Making the grade for ‘Our NHS: A hidden history’
Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
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Editor Adam Garstone writes for TVBEurope on the edit and grade for the BBC documentary which aired on BBC1 on 15th July
Senior colourist Dylan R Hopkin discusses series where every episode has its own unique colour palette
Another Round picked up the Oscar for Best International Film overnight, with grading carried out on DaVinci Resolve Studio
A mockumentary shooting style and an encouragement to ad-lib has tickled the nation's funny bone enough to launch Meet the Richardsons into a second...
How ZDF drama series Ku'damm 63 was graded in both SDR and HDR
Colourist Jon Dobson discusses how he created both a SD and HDR version of reality TV series, The Bridge
Colourist Dylan R. Hopkin takes us behind the scenes of the eight-part historical drama series.
DaVinci Resolve 17 includes HDR grading tools, redesigned primary colour controls, next-gen Fairlight audio core and support for 2,000 real-time audio tracks.
Main theatre features a 24ft cinema screen, 7.1 and 5.1 surround sound, and has room for 16 socially distant attendees.
The Morrison Studio and Lexhag VFX detail the creative process behind the one- minute long, main title sequence.
Colourist Simone Grattarola discusses the many different looks for Billie Piper's new show.
Colourist Lee Clappison and DP Pete Rowe discuss their work on the BBC Two comedy series
Colourist Simone Grattarola discusses his work grading the BBC One series
Colourist Gary Curran talks to TVBEurope about his work on the hit BBC drama
The five-part adaptation of Jenny Nimmo’s bestselling fantasy novel series promises to keep the kids entertained while delivering a grown-up, eighties aesthetic
Case StudiesHead of post at LA Productions, Patrick Hall, looks back on 11 years developing BBC hit drama Moving On
Colourist Dylan R Hopkin describes creating a palette for BBC Four crime drama, Wisting
Added grading suite with Resolve Mini Panel
Zeb Chadfield, owner of The Finish Line, explains why he decided to move to Blackmagic’s DaVinci Resolve for finishing and delivery
Includes new UltraStudio 4K Mini and a public beta version of DaVinci Resolve 16.1
Prison drama shot in 4K using Blackmagic RAW 12:1 constant bitrate
Facility includes a new hero suite, capable of handling 4K Dolby Vision Mastering
Company's Fairlight and DaVinci Resolve were used in the new advertising campaign
After first announcing the update back at NAB last April, Blackmagic Design has now released the new DaVinci Resolve 12 in one of the...
NewsDaVinci Resolve 12, the latest upgrade to Blackmagic’s colour grading system is being showcased at IBC, with roughly 80 new features aimed at editors...
From the production team behind Senna comes an emotionally charged documentary film chronicling British singer-songwriter Amy Winehouse’s life and career, featuring previously unseen archive...