Business Media Cymru offers ยฃ10K seed funding for innovative projects By Jenny Priestley Published: January 25, 2023 ⋅ Updated: January 26, 2023
Business Object Matrix acquired by US firm DataCore By Jenny Priestley Published: January 24, 2023 ⋅ Updated: January 25, 2023
Business Comcast beats Netflix to be named top AV group in Europe By Jenny Priestley Published: January 24, 2023 ⋅ Updated: January 25, 2023
Media Management Managing the compromise between continuity of service and cost By Contributor Published: January 19, 2023 ⋅ Updated: January 20, 2023
Media Delivery Global video traffic rose by almost a quarter in 2022 By George Winslow Published: January 18, 2023 ⋅ Updated: January 19, 2023
Media Delivery Telefonica, Haivision use 5G for live contribution at Spain Sail Grand Prix By Jenny Priestley Published: January 18, 2023
Live Production EMG consolidates RF services under one brand By Jenny Priestley Published: January 17, 2023 ⋅ Updated: January 18, 2023
Media Management ‘We want to be the leading managed services company in Europe’: Red Bee Media’s new CEO discusses the company’s plans By Jenny Priestley Published: January 17, 2023 ⋅ Updated: January 18, 2023
Business ISE 2023 embraces content production and distribution By Jenny Priestley Published: January 16, 2023
Business IBC opens technical papers submissions By Jenny Priestley Published: January 13, 2023 ⋅ Updated: January 16, 2023
Media Delivery Operators need low-latency, but ultra-low? Meh! By Contributor Published: January 12, 2023
People Meet the… senior director of product management and user experience By Jenny Priestley Published: January 11, 2023 ⋅ Updated: January 12, 2023
Media Management What’s in store for the media tech industry in 2023: Cloud, security, FAST and ad-tech By Jenny Priestley Published: January 6, 2023 ⋅ Updated: January 9, 2023
Production & Post Sky Studios Elstree recruits local graduates for HETV training programme By Jenny Priestley Published: January 6, 2023
Media Management Clear Cut Pictures consolidates storage with EditShare By Jenny Priestley Published: January 6, 2023 ⋅ Updated: January 9, 2023
Business DCMS confirms Channel 4 will remain in public ownership, Alex Mahon ‘delighted’ by decision By Jenny Priestley Published: January 5, 2023
Production & Post Zero Density works with multiple European broadcasters on virtual studios By Jenny Priestley Published: January 5, 2023 ⋅ Updated: January 6, 2023
Production & Post Creating the look of Indian epic RRR By Jenny Priestley Published: December 21, 2022
Media Consumption How data, personalisation and interactivity can attract the viewers of the future By Contributor Published: December 16, 2022 ⋅ Updated: December 19, 2022
Media Delivery ITV leverages Accedo’s application frameworks for ITVX By Jenny Priestley Published: December 16, 2022
Live Production Case study: Bringing remote World Cup commentary to viewers across Africa By Contributor Published: December 16, 2022 ⋅ Updated: December 19, 2022
Audio NFL Media headquarters connects with world’s largest Dante Audio network By Jenny Priestley Published: December 9, 2022 ⋅ Updated: December 12, 2022
Production & Post Standing on the shoulders of giants: The start-up reinventing editing software By Jenny Priestley Published: December 8, 2022
Media Delivery It’s all about the CDN, stupid By Jenny Priestley Published: December 8, 2022 ⋅ Updated: December 9, 2022
Live Production Capturing the beautiful game’s global showcase with…LiveU By Jenny Priestley Published: December 7, 2022 ⋅ Updated: December 8, 2022
Media Management Brazil’s Globo trials MPEG-5 LCEVC channel during World Cup By Jenny Priestley Published: December 6, 2022 ⋅ Updated: December 7, 2022
Features Live streaming is booming: how broadcasters can take advantage By Contributor Published: December 1, 2022
Production & Post Ealing Studios reveals expansion plans By Jenny Priestley Published: November 28, 2022
Media Delivery Ericsson to invest ‘millions of pounds’ into 6G network research in the UK By Jenny Priestley Published: November 23, 2022 ⋅ Updated: November 24, 2022
Production & Post Netflix opens Tres Cantos production facility expansion By Jenny Priestley Published: November 23, 2022
Live Production Capturing the beautiful game’s global showcase with…TAG Video Systems By Jenny Priestley Published: November 23, 2022 ⋅ Updated: November 24, 2022
Media Consumption England’s World Cup opener breaks BBC streaming records By Jenny Priestley Published: November 22, 2022
Media Management ‘Thereโs a lot more acceptance of the cloud and a lot less fear’ By Contributor Published: November 17, 2022
Business S&P: TV will benefit the most from Qatar 2022 By Jenny Priestley Published: November 17, 2022 ⋅ Updated: November 18, 2022
IP Migration intoPIX updates JPEG XS codecs to handle 1000fps By Jenny Priestley Published: November 17, 2022
People Meet the…customer success manager By Contributor Published: November 17, 2022 ⋅ Updated: November 18, 2022
Production & Post West Side Story, Euphoria colourists win at 2022 FilmLight Colour Awards By Jenny Priestley Published: November 17, 2022
Live Production Gravity Media uses innovative speciality cameras to capture Billie Jean King Cup By Jenny Priestley Published: November 11, 2022 ⋅ Updated: November 14, 2022
Media Delivery ITVX to launch in time for World Cup Final By Jenny Priestley Published: November 8, 2022
Production & Post ‘We need to work directly with suppliers’: BBC Studios’ head of sustainability discusses the company’s journey to net zero By Jenny Priestley Published: November 7, 2022 ⋅ Updated: November 9, 2022
Production & Post Bristol’s TBY2 production facility opens its doors By Jenny Priestley Published: November 4, 2022 ⋅ Updated: November 7, 2022