How Blackmagic’s DaVinici Resolve helped Oscar-winning film make the grade
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
Case study: Recreating the technicolour era for Ku’damm 63
How ZDF drama series Ku'damm 63 was graded in both SDR and HDR
Case study: Wash crosses The Bridge from SDR to HDR
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Case study: Returning to the 1940’s for Atlantic Crossing
Colourist Dylan R. Hopkin takes us behind the scenes of the eight-part historical drama series.
Nu Buyana Fim Studios opens London post production facility
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
Case study: Crafting the titles for Sky Atlantic’s Riviera
The Morrison Studio and Lexhag VFX detail the creative process behind the one- minute long, main title sequence.
Case study: Behind the grade on Sky Atlantic’s I Hate Suzie
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Case study: Finding a dramatic look for comedy series Mandy
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Blackmagic Design announces camera and post production updates
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1
Blackmagic RAW workflow deployed on Channel 5’s Clink
Prison drama shot in 4K using Blackmagic RAW 12:1 constant bitrate
Post production house Wash relocates to new facility
Facility includes a new hero suite, capable of handling 4K Dolby Vision Mastering