The current state of WebRTC
Jonas Birmé, VP of research and development, Eyevinn Technology, takes a look at how WebRTC will help companies achieve lower latency than that achieved...
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Jonas Birmé, VP of research and development, Eyevinn Technology, takes a look at how WebRTC will help companies achieve lower latency than that achieved...
Move to DVB-T2 allows broadcasters to distribute HD content and provides more efficient and resilient signals, while freeing up the 700MHz terrestrial frequency for...
Simon Bergmark, chief product officer, Codemill, explains why, as broadcasters and streamers create ever higher volumes of content, clearly defined processes and metadata schemas...
From how it will shape production to security and its impact on advertising technology, the industry is embracing the cloud like never before. TVBEurope...
The company wanted to replace its shared storage with a solution that would consolidate all of its needs into one, and so chose EditShare’s EFS-450...
Jan De Cock, director of codec development, Synamedia, details why the introduction of AMD’s 4th generation EPYC CPUs signals ever-improving video experiences on the...
TVBEurope talks to AWS' Nina Walsh about the company's involvement in James Cameron's latest epic
Hamish Muiry, head of business development and partnership at M2A Media, explains how rights owners and broadcasters can augment their existing workflows with new...
Company's annual reveals year-on-year trends, opportunities for innovation and the headwinds the video developer community faces
Planetcast International's COO Sanjay Duda explains how the flexibility and scalability of cloud-based playout not only helps enable cost-effective DR and the launch of...
The broadcaster has chosen PlayBox's channel-in-a-box playout system to deliver content to viewers
Its aim is to provide the industry with an explanation of media-specific ontologies, the ontologies already in existence, where they are applicable, and how...
A live broadcast channel is leveraging the enhancement layer of LCEVC to convert an existing TV 2.0 signal into a High-Dynamic Range (HDR) 10-bit...
TVBEurope sits down with Marc Aldrich, general manager for global media and entertainment at AWS, to discuss the cloud, FAST, playout, the metaverse and...
EVS has revealed the solutions it is providing to the media group to revamp its operations as it moves to a new campus
Jylland-based broadcaster has signed a multi-year agreement for Avid's Media Composer Enterprise and MediaCentral Platform including MediaCentral | Collaborate
Mathieu Planche, CEO at Witbe, discusses his company's role in testing and monitoring video content for a number of clients capturing the global football...
Net Insight's Nimbra Edge platform will work alongside Globecast's cloud infrastructure to replace the legacy media contribution and distribution solution for the territories the...
Globecast's Ian Redgewell explains how the power of the cloud is leading to a true operational paradigm shift as well as opening up new...
NICT, Japan said a further expansion of transmission capacity can be anticipated by combining this technology with multi-band wavelength-division multiplexing technology
All programme promos and idents are generated on Pixel Power systems, including automated trailer production, jointly developed with ITV as Project Phoenix
TV 2 has transitioned from on-premises to cloud infrastructure with the help of AWS, which the broadcaster says has helped its transformation from...
The GPAC Project on Advanced Content is an open source software that provides a modular multimedia framework for packaging, streaming, inspecting and playing content
Almost half of respondents said they have concerns arising from migration or the increased use of cloud services
The companies have integrated their technologies to increase viewer engagement and drive revenue
Cinegy Capture PRO provides the broadcaster with a simple to install, flexible and reliable ingest resource, with shared access for multiple users, said the...
Shows such as Bridgerton, Heartstopper and Top Boy will be digitally preserved for generations to come, said the BFI
The LiveOS solution moves functionalities traditionally found in dedicated hardware devices to software modules, that run on generic IT servers
The researchers transmitted 1.8 Pbit/s, which was carried by the light from one optical source. That corresponds to twice the current global internet traffic
InterDigital will contribute expertise on immersive codecs, including Visual Volumetric Video (V3), Video-based Point Cloud Compression (V-PCC) and MPEG Immersive Video (MIV)
SMPTE ST 2117-1 (VC-6), is a multi-layer coding standard that utilises in-loop AI techniques
James Arnold, chief commercial officer, Red Bee Media, explains why technology and operations streamlined with a media services approach is beneficial for broadcasters
Tedial CTO Julian Fernandez-Campon looks into the term 'cloud-native' and what it means for broadcasters and content owners
Resource management specialist puts together new executive leadership team while launching its new Media Operations Platform
SportsMax has deployed Synamedia's Vivid PowerVu Workflow-as-a-Service for live sports programming in the cloud
The pandemic saw an archive-based goldmine unearthed as broadcasters and streamers digitised content from previous years. According to Lance Podell, senior vice president and...
ContentBay uses emerging technologies to support the "pain points" of the international distribution community
James Shepherd, CTO, InSync Technology, takes a look at how frame rate conversion can help broadcasters meet the ever-growing demand for high-quality content
Ofcom intends to consider any market features that might limit innovation and growth in the sector by making it difficult for other companies to...
The new encoders and decoders are the first of a series of upcoming codecs for flexAI, said the company
Whip Media's platform maps a FAST network’s performance data to both its linear schedules and internal metadata, creating an automated performance tracking solution for...
Russell Trafford-Jones takes a look at the two codecs vying for adoption and how they’re being received by the media industry