Production & Post
Wolf Hall colourist joins Technicolor London
Sam Chynoweth joins Technicolor's features team
colourist
Features
Meet the colourist: Ronney Afortu
TVBEurope talks to Ronney Afortu, whose credits include Golden Globe winner In The Fade
Features
Bringing colour to Black Panther
Technicolor colourist Maxine Gervais discusses her work on Marvel Studios' epic blockbuster
Interviews
Meet the colourist
Asa Shoul, senior colourist, Molinare TV & Film, talks stylistic differences, natural light and beautiful grading
Business
Ridley Scott’s Exodus get Da Vinci treatment
Blackmagic’s DaVinci Resolve was used at Deluxe Creative Services' Company 3 by colourist Stephen Nakamura to grade 20th Century Fox’s Exodus: Gods and Kings,...
Production & Post
Denzel Washington thriller finished on Baselight
The Equalizer, the new thriller starring Denzel Washington, was graded on Baselight EIGHT at Colorworks, the finishing facility on the Sony Pictures lot at...
Production & Post
Brazil’s largest post house installs Da Vinci
Brazil’s O2 Post is installing 80 DaVinci Resolve licenses and three DaVinci Resolves, forming one of the largest DaVinci Resolve workflows in the world.
Business
SGO France opens its doors
Madrid-based SGO has launched a new office in France which will open its doors next month
Production & Post
Ireland’s Windmill Lane upgrades grading
Dublin-based post house Windmill Lane has upgraded its colour grading department with a new FilmLight infrastructure.
Business
Warner Bros selects Baselight for Clint Eastwood’s Jersey Boys
The Warner Bros MPI team, with colourist Maxine Gervais chose Baselight colour suite for dailies and DI, for the film adaptation of Jersey Boys.
Production & Post
Platform Post opens suite with Baselight
Soho-based post production house Platform Post has opened its first grading suite incorporating a Baselight ONE grading system, Blackboard control panel and Baselight for...