cameras

Production & Post

50 cameras to cover UEFA Europa League final

Mediapro will have 200 members of staff on site for the match, employing two OB units

Production & Post

Sony introduces ‘world’s first’ true optical zoom lens on a smartphone

The Xperia 1 IV includes 4K 120 frames per second (fps) slow-motion video recording on all lenses

Media Management

‘2021 was about cloud acceptance, 2022 is about adoption’

Grass Valley's Tim Banks talks to TVBEurope about the broadcast industry's adoption of cloud technology, and how the company's LDX 150 cameras will take...

Business

Second Arena Television equipment sale to take place next week

Final sale of equipment will take place live and online on 4th May

Live Production

Sony focuses on imaging, IP, cloud and virtualisation with latest updates

Company announced updates for Hawk-Eye, a number of its cameras, and virtual production technologies

Live Production

EMG, BT Sport aim to deliver Fury v Whyte knock out punch with 4K HDR workflow

Sony's HDC-F5500 camera will output UHD Slog3 live images into the rest of the production chain, which will then be transmitted to viewers at...

Live Production

Lumens introduces new PTZ camera for video production and live streaming

The VC-R30 features simultaneous 3G-SDI, HDMI, USB 3.0 and Ethernet video connector

Live Production

ARRI introduces next-gen camera stabilisers

New modular system has been redesigned to add enhancements to camera movement, connectivity, power management, user interface, balance options, and product longevity

Live Production

Motion Impossible launches magnetic strip-guided dolly system

MagTrax made its debut earlier this week at the 94th Academy Awards

Live Production

Riedel, Skyroads partner to deliver $20 million SKYBOT-CAM systems order to SailGP

SKYBOT-CAM combines high payload drones with professional broadcast gyro stabilised camera systems

Production & Post

Netflix approves use of Sony VENICE 2 8K camera

Sony released VENICE 2 late last year, it features a newly developed full-frame 8.6K sensor as well as the original 6K VENICE sensor

Live Production

Sony brings latest entry into HDC camera series to the European market

Among its features is a motorised 8-step ND filter adopted from Sony's digital motion picture camera VENICE, which can be controlled locally or remotely

Production & Post

Imax developing next generation cameras with Kodak, Panavision and FotoKem

Company is also working with leading filmmakers, including directors Christopher Nolan and Jordan Peele

Production & Post

Do look up! Lumens launches 4K UHD ceiling camera

Camera is described as ideal for cookery shows, shopping and gambling channels and craft-making programmes

Live Production

How new camera technology captured dramatic Carabao Cup final

The match between Chelsea and Liverpool saw the highest peak audience of the 2021/22 football season

Production & Post

Panasonic introduces LUMIX GH6

The new Venus Engine has also been upgraded with advanced image processing technologies to render high-resolution imagery with natural noise texture and rich colour...

Production & Post

Korean director Park Chan-wook shoots short film entirely on iPhone

Among the features used by the production were iPhone's Cinematic mode, macro video, Night Mode, Ultra Wide camera, Telephoto camera, optical image stabilisation and...

Live Production

Broadcast Solutions aims to revolutionise wireless video transmitters

meshLINK provides state-of-the-art video encoding, full-duplex IP and Mesh networking

Live Production

Vislink debuts new camera for AI-powered sports production

Camera is designed for artificial intelligence powered live sports production and features UHD, high frame rates, and zooming capabilities

Production & Post

Canon launches new 8K camera with dedicated Timecode In/Out terminal

In a first for Canon, the EOS R5 C has been fitted with a dedicated Timecode In/Out terminal for integrating into a professional multi-camera...

Production & Post

Mo-Sys debuts G30 gyro-stabilised camera head

Mo-Sys said it designed the G30 with an eye towards making a gyro-stabilised head that would meet the needs of any broadcast or film...

Business

Arena Television’s broadcast assets to be sold online

Sale includes nine broadcast trailers and rigid trucks as well as over 100 cameras and 100 lenses

Live Production

Ross Video pan, tilts and zooms in 4K UHD/NDI

Two new PTZ cameras feature a 9.17megapixel, 1/1.8 inch CMOS sensor, and capture full 4K UHD 60fps and progressive HD video

Production & Post

Sony unveils VENICE 2 motion picture cameras

Upgrades the original VENICE camera while maintaining its colour science

Live Production

Monogram’s modular control surface joins Ross Video product line

Creative Console is fully customisable depending on operator requirements

Live Production

Blackmagic unveils broadcast camera with 6K digital film sensor

"URSA Broadcast G2 can be used as a production camera, a studio camera or a digital film camera, so it’s really three cameras in...

Live Production

Panasonic focuses on LUMIX S 35mm F1.8 lens

Also unveils firmware update for LUMIX GH5 II camera which supports 4K live-streaming for both indoor and outdoor use

Production & Post

Vinten introduces weatherproof heavy-payload robotic pan and tilt head

The FHR-155E has a maximum payload capacity of 90kg/200lb, and is insulated against extreme temperatures with an operating range of 4°C to 50°C

Production & Post

Fujifilm launches new 4K broadcast lens and zoom rate demand unit

Both products will be available from the end of November

Features

Broadcast cameras: Market dynamics and key considerations

Ronny van Geel, director of product management at Grass Valley, examines some of the key areas media companies need to consider when investing in...

Live Production

Gravity Media smashes tennis coverage with Dream Chip AtomOne Mini Air Camera

Mini Air's lens is little bigger than a one euro coin and weighs 25 grams

Live Production

MRMC adds Agile Remote Cameras to PTZ line-up

MRMC says it sees the ARC360 range taking on "potentially significant roles" as part of Polymotion Player, its sports automation offering for broadcasters

Production & Post

RED’s latest camera shoots 8K at 120 FPS

Camera features the highest dynamic range, fastest cinema-quality sensor scan time, cleanest shadows, and highest frame rates of any camera in RED’s lineup