Winners announced at FilmLight Colour Awards ceremony
Six colourists were celebrated at the November 17th event
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Six colourists were celebrated at the November 17th event
Ahead of this year's FilmLight Colour Awards, jury member Jax Harney, founder and senior colourist at X-LDN speaks to TVBEurope about the colourist's role...
This year's awards include Emerging Talent, which celebrates the work of young colourists (age 18-35) in commercial and music video creation
Colourist Eric Whipp discusses the challenges of creating the look for George Miller's epic blockbuster
Nara can natively decode and playback a wide selection of media without the need to transcode to proxy files
Colourists can copy corrections and enhancements made in Face Track to the entire timeline
The 2023 FilmLight Colour Award winners were announced by jury president Lawrence Sher, ASC, at a ceremony during EnergaCAMERIMAGE in Poland yesterday
"Our jury meetings so far have illuminated how fundamental the colourists’ work is in the film-making process," said jury president Lawrence Sher
Chair of this year's FilmLight Colour Awards Lawrence Sher talks about his working relationship with colour and colourists
The annual FilmLight Colour Awards are open to colourists on any grading platform and entries are judged by an independent panel of cinematographers, colourists...
Colourist Raúl Lavado explains how he created emotions with colour for Spain's first original Disney Plus series
Colourist Shiva Kumar details his work on Oscar contender RRR (Rise, Roar, Revolt)
The awards recognise the work of colourists using any technology platform while working across theatrical feature, TV series/episodic, commercial, music video and spotlight
Colourist Eric Whipp discusses how using Baselight helped him create the look of the fantasy drama
TVBEurope hears from some of the judges at this year's FilmLight Colour Awards, which celebrate the work of colourists on TV and film productions
Annual awards celebrate the best in colour grading across film, TV, commercials and music videos
Wolfgang Lempp, CEO of FilmLight, explains the driving force and inspiration behind the launch of the new FilmLight Colour Awards 2021
Director Anastasia Mikova and colourist Stéphane Azouze recall shooting and grading a powerful documentary
Featuring Marshall Electronics, Blackmagic Design and FilmLight
VideosInvites IBC visitors to participate in live presentations and discussions with colourists
How are Youngster's colourists and creative artists using FilmLight’s Baselight to colour grade content?
Selected to meet growing 4K workload and prepare for 8K projects
We explore the world of outside broadcasting, and explore the scanning work carried out on Oscar-nominated First Man
Identifies production products that meet streamer's standards
FilmLight will be showing the new features of Baselight v5 for Avid and NUKE, along with BLG for Flame, the latest product in the...
TVBEurope talks to Ronney Afortu, whose credits include Golden Globe winner In The Fade
Sessions will cover HDR, colour workflows, and new grading and delivery tools
Technicolor colourist Maxine Gervais discusses her work on Marvel Studios' epic blockbuster
Technicolor has extended its colour grading capabilities in Hollywood with FilmLight’s Baselight X system
The pair offer six different kits incorporating Black Box’s digital KVM extension solution
TVBEurope is taking a closer look at the nominated projects for each of the 17 TVBAwards, in the run up to the event on...
London creative post house LipSync Post has opened its third grading suite, incorporating a Baselight grading system and Blackboard control panel from FilmLight.
NewsDolby Vision, a complement to both HD and 4K, is a new imaging technology that helps content creators and television manufacturers deliver a dramatically...
NewsThe Equalizer, the new thriller starring Denzel Washington, was graded on Baselight EIGHT at Colorworks, the finishing facility on the Sony Pictures lot at...
NewsDublin-based post house Windmill Lane has upgraded its colour grading department with a new FilmLight infrastructure.
The second season of House of Cards, the political drama from Netflix, was released on 14 February 2014. For the first time, 4K and...
The Warner Bros MPI team, with colourist Maxine Gervais chose Baselight colour suite for dailies and DI, for the film adaptation of Jersey Boys.
The second series of Netflix House of Cards, had its 4K post production managed by Deluxe.
Soho-based post production house Platform Post has opened its first grading suite incorporating a Baselight ONE grading system, Blackboard control panel and Baselight for...