Live Production
Vatican places faith in Sony for historic announcement of Pope Leo XIV
The HDC-5500's precise high-frame rate capture and 4K HDR output ensured the coverage reached a worldwide audience in the millions, said the company
cameras
Live Production
Olympic Broadcasting Services opens training programme for female camera operators
It also aims to provide participants with the skills needed to work as camera operators during the Olympic Winter Games next year
Production & Post
Sony focuses on new compact Cinema Line camera
The camera can handle up to 13 hours of continuous recording in 4K 60p2, and offers variable frame rate settings, allowing up to 60...
Production & Post
ARRI launches Camera Companion App
The solution enables control of single or multiple ARRI cameras via a customisable user interface
Live Production
Grass Valley’s new 10K camera can ‘drop into existing infrastructure’
"Having something that just drops into your existing infrastructure and just works like any other camera is the main advantage," Grass Valley CTO Ian...
Production & Post
More robotic control with Vinten VEGA upgrades
The new upgrades aim to enable smarter tracking, greater control, and faster workflows while expanding interoperability across robotic systems
Live Production
Cloudbass selects Grass Valley cameras and switchers for two new IP-based trucks
Both trucks have been designed for both on-site and remote production workflows, and are designed to handle a mix of HD, UHD and super...
Production & Post
Analysts: The pro video camera market is caught between disruption and opportunity
According to Futuresource Consulting, the pro video industry is poised for transformation and manufacturers can target evolving content creation trends to carve a path...
Production & Post
World’s smallest global shutter broadcast camera to debut at NAB Show
According to the company, the AtomTwo's colour reproduction, global shutter and wide colour gamut make it simple to match to box cameras in major...
Production & Post
Panasonic’s new Lumix camera captures 8K video
Panasonic also intends to launch a new Flow app to enhance production workflows across short films, documentaries, music videos, and corporate promotional videos
Production & Post
Blackmagic Design reveals customisable URSA Cine 12K camera
The URSA Cine 12K LF Body excludes shoulder mounts, handles, some lens mounts, battery plates, power supply, lenses and the high capacity 8TB media...
Live Production
Over 100 Sony cameras to capture every play of Super Bowl LIX
FOX Sports will use 97 Sony HDC Broadcast System cameras, one FR7 Cinematic PTZ camera, three FX6 full-frame cinema cameras, one Alpha 7 III...
Production & Post
ARRI launches ALEXA 35 Base camera with flexible upgrade options
A suite of five licences can be purchased, upgrading the camera to meet specific requirements as needed
Production & Post
Sony debuts new features ahead of BURANO v2.0 release
The upgrade will include additional recording modes, added support for SDI output, proxy recording and more
Production & Post
Panasonic introduces four new 4K professional camcorders
Featuring IP connectivity, the cameras aim to provide an end-to-end solution for on-location filming, production and distribution
Production & Post
Netflix approves Blackmagic URSA Cine 12K LF digital film camera
To qualify, cameras must meet capture requirements including dynamic range, codec, resolution and workflow compatibility
Live Production
Ross Video acquires EagleEye aerial camera system
According to Ross Video, the acquisition aligns with its Big Hairy Audacious Goal (BHAG) of achieving $1 billion in revenue by 2030
Production & Post
Blackmagic URSA Cine Immersive camera to launch in Q1 2025
The Blackmagic URSA Cine Immersive is described as the world’s first commercial camera system designed to capture Apple Immersive Video
Live Production
ARRI launches lightweight ARTEMIS 2 Live stabiliser
The stabiliser provides an entry-level route to ARRI's CSS range, and has been optimised for live productions such as sports and event broadcasts
Live Production
Spain’s RTVE goes 4K with Sony’s FX9 cameras
Sony FX9 full frame cameras enabled a cinematic look, providing an immersive experience for audiences watching Los Conciertos de Radio 3
Live Production
Proton Camera Innovations launches world’s smallest 4K broadcast-quality camera
Weighing just 37g, PROTON 4K aims to provide distortion-free visuals in a variety of shooting conditions
Production & Post
Pixipixel rental fleet goes under the hammer
Lots will include cameras, lenses, and lighting from the company which closed its doors last month
Production & Post
Canon debuts new immersive video lens
The company has also announced a new RF lens for sport, wildlife and news video
Production & Post
How cinematographer Haris Zambarloukos captured the colour of Beetlejuice Beetlejuice
Zambarloukos details the cameras and lenses he used to capture Tim Burton's spooky sequel
Live Production
Pixellot debuts latest portable AI-driven camera
Air NXT has new digital stereo microphones, NVidia technology and up to four times more storage than its predecessor, said the company
Live Production
ES Broadcast orders 50 Versine 360 pan and tilt heads from Vinten
The pan and tilt head was designed to respond to the specific needs of live television production and developed in collaboration with outside broadcast...
Live Production
Vinten launches ‘smallest in class’ pan and tilt head
Developed in collaboration with outside broadcast companies, the Versine 360 aims to address the specific requirements of live television production
Production & Post
Canon unveils ‘revolutionary’ EOS C80 camera for filmmaking and live production
The EOS C80 camera blends cutting-edge technology with a compact and ergonomic design, empowering professionals to capture cinematic visuals with greater ease, said Canon
Live Production
Mediaset installs 30 new cameras in a single month
The broadcaster opted for Grass Valley's LDX 135 camera system, enabling 4K native workflows that comply with the SMPTE ST 2110 standard
Live Production
Sony expands product portfolio with new monitors and SMPTE ST 2110 camera
The latest additions to Sony's product range integrate with the company's Networked Live ecosystem
Sponsored
The rise of the machines: How Ross Video is designing robotics to be seen on air
Ross Video's Gina Witzke discusses the company's latest developments in camera robotics technology, and why they should be seen and not heard
Live Production
Sony leverages AI for two new 4K camcorders
Both cameras include AI subject recognition, auto focus (AF), and support for 4K 60p/120p recording
Live Production
Actua Sports deploys sustainable production workflow for European Athletics Championships
Live cameras were placed on fully electric monowheels to provide fresh angles and bring fans even closer to the action during outside broadcasts, the...
Live Production
Camera test chart company DSC Labs to shut down
In a letter posted on the company website, Susan Corley said DSC will continue to accept orders until the end of October and cease...
Live Production
The news never stops: Behind the scenes of ITN’s preparations for Election 2024 Live: The Results
ITN's Jenny King and Jon Roberts talk to TVBEurope about the work that's gone into readying ITV's election night programme, as well as some...
Live Production
24 Hour Party People: The technology behind Sky News’ Election Night Live
UK broadcaster Sky News tells TVBEurope about its election night coverage, which will include augmented reality, BATCAM, LED screens and more
Live Production
ARRI launches single-axis upgradeable Hi-5 SX camera control unit
The new unit is compatible with all existing Hi-5 licenses, such as the Cinefade, RED camera control and Focusbug
Live Production
Canon unveils EOS C400 camera for live production, ENG and virtual production
The camera includes a 6K full frame backside-illuminated, stacked CMOS sensor (BSI), with 16 stops of dynamic range
Live Production
Videosys Broadcast launches camera control system for Sony FX6
The solution enables broadcasters to capture filmic shots without compromising on the control provided by larger systems
Production & Post
SMPTE/RIS-OSVP tests model for ‘circle of confusion’
According to Camera and Lens Metadata committee, modern digital cinema cameras are not accurately representing the usable depth of field achieved with various lenses
Live Production
Spanish women’s football competition scores with AI-driven cameras
Cameras utilise AI technology to automatically follow the action, producing and streaming content without the need for human operators
Live Production
Fujairah TV upgrades studio facilities with Grass Valley
Grass Valley's Masterpiece Master Control Switcher with FormatFusion3 technology will provide a playout solution for all standards from SD SDR to 4K/UHD HDR.