dolby Atmos
The top match every Saturday will be available with enhanced audio
People
Meet the entry-level sound assistant
dock10's Madeleine Jones discusses how she got her start in the media industry, why no day is ever quite the same, and finding a...
People
Oscar-winning re-recording mixer joins Molinaire
During his career, Richard Pryke has also worked on a number of projects, including Bird Box, Die Another Day, V for Vendetta, and 127 Hours
IP Migration
Lawo takes IP video infrastructure to the edge
.edge provides full support for the SMPTE ST2110 suite of standards with ST2022-7 redundancy built in
Audio
Sony releases new dual-channel wireless receiver
The URX-P41D can be used on broadcast and news productions, run-and-gun style interviews, documentaries and series productions
Audio
A new generation of audio delivery
BBC R&D's Jon Francombe takes a look at the latest trends in audio delivery
Audio
Making it personal for next-generation audio
MPEG-H Audio is the less well known of the two object-based audio systems in the DVB-T2 specification. But, as Kevin Hilton reports, its developer...
Audio
How Pinewood Studios moved ‘in the box’ with its post production sound
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
Audio
TVBEurope March 2022 issue now available
The latest issue includes a UK exclusive interview with West Side Story's production sound mixer
Live Production
NBC Sports selects tech vendors for Beijing Olympic, Paralympic Games
Broadcaster is using remote production workflows for both video and audio coverage of the Games
Audio
Qvest upgrades audio production for Rotor Film
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Audio
Bitmax adds Dolby Atmos suites to London facility
Company added the suites at the request of its clients in the film and music video industries
Audio
Salsa Sound updates AI-based audio mixing platform aimed at sports broadcasting
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
Audio
NHK announces ‘world’s first’ live mixing console for object-based audio
New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...
Audio
Cleanfeed introduces Aux Outputs for TV and film industry
Feature can be used for sound design, Foley and ADR
Audio
Shure adds portable receiver to its digital wireless system
Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)
Live Production
Lawo helps Eurovision sound as good as ever
Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...
Audio
Avid, Dolby partner on Pro Tools Dolby Atmos production training
Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...
Audio
Dolby puts automated audio enhancements in the Box
Integration enables users to make changes to audio quality without needing to leave Box's cloud
Audio
Ziggo Sport trials AR commentary on El Clasico
Commentator Sierd de Vos will provide additional content for viewers who access the AR content via their smartphones
Audio
BAFTA-winning mixer launches audio post company
George Foulgham credits include Man on Wire, The White Helmets, and The Life and Trials of Oscar Pistorius