Media Management
Hitomi boosts colour confidence with Spectra
The solution confirms colour remains accurate as pictures move through complex production and distribution routes
LUTs
Live Production
ARRI expands range with new ALEXA 35 Live Xtreme
The latest addition to the ARRI family features high frame rate output of up to 8x to live productions using traditional SDI workflows
Production & Post
Boldly going
Cinematographer Tommy Maddox-Upshaw tells TVBEurope about the creative vision and processes driving his work on Paramount+ series Star Trek: Starfleet Academy
Production & Post
Behind the lens of The Testament of Ann Lee
Cinematographer William Rexer discusses the film's visual inspirations drawn from Baroque masters like Caravaggio, and the challenges of lighting the film using candlelight, the...
Production & Post
ARRI Film Lab makes digital look and feel like film
The plug-in builds on the company's image processing legacy to simplify creative control of grain, colour, halation and gate weave.
Production & Post
Grading the candidates
Now in its 19th season, BBC One’s The Apprentice continues to innovate in terms of its look. Colourist Andrew Cloke tells TVBEurope's Jenny Priestley...