Production & Post
Refining the look for Half Man
Blazing Griffin colourist Gareth Bishop discusses his collaborations and grounded approach to grading Richard Gadd’s latest emotionally complex series
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Blazing Griffin colourist Gareth Bishop discusses his collaborations and grounded approach to grading Richard Gadd’s latest emotionally complex series
The suite has been built to full DCI specifications, enabling it to deliver a fully colour-managed theatrical pipeline
The 'milestone' move aims to unite both creative teams under a single banner, leveraging their strengths and enhancing post production capabilities in Scotland
Blazing Griffin's technical operations manager Paul Martin explains how the company keeps production workflows running smoothly with the help of Media Shuttle from Signiant