Portland Audio adds Dolby Atmos suite
The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
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The suite features an Avid ProTools S6 M40 16 fader console, complete Genelec monitoring system and a Mac-based Dolby Atmos Home Entertainment RMU
The top match every Saturday will be available with enhanced audio
dock10's Madeleine Jones discusses how she got her start in the media industry, why no day is ever quite the same, and finding a...
During his career, Richard Pryke has also worked on a number of projects, including Bird Box, Die Another Day, V for Vendetta, and 127 Hours
.edge provides full support for the SMPTE ST2110 suite of standards with ST2022-7 redundancy built in
The URX-P41D can be used on broadcast and news productions, run-and-gun style interviews, documentaries and series productions
BBC R&D's Jon Francombe takes a look at the latest trends in audio delivery
MPEG-H Audio is the less well known of the two object-based audio systems in the DVB-T2 specification. But, as Kevin Hilton reports, its developer...
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
The latest issue includes a UK exclusive interview with West Side Story's production sound mixer
Broadcaster is using remote production workflows for both video and audio coverage of the Games
Dual-operator installation features two Avid S6 mixers at Babelsberg studios
Company added the suites at the request of its clients in the film and music video industries
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...
Feature can be used for sound design, Foley and ADR
Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)
Company's 64-fader mc²56 consoles are being used both in the OB trucks on site and in a separate music room where the audio of...
Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...
Integration enables users to make changes to audio quality without needing to leave Box's cloud
Commentator Sierd de Vos will provide additional content for viewers who access the AR content via their smartphones
George Foulgham credits include Man on Wire, The White Helmets, and The Life and Trials of Oscar Pistorius
Latest issue takes a look at a new augmented reality app starring two British icons, speaks to the studios plugging the shortfall in UK...
xHE-AAC also offers Netflix improved coding efficiency at low bit rates, an ability to scale up to perceptually-lossless quality at high bit rates, and...
Studer is an audio brand that has been in operation for more than 70 years
Test lets users disable video and listen to the audio of a TV show or film in the background.
TVBEurope gets an exclusive insight into how the Strictly Come Dancing graphics, lighting and audio teams have introduced augmented reality in this year's series.
Alex Wrigglesworth talks about the "bonkers" remote audio production involved in the BBC’s The Choir.
Immersive audio pioneer Felix Krückels talks to TVBEurope about next generation audio, how to prepare, and how to mix the audio for live broadcasts.
DaVinci Resolve 17 includes HDR grading tools, redesigned primary colour controls, next-gen Fairlight audio core and support for 2,000 real-time audio tracks.
Purpose-built facility will be used by dubbing, subtitling and post production agency Authorwave.
Enables broadcasters to combine multiple audio signals and automatically create a single output.
Enables sound engineers to produce immersive and personalisable content using the Audio Definition Model (ADM) format.
Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula E's sound team make sure everything was crystal clear
TVBEurope rounds up the latest tech and product news from StreamAMG, Calrec and Clipsource
Offers audio localisation services for feature films, television, gaming, and streaming industries, as well as ADR recording
Filmmaker Vivek Vadoliya talks to TVBEurope about being part of Adobe Stock Film Fest
Bob Knauf, senior product marketing manager at Poly offers some tips on broadcasting from home
Audio from EA Sports FIFA is being used to help create an atmosphere for fans watching at home
In an industry where the technology is rapidly progressing, we keep working hard to provide the tools that allow OBs to deliver the best...
Just before NAB 2019 TSL announced its acquisition of DNF Controls, a US-based company offering a wide range of human-to-machine and machine-to-machine solutions for...
Company announces new modes of operation for its SAM-Q Platform as well as updates to its PAM-IP and MPA1 Lines