Media Management
A codec revolution
Could pure AI encoding reinvent compression and make traditional codecs obsolete? Monica Heck examines what the future might look like in the encoding space
4K
Media Consumption
Apple to update visual podcast viewing experience on TV
The update will include a new sidebar navigation for easier browsing, and support for podcast creators’ episode and show artwork
Live Production
Sony debuts new 4K HDR cameras
Incorporating enhanced imaging performance and system expandability, the five new models feature a 2/3-inch three-chip 4K CMOS image sensor with global shutter functionality
Live Production
Haivision debuts Makito ONE live video contribution platform
The flexible, all-in-one solution features H.264, HEVC, JPEG XS and configurable encoding/decoding on a single compact blade
Live Production
NATO upgrades broadcast studio to 4K
The requirements called for a 4K/HD portable studio camera system with SMPTE fibre connectivity
Artificial Intelligence
Latest Google Veo boosts AI vertical, 1080p video creation
The upgrade supports native vertical outputs to power mobile-first, short-form video creation
Production & Post
Back on track for Christmas
Having produced a festive smash for Channel 4 in 2024, Salford’s King of Sunshine Productions set out to do it again with Nordic Train...
Media Delivery
Telefónica transforms 4K VoD delivery with Ateme cloud solutions
Built on Google Cloud Platform, the solution aims to drive scalable, high-quality content delivery across Telefónica’s international operations
Media Consumption
Why UHD TV could prove to be an eyeful for viewers
For an average-size UK living room, with 2.5 metres between the TV and the sofa, a 44-inch 4K or 8K TV would not provide...
Virtual Production
Disguise launches portable version of Designer software
Disguise X1 aims to allow production teams to scale their visual workflows with on-the-go access to its Designer solution
Live Production
Canon unveils new optical unit for 4K broadcasting
The unit can be integrated into UHD-DIGISUPER 122 and UHD-DIGISUPER 111 field box lenses to help create images with a shallow depth of field
Media Consumption
F1 TV adds 4K HDR and multiviewer capabilities
The multiviewer option, available on select devices, lets viewers watch the F1 live feed, onboard cameras and live timing pages together on one screen
Production & Post
Versa Studios Manchester opens in former Granada TV home
With over 200,000 square feet of production space, the studios aim to meet the needs of any production
Production & Post
Case study: Creating 90 episodes in 90 days
For German broadcaster RTL2’s new streaming series La Familia - House of Reality, Munich-based production company SUPERAMA took on all aspects of post production
Live Production
Spain’s RTVE goes 4K with Sony’s FX9 cameras
Sony FX9 full frame cameras enabled a cinematic look, providing an immersive experience for audiences watching Los Conciertos de Radio 3
Live Production
Proton Camera Innovations launches world’s smallest 4K broadcast-quality camera
Weighing just 37g, PROTON 4K aims to provide distortion-free visuals in a variety of shooting conditions
Live Production
Sony leverages AI for two new 4K camcorders
Both cameras include AI subject recognition, auto focus (AF), and support for 4K 60p/120p recording
Audio
Wohler unveils upgrade path from 3G to 12G for audio/video monitors
The module Includes a single BNC as well as a SFP cage for a 12GSDI or ST2110 (@1080p) input and works with most 1U...
Media Consumption
Why HDR-powered HD rivals 4K UHD for a better viewing experiences
Head of business development for wireless and HDR at Phillips, Rick Dumont, discusses why HDR can help broadcasters and streaming services improve the user experience...
Live Production
Vizrt launches first native NDI Bridge multi-channel video conversion tool
The workstation enables multi-channel 4K video and audio connectivity with a simple internet or network connection, anywhere in the world
Sponsored
Setting a new standard for storage
EditShare’s new EFS NVMe storage solution allows creative professionals to deliver their 4K and 8K projects with unprecedented levels of performance and throughput
Live Production
The 4K cameras giving audiences an astronaut’s view of Earth
TVBEurope meets Charles Black, founder and CEO of Sen, which has sent a payload of 4K cameras to the ISS to livestream images of...
Production & Post
Broadcast mastering company Eurotape Media upgrades technology
The company has opted for the latest version of the R&S Clipster 6 Mark 2 from Rohde & Schwarz to achieve up to a...
IP Migration
A new era of flexibility, scalability, and efficiency in content production and distribution
TVBEurope meets Matrox Video’s Alberto Cieri to discuss everything from the on-going adoption of IP to 8K and HDR, the expansion of IPMX into...
Business
TVBEurope December 2023 issue out now
TVBEurope's final issue of 2023 talks to the director of Aardman's latest film, meets Telestream CEO Rhonda Bassett-Spiers, and investigates the latest developments in...
Live Production
Sony helps the Vatican go 4K
Upgrades include remotely controlled PTZ cameras in St Peter's Basilica, as well a "cinematic feel" in St Peter's Square
IP Migration
LiveU adds 4K/Quad HD receiver to its IP-video ecosystem
The LU400 ST 2110 enables a resilient, low latency IP-to-IP workflow for receiving a single 4K video feed or up to four full HD...
Production & Post
Sony launches new 4K camera for broadcast studios
The HXC-FZ90 includes HLG and S-Log3 built-in support for SR Live workflow
Production & Post
Canon zooms in on new 4K, 8K and HDR lenses
According to Canon, the CN-E14-35mm T1.7 L S / SP and CN-E31.5-95mm T1.7 L S / SP are the fastest Super 35mm lenses on...
Production & Post
Avid unveils new storage solutions for Ultra-High Resolution workflows
The Avid NEXIS | F2 Sold State Drive can be used with 4K, 8K and HDR content, with capacity to scale from 38.4TB to 307.2TB...
Production & Post
Telestream introduces new PRISM MPP for remote workflows
All three models can be mounted in an equipment room and accessed via KVM or WebRTC network connectivity, making them available for live and remote...
Media Management
Spin Digital integrates Zixi for 4K/8K immersive video
The bandwidth efficiency and error-free delivery included with the integrated solution are vital for supporting advanced UHD/8K video applications, said Zixi
Live Production
Why camera shading has never been more important
Bruce Lane, US regional sales manager, Telestream, argues that in the not-too-distant past, productions could occasionally get away without shading cameras to perfection for...
Media Consumption
Spanish broadcaster RTVE employs SAPEC solutions to deliver 4K DTT broadcasts
The Sivac-ONE Media Processor module (SMP1000), received the signal sent from the IBC in Qatar via IP and fibre, decoding it so that both...
Media Consumption
Spain gives UHD broadcasts the green light
UHD Spain announced that the tests will take place in "practically all the provincial capitals and in some additional important cities"
Media Consumption
Spain’s RTVE set for ‘world first’ 4K DTT broadcast
Broadcaster will air around 20 matches from the FIFA World Cup in Qatar in 4K UHD
Live Production
LiveU prepares for ‘largest ever’ deployment in Qatar
Company says "hundreds" of its 5G/4G field units have been booked by global broadcasters for 4K/HD quality live coverage of the tournament
Media Consumption
The coming of age of 12G
With recent advances in product design, it’s increasingly apparent that many in the broadcast industry are going to bypass quad-link solutions in favour of...
Media Consumption
4K/UHD for all – a pipedream or reality?
MediaKind's principal technologist Tony Jones takes a look at how the battle to deliver top-resolution quality to all consumers everywhere comes down to a...
Live Production
LiveU unveils next-gen portable encoder with 4K and HEVC capabilities
It weighs just over 900g (2 lbs), and can stream up to 4Kp60 resolution in H.264 or HEVC
Live Production
Globecast delivers end-to-end 4K coverage of ultra-trial race
Company partnered with Solution RF to acquire the content using Ultra-HD and HD hybrid video acquisition and HF transmission
Production & Post
Remastering classic French horror Brotherhood of the Wolf into 4K
Returning to cinemas today, the cult classic was originally shot on 35mm film. Senior colourist Jérôme Bigueur discusses the decision and challenges of remastering...