Sky Deutschland to broadcast Bundesliga in Dolby Atmos
The top match every Saturday will be available with enhanced audio
How Pinewood Studios moved ‘in the box’ with its post production sound
Jens Christensen, post production director at Pinewood Group, talks to TVBEurope about the company's move to Avid’s large format S6 control surface as part...
NBC Sports selects tech vendors for Beijing Olympic, Paralympic Games
Broadcaster is using remote production workflows for both video and audio coverage of the Games
Salsa Sound updates AI-based audio mixing platform aimed at sports broadcasting
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
NHK announces ‘world’s first’ live mixing console for object-based audio
New console can take up to 192 audio signal inputs, and output up to 64 channels for transmission (including audio metadata), and up to...
Cleanfeed introduces Aux Outputs for TV and film industry
Feature can be used for sound design, Foley and ADR
Shure adds portable receiver to its digital wireless system
Dual-channel, portable wireless slot receiver is intended for use in sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)
Avid, Dolby partner on Pro Tools Dolby Atmos production training
Aims to help professionals and students recognise the components of a Dolby Atmos content creation studio, and outline workflows for creating immersive audio in...
Dolby puts automated audio enhancements in the Box
Integration enables users to make changes to audio quality without needing to leave Box's cloud
Netflix begins using xHE-AAC audio codec on Android
xHE-AAC also offers Netflix improved coding efficiency at low bit rates, an ability to scale up to perceptually-lossless quality at high bit rates, and...
Evertz acquires Studer brand, technology and related assets
Studer is an audio brand that has been in operation for more than 70 years
Case study: The Choir, lockdown, and audio challenges
Alex Wrigglesworth talks about the "bonkers" remote audio production involved in the BBC’s The Choir.
Jigsaw24 delivers Greece’s first Dolby Atmos-approved audio studio
Purpose-built facility will be used by dubbing, subtitling and post production agency Authorwave.
European broadcaster employs innovative AutoMix solution at Roland Garros
Enables broadcasters to combine multiple audio signals and automatically create a single output.
EBU, IRT, BBC R&D release open-source, next-gen audio tools
Enables sound engineers to produce immersive and personalisable content using the Audio Definition Model (ADM) format.
Boom! How Formula E used shotgun mics to maintain social distancing
Doreen Greaton discovers how shotgun microphones and in-ear monitors helped Formula E's sound team make sure everything was crystal clear
StreamAMG scores with West Brom TV, Calrec takes training online, and more
TVBEurope rounds up the latest tech and product news from StreamAMG, Calrec and Clipsource
Creating content that speaks to today’s challenging times
Filmmaker Vivek Vadoliya talks to TVBEurope about being part of Adobe Stock Film Fest
‘It’s about creating an atmosphere’: LaLiga innovates the broadcast experience
Audio from EA Sports FIFA is being used to help create an atmosphere for fans watching at home
TSL Products Continues to develop Audio Monitoring Solutions
Company announces new modes of operation for its SAM-Q Platform as well as updates to its PAM-IP and MPA1 Lines