Media Management
Blackmagic pivots to cloud
Company has announced a number of new cloud-based storage products, as well as a new version of DaVinci Resolve
davinci resolve
Production & Post
Cinelab further invests in post production capabilities
UK's only full-service film laboratory and digital dailies facility invests further in DaVinci Resolve
Production & Post
How DaVinci Resolve set the mood on Pagan Peak
Colourist Martin Szafranek recalls finding the Sky Deutschland series' emotional tone
Production & Post
Case study: How classic Hollywood inspired the look of Toast of Tinseltown
Suite Post colourist Lee Clappison explains how he created the look for Steven Toast's latest outing
Production & Post
Creating Three Wishes for Cinderella
How colourist Dylan R Hopkin created the look of the latest TV adaptation of the classic fairytale
Production & Post
Blackmagic updates DaVinci Resolve for Apple’s M1 chips
DaVinci Resolve can work with up to 12 streams of 8K footage
Production & Post
Blackmagic releases DaVinci Resolve 17.3
Blackmagic Design has announced the release of DaVinci Resolve 17.3, which comes with a speed increase that CEO Grant Petty hails "hard to believe"...
Features
Making the grade for ‘Our NHS: A hidden history’
Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
Production & Post
Grading Norwegian episodic comedy, Pørni
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Production & Post
How Blackmagic’s DaVinici Resolve helped Oscar-winning film make the grade
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
Production & Post
Case study: Grading the show within a show
A mockumentary shooting style and an encouragement to ad-lib has tickled the nation's funny bone enough to launch Meet the Richardsons into a second...
Production & Post
Case study: Recreating the technicolour era for Ku’damm 63
How ZDF drama series Ku'damm 63 was graded in both SDR and HDR
Production & Post
Case study: Wash crosses The Bridge from SDR to HDR
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Production & Post
Case study: Returning to the 1940’s for Atlantic Crossing
Colourist Dylan R. Hopkin takes us behind the scenes of the eight-part historical drama series.
Production & Post
Blackmagic Design unveils new DaVinci Resolve
DaVinci Resolve 17 includes HDR grading tools, redesigned primary colour controls, next-gen Fairlight audio core and support for 2,000 real-time audio tracks.
Production & Post
Nu Buyana Fim Studios opens London post production facility
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
Production & Post
Case study: Crafting the titles for Sky Atlantic’s Riviera
The Morrison Studio and Lexhag VFX detail the creative process behind the one- minute long, main title sequence.
Production & Post
Case study: Behind the grade on Sky Atlantic’s I Hate Suzie
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Production & Post
Case study: Finding a dramatic look for comedy series Mandy
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Production & Post
Talking colour grading on Talking Heads
Colourist Simone Grattarola discusses his work grading the BBC One series
Case Studies
Case Study: The Making of Normal People
Colourist Gary Curran talks to TVBEurope about his work on the hit BBC drama
Production & Post
Case study: CBBC’s The Snow Spider
The five-part adaptation of Jenny Nimmo’s bestselling fantasy novel series promises to keep the kids entertained while delivering a grown-up, eighties aesthetic
Case Studies
Media Management
Creating a modern anthology
Head of post at LA Productions, Patrick Hall, looks back on 11 years developing BBC hit drama Moving On
Production & Post
A Norwegian twist
Colourist Dylan R Hopkin describes creating a palette for BBC Four crime drama, Wisting
Production & Post
VRT installs DaVinci Resolve for 4K production
Added grading suite with Resolve Mini Panel
Features
Crossing over with The Finish Line
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
Production & Post
Blackmagic Design announces camera and post production updates
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1
Production & Post
Blackmagic RAW workflow deployed on Channel 5’s Clink
Prison drama shot in 4K using Blackmagic RAW 12:1 constant bitrate
Production & Post
Post production house Wash relocates to new facility
Facility includes a new hero suite, capable of handling 4K Dolby Vision Mastering
Audio
How Blackmagic Design put the sound in BBC Sounds
Company's Fairlight and DaVinci Resolve were used in the new advertising campaign
News Releases
Blackmagic Design releases DaVinci Resolve 12
After first announcing the update back at NAB last April, Blackmagic Design has now released the new DaVinci Resolve 12 in one of the...
News
IBC
New look DaVinci Resolve
DaVinci Resolve 12, the latest upgrade to Blackmagic’s colour grading system is being showcased at IBC, with roughly 80 new features aimed at editors...
Features
Exploring the darker side of fame and success
From the production team behind Senna comes an emotionally charged documentary film chronicling British singer-songwriter Amy Winehouse’s life and career, featuring previously unseen archive...