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How colourist Dylan R Hopkin utilised Davinci Resolve to being the drama to life, including greenscreening the lead character's coat to create the right...
How the German post production facility rebuilt its colour grading workflow with DaVinci Resolve
Edison's senior colourist Carl Skaff details the work behind the scenes on the Netflix drama, and the importance of maintaining the show's look in...
How Michelle Cort, senior colourist at Outpost Facilities, created the muted colour palette for the creepy horror movie
Returning to cinemas today, the cult classic was originally shot on 35mm film. Senior colourist Jérôme Bigueur discusses the decision and challenges of remastering...
DaVinci Resolve for iPad supports H.264, H.265, ProRes and Blackmagic RAW media files
From the Edge of the Clouds was shot in 1080p using Blackmagic RAW and edited and graded with DaVinci Resolve
Colour is a crucial part of documentary film My Old School, with one of the main challenges unifying its animated and live sections
How animation studio Hazimation used DaVinci Resolve Studio to produce its new feature film, Rift
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
Company has announced a number of new cloud-based storage products, as well as a new version of DaVinci Resolve
UK's only full-service film laboratory and digital dailies facility invests further in DaVinci Resolve
Colourist Martin Szafranek recalls finding the Sky Deutschland series' emotional tone
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
How colourist Dylan R Hopkin created the look of the latest TV adaptation of the classic fairytale
DaVinci Resolve can work with up to 12 streams of 8K footage
Blackmagic Design has announced the release of DaVinci Resolve 17.3, which comes with a speed increase that CEO Grant Petty hails "hard to believe"...
Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
A mockumentary shooting style and an encouragement to ad-lib has tickled the nation's funny bone enough to launch Meet the Richardsons into a second...
How ZDF drama series Ku'damm 63 was graded in both SDR and HDR
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Colourist Dylan R. Hopkin takes us behind the scenes of the eight-part historical drama series.
DaVinci Resolve 17 includes HDR grading tools, redesigned primary colour controls, next-gen Fairlight audio core and support for 2,000 real-time audio tracks.
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
The Morrison Studio and Lexhag VFX detail the creative process behind the one- minute long, main title sequence.
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Colourist Simone Grattarola discusses his work grading the BBC One series
Colourist Gary Curran talks to TVBEurope about his work on the hit BBC drama
The five-part adaptation of Jenny Nimmo’s bestselling fantasy novel series promises to keep the kids entertained while delivering a grown-up, eighties aesthetic
Case Studies
Head of post at LA Productions, Patrick Hall, looks back on 11 years developing BBC hit drama Moving On
Colourist Dylan R Hopkin describes creating a palette for BBC Four crime drama, Wisting
Added grading suite with Resolve Mini Panel
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1
Prison drama shot in 4K using Blackmagic RAW 12:1 constant bitrate
Facility includes a new hero suite, capable of handling 4K Dolby Vision Mastering
Company's Fairlight and DaVinci Resolve were used in the new advertising campaign
After first announcing the update back at NAB last April, Blackmagic Design has now released the new DaVinci Resolve 12 in one of the...
News
DaVinci Resolve 12, the latest upgrade to Blackmagic’s colour grading system is being showcased at IBC, with roughly 80 new features aimed at editors...